The Sisters collect charitable donations at the gates. I was immediately struck by Schwester Francine’s profile. I asked if I could draw her and her husband, who was keeping her company as she worked the gate. And she agreed and we had a nice chat!
Lots of folx had these t-shirts, which said things like “Spanker>” and “Spankee>” and lots more.
This very good-looking “Slut” was kind enough to let me draw him on my way to The Ballery. He was from Zurich, people come from all over for Folsom Europe. His companion’s shirt said “Daddy”. These were the tame shirts 🙂
I raced over to the stage when I heard it was time for the sash-holders’ photo shoot.
It is not a casual thing, not a beauty contest, to be a title-holder in the Leather Community. It requires learning community history, being of service, and being respected by your peers. Anyone who earns a sash has done the work to know what it means.
Next year I will do a sash-holder feature and sketch as many as I can!
Meanwhile, it is possible for me to make and share these drawings of Europe’s leather family because of the monthly financial support of my Patrons on Patreon.
This Sunday I started a big new portrait of my dear friend Sadie Lune and her wonderful partner Jo.
This is my first diptych painting. It is being done on two canvases, which will be hung together or separately at the choice of my curator Thorsten at @ludwig.berlin when we show the works in early October!
Sadie is wearing her beautiful black leather Alexandra corset by @darkgardencorsetry. Jo, a photographer, is wearing a marvelous outfit of a little ruffled white dress and a cage harness of black elastic, which I will paint in at the next sitting. And they will have Autumn headdresses of rosehips!
I have wanted to paint Sadie since I met her at “Nude Aid”, an art benefit for the Center for Sex and Culture, in 2007. She is an artist, performer, sex worker and activist and has marvelous style and presence. The day I met her she was working as both artist and model as she often does. She was wearing a cloche, I remember it so vividly!
As the drawings were all sold that day for a fundraiser, I don’t have a picture of it, alas.
We talked that day about a portrait collaboration, but with our busy, frantic, community-focussed, subsistence working lives as Bay Area artists, we were never able to make it happen in the US.
I did make several drawings of her at events, like the one above of her at her birthday party (also at the CSC) in a latex dress. That party was full of amazing performances, like Jiz Lee and Syd Blakovich doing a work from their Twincest collaboration with blood-drinking and fisting.
Sadie invited the audience to use her body as a canvas for “birthday bites” and we all decorated her with bite marks!
Suzanne Forbes drawing at Midori’s “Taken” performance at Femina Potens/ Photo by Zille Defeu Sept 29 2010
We both were constantly donating time and arttofundraisersforthesex-positive and queer artcommunity in the Bay Area in 2006-2010. My policy for five years was, if someone in the community asked me for any art or art labor, I said yes. So we were doing the same events in the scene all the time. Here’s another shot of me drawing at another Art of Restraint. You can see my red flowered head in this one from another Nude Aid. These events were so beautiful and magical, so queer and body-positive and great for community resources. They didn’t leave us as much time for personal projects as we would have liked, though!
Sadie moved to Berlin years before anyone else I knew, and was a great inspiration to me.
She was tremendously helpful in the year before we moved here, providing critical advice about how to prepare for life here and apply for an artist’s visa. (By the way I was granted a two-year artist’s visa of my own on August 28th!)
It has taken us until now to sort out doing a portrait at last, because we both face health challenges and Sadie has a little one, who is now four.
And that’s fine. It takes time to come together for personal-project portraits.
it took a year to schedule and another two years to finish the sittings for my portrait of Midori, for example!
I believe it always happens at exactly the right time.