In early Fall 1989 I did this painting of my beloved, cherished friend John Talbot Wallis. He was staying with me at my little basement apartment in St. Paul, trying to kick heroin. It didn’t work out for him, and he went back to NY and relapsed immediately. I desperately hope he is still alive. Last I heard, in the mid-90s, he was very deep in addiction and had apparently lost most of his teeth. The odds aren’t good, but we junkies are tough as cockroaches. I’ve said a prayer for him every night for almost thirty years.
This was one of the earliest portraits I ever painted, though I had drawn quite a few by this point. To get ready for going back to art school full time, I was taking a painting class in downtown St. Paul, an extension class from the Minneapolis College of Design, with a wonderful woman professor, Elizabeth Erickson.
I started out painting in acrylic, though there is tremendous bias against acrylics in the figurative and especially portrait painting community.
I really appreciated my teacher’s willingness to let me use acrylics. I was afraid I would have problems with my sobriety if I used oil paints, which involve solvents. I had never been an inhalant abuser, but I was less than a year sober and I wasn’t taking any chances!
Because it was a beginner’s class, we started in a limited palette, and the painting above really shows how new I was to handling paint.
I liked acrylics and it turned they are perfectly suited for my run-and-gun, punk rock style of painting, so I’ve never looked back. My palette was a lot more Fauvist early on, partly because I didn’t know how to mix colors or how to see color temperature in shadows.
I had never intended to be a painter – I was gonna be a comic penciller, and have colorists to take care of that! So I had paid little attention to my color theory class at Parsons and stubbornly avoided working in color as much as possible. It was really an accident that led me to becoming a painter, that the only class in the extension program that Fall was a painting class, and that I loved my teacher. I also just really love Fauvism, and I still think my early paintings are terrific examples.
This portrait of John, an homage to The Green Stripe aka Portrait of Madame Matisse, is probably one of the top ten likenesses I’ve ever achieved.
This IS John, who I met at Stuyvesant a day or two after my fourteenth birthday and was close friends and sometimes friends with benefits with til I was 23. He was literally the jolliest drunk I have ever met, a vibrant, loving, wildly creative guy without a mean bone in his body. He was a drummer, an artist, a rapper, and a lover who adored pleasing women.
He turned me on to NWA and The Tubes, and we walked thousands of miles together over Manhattan Island in the 80s. We logged thousands of hours hanging out, writing graffiti, drinking beer, roaming the city or watching MTV. We used to do acid and heroin and watch Jaws 3 in 3D with the colors on the television reversed, laughing hysterically. He had a heart the size of Central Park. Merciful Goddess, I hope he is still alive.
Another redhead, fellow MCAD painter Brad Geiken.
I painted this in the fall of 1990, I think, when Brad and I were together. Brad was a terrific, terrific painter and a really nice boyfriend. He looks mean here but that is the fault of me as the painter, not the man. Or he was mad because I was a shitty girlfriend and he deserved better. He had the most beautiful red hair.
Here is another painting of Brad, unfinished. I wish I’d finished this one. What a great subject to paint he was!
I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.
Until today, no record of these paintings existed – if we had a fire or flood they would just be gone forever.
At the cheese counter I ran at A.G. Ferrari in Berkeley, 1998.
The cool comes from under the trees in the Berlin summer nights, from the leafy plazas and million parks and the green breathing lung of Tiergarten.
You catch a vegetal blast of air that feels almost icy, the way passing the 72nd st Transverse used to feel on Central Park West in August. We’re pretty far north in Berlin, and it stays light til 10pm. The day Anthony Bourdain killed himself I took the U-7 to Eisenacher Str. at 7pm; the long twilight hadn’t even started.
On the subway an American was explaining what Currywurst is to another American. “And the place we’re going is the most famous currywurst stand in Berlin,” she said. I came out of the station by the church and walked along Akazienstr to my favorite Habibi falafel cafe, the one with the strange fountain full of sunken amphorae.
Where the guys are brusque and the line is slow but it feels so much like Mamoun’s.
And the falafel is damn near as good. In 1981 my boyfriend Paul and I used to scrape up change from under our bed and walk from the West Village to Macdougal to get falafel at Mamoun’s. I would ask for “extra, extra tahini” and they would laugh at me but fill my falafel til it dripped creamy tahini sauce. Paul slashed his throat with a razor blade in our bedroom when I was fifteen and was hospitalized at Bellevue. My first suicide attempt was two years earlier.
On days I visited Paul at the psych ward I would go to DiBella Brothers and get a Stuyvesant sandwich and marinated artichokes stuffed with blue cheese and eat them on the lawn of a high-rise in the East twenties. I would sit on the grass in that spring of 1982 with a book – Madeleine L’Engle, I was rereading the Earthsea books – and breathe in the good news that I was alive, still, and could feel pleasure.
The first gateau marjolaine I ever made, in 1992 or 1993.
In Berlin on this summer night I had slabs of roasted eggplant smeared with baba ganoush, cauliflower caramelized at the tips of the florets, cinnamon-scented chicken schwarma, pita dredged in green olive oil.
I breathed in and out in the warm cafe, as people came and went and bought baklava at the counter. They don’t make it there, of course, but it’s so good. Pistachio only, no walnut. Also delicious: the basbousa, drowning in sugar syrup.
I didn’t get any baklava, because I was planning to get ice cream, and i can always come back another day. I ate roasted carrots cut slantwise, soft as sweet potatoes. Mint leaves. Again green oil, soft pita. Again mint.
Fresh mint leaves are the single most luxurious affordable luxury item in the world.
I sat for a bit after I finished eating, looking around, breathing.
Cakes, tarts and mousses I made for a party I gave when my first Star Trek comic came out in 1994.
Hand-sculpted gold-leafed marzipan penguins I made for a wedding cake at Dean & DeLuca in 1996.
My breath is safe in my lungs, moving safely, freely. In 1987 in my tiny Chelsea bedroom the paramedics yelled into their walkie-talkies, “Put a rush on that bus!”. My boyfriend Richie hadn’t been able to wake me up.
My heart ticks over smoothly. In 1996 in Adams-Morgan I stood up, stepped one step to turn on Victoria’s oven, stepped one step back to the kitchen table, and called the hotline instead.
I was working at Dean & DeLuca Georgetown in 1996, manager of the bread and pastry and fine chocolate departments. I had the most beautiful food in the world at my fingertips.
It was like a museum of food, our store, and I would cry in the bathroom in the basement.
Here in the Berlin summer, I left Habibi’s and went down the street to Eisfee. Eis means ice cream, and Fee of course is “fairy”. I had Berliner Bar, a vanilla eis with karamell and brownies. The flavor is amazing but the texture was a bit chewier than usual. I walked slowly up towards Gotzstr. eating ice cream with the sky still, still light. It seemed like the sun would never slip over the horizon, like the city was holding it against the skyline.
The first wedding cake I ever made, white chocolate with white chocolate buttercream and handmade marzipan roses.
The charming streets of Schöneberg are lined with restaurants and cafes, and their outdoor tables were full of evening diners. People were eating together, waiters were bringing full plates. I smelled fish skin sizzling on iron, and lemon juice, outside a taverna. I smelled cilantro and green curry, and basil crisping on top of margarita pizza in a wood oven. I smelled tandoori lamb, and roasting doner kebab. Berbere and sumac. Cumin, the scent of life.
I walked up to Jones Ice Cream, and waited in the line, which was no worse than the Bi-Rite line on a Tuesday night in winter.
Bûche de noel with meringue mushrooms and crème brûlées, Christmas 1994.
Jan Diekmann at Jones Ice Cream
Jan Diekmann, who runs the line, saluted me when I came in. I only make it over there every couple months, but I have made it clear how deeply I value the quality of the ice cream. I had a scoop of black sesame ice cream on one of their absurdly good white chocolate cranberry cookies.
It was a serenade of salty, buttery, umami-rich sweetness, yet with a grassy and floral creaminess. I love the way you taste the grass in good cream.
I will go ahead and say Jones Ice Cream has better flavors than Bi-Rite. At Jones each flavor is actually even more superbly calibrated, but Bi-Rite beats them on texture. I ate very slowly, paging through “Sweet Berlin”, a book of Berlin pastry chefs, confiseurs and chocolatiers. When I was done I dodged through the line, and thanked the counter staff quickly, as I often do at such times. “Vielen danke! Sehr lecker, lecker-lecker!”.
And then got out of there, because you don’t take up people’s time in the evening rush.
Gateau mârjolaine with white chocolate gates and handmade marzipan roses, and petit-fours, made for my first wedding in 1995.
I walked up Goltzstr to the St. Matthias Kirche, which is being repaired, like every other fucking building in Berlin. I smelled a breath of lilacs at the edge of the small park there, though it’s past their season, and I saw that among the wild roses there is a little cherry tree, laden with shiny fruit.
There was a tiny path worn through the loose flowering bush, but I left the cherries for the kids who will come to the Markt am Winterfeldplatz tomorrow.
At the Markt am Winterfeldplatz I once bought a handmade praline of milk chocolate ganache dusted with bee pollen; my friend Monique bought flaxseed oil they grind as you watch.
In 1987 I was sitting in the Cocolat cafe on Fillmore st., eating Alice Medrich‘s three-chocolate mousse cake and drinking a split of ice-cold Piper Heidseick I had shoplifted. I was high on heroin and I was still absolutely fucking miserable. I said to myself, fuck, if this mousse can’t make me happy, drugs really must not work for me anymore.
I went to my first recovery meeting just a couple days later. It was another eighteen months before I got sober, but that moment was the beginning.
I went back to San Francisco in 1991, two years sober, and went to that Cocolat and bought Mme. Medrich’s cookbook, Cocolat. It was the first serious cookbook I bought as an adult, and I made that three-chocolate mousse cake for the opening of my first art show at school.
I spent my tweens reading Vladimir Estragon’s Waiting for Dessert column in the Village Voice and Craig Claiborne in the New York Times. But it was Innumerable hours studying Cocolat and The Cake Bible in the 90s that formed the beginning of my professional food career, which put a roof over my head when none of my other skills could.
I walked up to Nollendorfplatz, where I picked a sprig of lavender and sniffed it over and over as I waited for the bus, as the sky darkened at last, as everything turned blue.
Astringent, spicy soapy, floral, herbal – lavender is everything. I can’t believe I’m alive. I am stupidly fucking grateful to be alive. In Culver City in 2005 I was curled up on the floor of the bathroom of my second husband’s corporate housing, cradling the phone, holding on to the hotline. I had taken the scissors, the sharpest blade I could find in the place, in there with me.
Holding on to the hotline like a subway pole. The hotline was the only dignity in my pain, the only justification for my existence now that I was discarded by my life partner. I was experiencing the worst emotional pain I had known since I got sober, and I wanted so badly to be dead, but the hotline held me. They told me I had value when every particle of my brain was telling me otherwise.
Halloween cake with hand-sculpted marzipan and royal icing bat, raspberry mousse heart and vanilla Bavarian brain for Halloween, 2001.
When food doesn’t make me happy, I know I’m depressed.
Gateau Marjolaine I made for my 50th birthday, Berlin 2017.
I don’t mean pleasure; as a libertine, a person with lifelong disordered eating, I can use sugar and carbs to get drug-like comfort even when I’m deeply depressed. I mean happy – that sense of exhilaration and wonder, at the alchemy of flavor.
At the mystery of how the elements of the food come together.
For me, eating is reading a story, thinking about where the food comes from on the planet, the food traditions of the culture. About the antecedents and variations of the dish.
I never eat pasta without remembering my training at The Pasta Shop in Berkeley in the late 90s.
Coulibiac of saumon made for Daria’s 30th birthday in 2017, recipe from The Pie and Pastry Bible.
We learned that microscopic corrugations in the surface of the century-old bronze dies give the best extruded pastas their sauce-grabbing power. We tasted forty-five-year-old balsamic, syrupy thick, and Cowgirl Creamery fromage Blanc made that day, and there was always Acme Bread.
The cheese period of my Pasta Shop education was especially precious. I trained with a Neal’s Yard cheesemonger. She taught me how to break an 85 pound wheel of Parmigiano Reggiano, and taste the first flake from the heart of the wheel. The head chef at the Pasta Shop was a joyful grey-haired Deadhead who ate kimchi for breakfast every morning. She was wonderful. Amazing food women have guided me all my life.
The summer I was 24 I worked as a cook in a restaurant on a boat on the Mississippi River, with a group of other women. We would bake off the night’s desserts in the hot afternoons, music playing, the windows of the boat all open, cutting whole flats of ripe peaches, until everything smelled like ripe peaches. Cooking with those women are some of my most cherished kitchen memories, even though one night a body washed up in the inlet next to our boat.
Making flourless chocolate cake for Daria, 2017.
When Spalding Gray’s body was found in the East River in 2004, I thought it was a sign.
Depressed people think crazy shit like that. I had been so depressed for so long, it just seemed like I couldn’t possibly find the strength to keep going. I thought, what is the point of making it another decade and then giving up anyway? I thought, he fought it all that time only to lose in the end. I was tired of calling the hotlines, of hiding how I felt from everyone. I felt like I would get better, then get worse, and each time I was sick I was more exhausted.
But then I got to leave my toxic job, and I started painting again, and I got on Wellbutrin, and by 2005 I was doing great – until my husband left me. Between that, the Great Recession, losing my house and losing my art business, I was down for the count until 2011. And yet, that wasn’t the end of the story. I thought my story would end like Spalding Gray’s, a long battle, the appearance of making it clear of the weeds, and then losing after all. That isn’t the story I got.
The story I know today is the story of the miracle of not being depressed.
My story today is that I have been in true, complete, uninterrupted remission from my lifelong depression for almost six years. It is the story of smelling green curry from a cafe table and feeling it as a celebration of life and human magic. Instead of feeling it as a rebuke.
Once in 1995 I was standing by a pond in a park in Hartford, looking at some ducks on the water. My comic book had been cancelled, I had no apartment and my stuff was in storage, my first marriage was coming apart, my student loans had just defaulted and I had been severely depressed for a year. I felt really pissed that there was this beautiful scene, that I was supposed to appreciate, when all I could think about was how many Tylenol it takes to kill yourself.
It seemed like a cruel cosmic joke, those fucking ducks. That’s how the world feels, when you’re depressed. It affects every part of your worldview. I remember the relentless negativity and hopelessness of most of my life quite clearly. But I’ve never operated from that system of feelings, despite dwelling within it for the majority of my time on the planet. I’ve always, always proceeded as if things were gonna get better, as if I would be ok someday, no matter how bad I felt.
Vegan chocolate cake with vegan chocolate mousse I made last month. Photo by Daria Rein.
I was always blessed with a dunderheaded amount of what has turned out to be, surprisingly, justified faith.
Thanks to my extremely high resilience score, and the love and support I’ve been blessed with all along, I believed in a possible future without depression. But I felt the pain of that worldview most of the time, and the pain and pressure of it were unbelievable. It’s only now, having been released from it for almost six years, that I can begin to understand how pervasive and relentless and exhausting it was.
I fought like a lioness to save my body, my soul, my work, my love.
I would never say I won, because I have no idea what will happen tomorrow. Luckily, I already had pretty good skills for taking chronic illness a day at a time when I entered remission from depression. Twenty-nine years of sobriety, and three rounds of cold turkey heroin withdrawal before that, have given me certain abilities. One of them is the ability to be fucking grateful not to be in pain. SO grateful it’s like a whole emotion, like being in love. Another is the ability to relish reversals of fortune.
I never imagined I could be this deeply, consistently, profoundly happy.
It can get better, and statistically, it just plain WILL for some depressed people. Happiness has a U-shape for many and you can age out of depression, or get better through treatment, or heal. I have no idea how to share that truth with those who are suffering, to get it in under their aching chests where it can grow.
Suzanne Forbes photographed at home by Mirella Frangella, May 2018
I only know my story, the story of walking around on a summer night so glad to be alive I feel like I won the lottery. Eating ice cream.
I wrote here about how Longterm Remission from Severe Depression is Fucking Possible.
And here about how Depression is a Disease, and Most of Us Aren’t Doctors.
More writing about my fancy-food career here and converting US recipes for Europe here (Guerilla Peanut Butter Pie) and here (Five-Car Fender-Bender Flapjacks, GF).
If you’re having suicidal thoughts, the Berlin Crisis Service (Berliner Krisendienst) offers telephone and in-person help in English at nine centres throughout the city: www.berliner-krisendienst.de/en/