Tag Archives: traditional portraiture for alternative lifestyles

The Picture of Lady Barbara: I drew at a play for the first time!

Achim Kraemer Robert Farrar and Tom Eggert in The Picture of Lady Barbara July 12 2019 Suzanne ForbesI went to Stammtisch in Neukölln to catch a gothic comedy from Farrar Krämer Komedi.

I am not much of a play-goer, but Robert Farrar is one of the cleverest lyricists I know, so I was confident his drawing-room comedy would entertain! The set for the play was ingeniously designed and the venue was as old-school Berlin as it gets, full of character – the house dog has his own chair.

Drawing the actors was wonderful. I loved the range of expressions and the luxurious amount of time I had to draw everyone, especially after Berlin Burlesque Week when I had an average of four minutes to capture each performer! Above, left to right, Achim Krämer, Robert Farrar and Tom Eggert.

Robert Farrar and Zofia Huddon in The Picture of Lady Barbara July 12 2019 Suzanne ForbesI had a marvelous time!

Above, Robert Farrar and Zofia Huddon. Working on these I felt great freedom from my usual pressure of perfectionism. There is a giddy spirit in them usually absent from my work. My art is increasingly political (all art is political) as I have more spoons available to be furious and horrified about much of the world. So it was nice to take a break and draw some comedy.

Achim Kraemer in The Picture of Lady Barbara July 12 2019 by Suzanne ForbesAbove, Achim Krämer in final costume, or nearly final.

There was so much quick change gender-blender dressplay towards the end, it was hard to keep track!

It’s the monthly financial support of my gorgeous Patrons that allows me to make documentary art of Queer Berlin and distribute it for free.

If you can help to crowdfund me, by joining my Patreon or just by buying me an alcohol-free beverage or passing a hat when you see me out at a club, I will love you even more!

Book release party for “As You wish, my Lady”, with Jo Pollux, Sadie Lune, Finn Peaks and more!

Jo Pollux and Sadie Lune at Ludwig July 9 2019 by Suzanne ForbesSUCH a beautiful party for the official release of the gorgeous coffee table book of photographs by Jo Pollux and text by Sadie Lune.

It was held at cherished all-inclusive queer art gallery/bar/clubhouse Ludwig Berlin  in Neukölln, and featured the artist and her muses! The book showcases Jo’s Film Noir aesthetic and Sadie’s dark prose. In attendance were models from the book, including Sadie, Bishop Black, Manon, Finn Peaks, and more.

Mamas AfroDisiac and Axel Karlsson Rixon at Ludwig June 20 2019 by Suzanne ForbesThere was a wonderful crowd of queer Berliners, plus visitors from all over.

Above, visiting Mama’s Afrodisiac and European local Axel Karlsson Rixon, a supernaturally attractive pair!

Finn Peaks at Ludwig June 20 2019 by Suzanne ForbesThere were performances, including this one by Finn Peaks.

Finn had pink eye makeup on making him look even more like Anne Carlisle in Liquid Sky!

And afterwards the crowd retired to the back room to witness à la carte acts of dominant play by Sadie, always a huge hit.

My live-drawing of queer Berlin’s art scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available! You can help for as little as a dollar/euro a month.

I’m working on some more drawings from the back room, but since they are sensual and involve passionate interactive I am not creating them for my Patreon. You will be able to find them on my other website, the one with my name, soon 🙂

Portrait of Cadbury Parfait, first sitting!

Portrait of Cadbury Parfait work in process June 2019 by Suzanne ForbesThe minute I met Berlin burlesque producer and performer Cadbury Parfait, I wanted to paint her picture.

She is exceptionally beautiful, and she has fantastic personal style, grace and power. She performs and produces wonderfully naughty, sexy, political, intersectional burlesque shows. Plus, she’s funny!

So we scheduled a sitting, which is challenging because she’s one of the busiest people in the Berlin burlesque scene, and got started. I had a fine large canvas given to me by one of my Patrons, and it is thrilling to be working large again.

I really prefer to paint on the biggest canvas possible for a home studio, so the subject’s figure is one third to one half life-size. We settled on her 1930s style Voodoo Vixen gown in sapphire blue velvet for Cadbury’s outfit, and kept everything else simple and natural.

As sometimes happen, I lost the thread during the process – I made good headway to capturing her likeness and proportions, then screwed it up. This is an almost inevitable part of the portrait painting process; there’s generally at least one point where I almost have it and then lose it, either by accident or design.

So while much of the structure you see is a good foundation, the essential spirit and humor of Cadbury’s personality is currently AWOL. Working back in forth in that uncertainty of recovering the good bit, tolerating the fact that you’ve fucked it up, is part of the process. Keats called our ability to tolerate uncertainty the “negative capacity”.

Whistler used to wipe down the canvas to a shadow after every sitting, then start over.

His process was the process of seeing the sitter and painting the sitter, and he stopped when he did it enough times to hit the sweet spot, know it and call it. I often have to explain this to my sitters, who may be startled that what looked like a really promising portrait has turned weird, or awkward, or lost an arm. Cadbury, who has a striking way with words, got it instantly and phrased it this way: “It’s like the Rubik’s Cube – you have to destroy it in order to fix it! You almost have it except that one orange square – but you have to break the whole thing to get that part right.”

That’s exactly, exactly how it is. I’m used to it, so I trust the process.

Cadbury’s next production is the all-queer-performer

Extravagant Shambles Presents: Pride, Not Prejudice on July 25 at Monster Ronsons!

and all profits from this show are going to an LGBTQ+ cause! And it’s at beloved East Berlin queer clubhouse Monster Ronsons, which has some shitty A/C, which is 200% better than 99% of Berlin venues! Some of my very fave local performers will be onstage, like Noeline la Bouche, as well as breathtakingly gorg out-of-towners like Betty Fvck and Lily Lustre, both of whom I’ve drawn once and been simply CRAVING to draw again!

This is a can’t-miss Pride event, and I’m so excited!

Jews!Jews!Jews! at Berlin Burlesque Week 2019!

Misty Lotus at Jews Jews Jews Berlin Burlesque Week by Suzanne Forbes June 25 2019Jews! Jews! Jews! is a Jewish, QTPOC, and minority-focused cabaret presented by Lolita Va Voom and hosted by Nana Schewitz.

Misty Lotus, doyenne of the Swiss Burlesque Academy, is above, a vision in gold. That’s Nana below, in self-made “Kosher Pig” latex!
Nana Schewitz at JewJewsJews Berlin Burlesque Week May 31 2019 by Suzanne Forbes

Kim Khaos at Jews Jews Jews Berlin Burlesque Week by Suzanne Forbes June 25 2019Kim Khaos performed so elegantly, and so gothically!

She is a beautiful stone goth, and you know how I love goths 🙂 She also had a table with her gorgeous pasties.

Miss Knock Out Noire, Norway’s Brown Sugah Bombshell, peeled like a banana!

She has such movie-star glamour.

Lolita VaVoom at JewsJewsJews May 31 2019 v2 by Suzanne ForbesHere’s Jews!Jews!Jew! producer and doyenne of Berlin Burlesque Week Lolita Vavoom!

You genuinely cannot imagine how hard she worked this whole week. And how beautifully the events focused on embracing diversity, creating safe spaces, and representation.

Johnny Porkpie at JewsJewsJews Berlin Burlesque Week May 31 2019 by Suzanne ForbesThis is Jonny Porkpie, who is apparently the (self-proclaimed) Burlesque Mayor!

His act involved a strip down with flasks, vials and bottles of liquor concealed in ever-more ingenious places. Not very relevant to my interests as a recovering alcoholic but it was a charming performance!

Little Miss Piss at JewsJewsJews Berlin Burlesque Week May 31 2019 by Suzanne ForbesLittle Miss Piss did an act that was very different at the end than at its beginning.

It was PACKED with surprises! I cannot show you the drawing of the end here, sadly. You will have to find it on my not-safe-for-puritans erotic art channel and site 🙂 Perhaps you can find it by googling.

My live-drawing at Berlin’s queer, intersectional burlesque scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available!

 

The Shimmy Shakedown Newcomer Competition at Berlin Burlesque Week 2019

Noeline la Bouche at Shimmy Shake Berlin Burlesque Week by Suzanne Forbes June 20 2019The Newcomer competition at Shimmy Shakedown was a Battle for the Best in Burlesque!

Newcomers from all over Europe and Germany competed for the title of ‘Burlesque Entertainer of the Year’. Above, you can see Noeline La Bouche, who won “Most BadAss” I believe!Here’s Setty Mois – she was my first drawing of the night and I wish I could have captured her in more detail.

I love hearts as a theme because I love love 🙂
Cadbury Parfait at Shimmy Shake Show Berlin Burlesque Week June 13 2019 by Suzanne ForbesCadbury Parfait, who won “Most Classic”!

The Velvet Unicorn by Suzanne Forbes July 16 2019Here is The Velvet Unicorn.

This performance was intensely moving. Watching The Velvet Unicorn use “Hands Up Don’t Shoot” in the Burlesque context, with their “costume” consisting of the kind of black hoodie that is so often racially profiled, was disquieting. As it should be.

As they stripped down and twerked I thought of both the appropriation of black dance moves by white performers and how white culture hyper-sexualizes people of color to other and alienate them. I was reminded of Karen Finley throwing glitter on her chocolate-covered, abused body at the end of We Keep Our Victims Ready because “After everything they do to us, we’re supposed to get dressed and go out to dinner”. I was not surprised to learn The Velvet Unicorn works with social justice and trauma in their burlesque art. They have a radio show as well!

Skirt Vonnegut, doing a classic Reverse Strip in genderqueer style!

Memphis Shell, deliciously goth! You know I love drawing goths and redheads!

MC at Shimmy Shake Show Berlin Burlesque Week June 2 2019 by Suzanne Forbes

MC Elsie Marley in classic top hat and legs for days!

Dickie Smalls at Shimmy Shakedown at Berlin Burlesque Week Suzanne Forbes May 30 2019Here’s Dickie Smalls, looking angelic up until his amazing disco reveal!Veggie Performer at Shimmy Shake Show Berlin Burlesque Week May 30 2019 by Suzanne Forbes

I loved vegetable-clad performer Trouble Peach, she was so exuberant!

Dark Ophelia at Berlin Burlesque Week at Ballhaus Berlin by Suzanne Forbes July 12 2019This is Dark Ophelia, who was the most terrifying!

She was beautifully Bathory-licious! Her portfolio is here.

The Diamond Dahlia at Berlin Burlesque Week at Ballhaus Berlin by Suzanne Forbes July 12 2019The Diamond Dahlia was a very sexy Sigmund Freud.

She had amazing underwear 🙂 Her website is here.

My live-drawing at Berlin’s queer, intersectional burlesque scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available!

And coming soon- Shimmy Shake School Mâitresse La Viola Vixen!

 

New Portraits of friends!

Portrait of Shakrah Yves at Ballhaus Berlin By Suzanne Forbes May 31 2019My friend Shakrah Yves, dressed in emerald velvet at the Jews!Jews!Jews! show of Berlin Burlesque Week.

I had to sneak this portrait of her as she chatted with a friendly gay boy from Oz, because she looked so luminous. we went for Thai food beforehand and she looked like a movie star, I was like oh la lala, just havin some iced tea with my friend the movie star.

This is done in pastels, gel pens and other mixed media on Strathmore Toned Gray paper.

I love this paper but it’s too big for my scanner so I have to photograph the drawings and with their complex, mixed pigment surfaces they are hard to photograph. I am gonna have get a bigger scanner sometime soon!

Lady with a baby May 9 2019 by Suzanne ForbesLady with a Baby

My friend S. with her little one, just a few weeks old. She has the most amazing kids. Seriously, the most amazing, beautiful, strong, full-of-identity from birth kids. I saw this one in the hospital and he was already right there. And the older kid- her glamour, character and self-possession are already legend among the Berlin demi-monde! “I saw her having lunch with Peaches one day, when she was just five years old”, someone whispered at a party. We are planning a portrait of mama and older child later this year.

This work, of making a record of the people I know, and telling the story of a moment in their lives – I cannot think of anything I am better suited to do, or any task more honorable.

I am so deeply grateful to my Patrons on Patreon, whose financial support makes it possible.

T*ts, Bits, and Politics! Extravagant Shambles doesn’t hold back!

Cadbury Parfait at Extravagant Shambles Tits Bits and Politics May 23 2019 by Suzanne ForbesAll the issues were on the table at the latest production of Extravagant Shambles, at beloved queer clubhouse Monster Ronsons.

Of course, there was producer Cadbury Parfait doing her fabulous “Miss Brexit” act, with its EU banner reveal which brings down the house, and the moment when she discards the stinky ol’ British flag, seen above!

Mamouna at Extravagant Shambles Tits Bits and Politics May 23 2019 by Suzanne ForbesDoing “Booty Burlesque”, artist and performer Maïmouna Coulibaly!

She is an actress, director, choreographer and mistress of Booty Therapy.  You can see her dance with the ocean here!

Skirt Vonnegut at Extravagant Shambles Tits Bits and Politics May 23 2019 by Suzanne ForbesSkirt Vonnegut dared to touch the topic of US politics.

There was a wicked reveal! Skirt Vonnegut is always political 🙂

Lord Hicks at Extravagant Shambles Tits Bits and Politics May 23 2019 by Suzanne ForbesLord Hicks sang about “cottaging” in the old days of gay London.

He was hilarious though the topic was tough.

Peaky Blinders at Extravagant Shambles Tits Bits and Politics May 23 2019 by Suzanne ForbesThis performer did a gorgeous genderplay on Peaky Blinders.

Which I haven’t seen yet! Weirdly, since I adore Cillian Murphy. I also adore genderplay burlesque, going back to the 80s when I watched Victor/Victoria on HBO about a million times!

And Stella von Fersen tempted us all as a Devil, but because she stripped down to pasties, I can’t put that drawing here!

Always a pleasure to draw Ms. von Fersen! You might find the drawing on my sexy site, with the title using just my name 🙂

My live-drawing at Berlin’s queer, intersectional burlesque scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available!

 

 

Archiving: my very earliest portraits of women friends.

Portrait of Anita in black on masonite from winter 1990 Suzanne Forbes aka Rachel KetchumHere’s three portraits of women friends I made during the winter semester of 1990, my first semester back at art school after I got sober.

I was nearly a year sober when the semester started, and living with Anita, who appears above, in all her grace and strength. I had taken an adult ed painting class in St. Paul, the previous Fall. The class was offered through the Minneapolis College of Art and Design, where I wound up enrolling in the BFA program in January 1990.

Portrait of Anita detail acrylic on masonite from winter 1990 Suzanne Forbes aka Rachel KetchumPortrait of Anita in pink on masonite from winter 1990 Suzanne Forbes aka Rachel Ketchum detailIt was really an accident I took the painting class, the accident being that it was the one art class available in St. Paul that Autumn of 1989 that fit my work schedule. I was working full time in a bakery so I took a night class. I had never been interested in being a painter, professionally.

All I cared about was being a comics penciller, and I always intended to have a colorist to handle color for me.

I was bored and resentful in my color theory classes at Parsons and particularly unhappy in the one watercolor class I had to take. I did take a portrait painting class in my last semester at Parsons, but we only worked in sepia tones, not full color, and we spent the entire semester painting a single male model’s face. It was the atelier approach; it was not for me.

And the class terrified me; I would get so wasted to go that I would wind up too high to walk, let alone stand at an easel, and spend the day nodding in a lounge across the street at The New School instead.

But in Fall 1989, having a supportive woman teacher and being sober changed everything, and I began a visceral love affair with painting.Portrait of Anita sm detail acrylic on masonite from winter 1990 Suzanne Forbes aka Rachel Ketchum

I signed up for my teacher’s regular undergrad painting class in my first semester at MCAD, and she seriously had my back. The fact that I trusted her mattered so much. Although figurative art was generally spurned at MCAD, the painting teachers were really good. Somehow I got into painting on masonite during my first year painting. It was easily and cheaply bought at the school store. Masonite is a gorgeous surface to paint on, with a perfect mid-tone. (Unfortunately, it’s also insanely heavy and the sheets of masonite are a total hassle to haul around and nearly impossible to hang.)

The painting of Anita in black uses the natural color of the masonite as a base; the one below of her in pink uses a bright pink ground.

Portrait of Anita in pink on masonite from winter 1990 Suzanne Forbes aka Rachel KetchumThese paintings have heavily scumbled surfaces, as I was using tube acrylics on disposable wax paper palettes, and the paint dried fast.

The scumbling is cool, in retrospect. But when I discovered the Masterson Sta-Wet Handy-Palette a year later, it transformed my painting, by keeping my paint moist.

Anita posed for me whenever I asked, during the short few months we lived together. I painted the picture of her in black in our scantily furnished living room, over a couple of hours on a winter night. Our friend Tom was staying with us, and he looked at it and said “Wow! I didn’t know you could paint like that!” I looked at it, and I was astonished; I said, “Neither did I.”

Portrait on masonite from winter 1990 Suzanne Forbes aka Rachel KetchumAfter Anita was gone, I started to ask other people to pose for me.

This is a woman I knew in that first year of sobriety. We weren’t close friends, but I loved her style. She was what they called in the Twin Cities a “darksider”, a kind of goth. I was always much more interested in painting women than men, because women’s faces are so much harder and their clothes tell so much more.

Portrait on masonite from winter 1990 Suzanne Forbes aka Rachel Ketchum detailWe never had a second sitting for this picture, so it remains unfinished. But it looks kinda good that way! It’s a fucking banger of a painting.

It is such a tribute to my belief in the value of my work that I have dragged these paintings all over the US and now to Europe, through my fifteen different official residences and the three times everything I owned has been in storage, through two divorces, a bankruptcy, twenty years of crippling depression and fifteen of ill health. I believe that my work matters, and that these images of these women matter. And yet until I took the pictures for this post, there were no modern media records of them. If we had a fire, they would just have been gone forever.

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Berlin Poets at the Lotus Loft, with Sadie Lune!

Ducky l' Orange at BPB at Lotus Loft May 23 2019 by Suzanne ForbesI went to see some Berlin poets at TangoLoft Berlin‘s beautiful Lotus Loft with my friend Sadie Lune!

That’s Duckie L’Orange, from Sydney but now performing in Berlin, above. She was walking around selling the chips for the different poetry services. And being delightful!

Liliana Velasquez at BPB at Lotus Loft May 23 2019 by Suzanne ForbesHey look here’s Liliana Velásquez in a vintage gown she got in Venice!

What a nice time Sadie and I had 🙂

 

 

 

Queens, clowns, knife magic and Mr. Bear Congeniality at Big Broad Revue!

Nico at Big Broad Revue by Suzanne Forbes May 10 2019Another lovely event I attended the for the first time, in a very cool and glamorous venue.

Nico is Mr. Bear Congeniality, a Berlin Bruiser, and does stand-up with a twist.

This performance featured a strip and shake!

Dotti Moscati at Big Broad Revue by Suzanne Forbes May 11 2019Big Broad Revue is co-produced by Dotti Moscati, who gave a quick talk about how much she values diversity and inclusion in burlesque.

Same, queen! It’s all about the big, embracing tent. I love a show that welcomes all folx. The next BBRevue show is looking awesome too, I don’t know if I’ll be able to make it with the vast amount of medical procedures both hb and I have in June but I am gonna try like hell. The venue, Zum böhmischen Dorf, is very cool as well!

Liliana Velasquez at Big Broad Revue by Suzanne Forbes April 30 2019The other producer is Liliana Velásquez, the hardest working latex queen in Berlin!

Liliana did her new comedy routine about redacted cause spoilers, you gotta see it yourself and wore two different bespoke latex outfits! Sadly, I could only draw this transp. burgundy and black one. You can catch Liliana’s comedy every Sunday, no matter what, at Sunday Slips.

Miss Mokki at Big Broad Revue by Suzanne Forbes April 10 2019This is Miss Mokki , the doyenne of Iceland burlesque.

She is hilarious, sexy and luminous. She threw knives in her underwear.

We also enjoyed several other performers including local legend Cadbury Parfait and violin-playing contortionist Ellie Steingraeber, whose drawings I will get up shortly- I still gotta get some reference for their costumes 🙂

Wynton Kelly Stevenson at Big Broad Revue by Suzanne Forbes April 30 2019The show finished with a set from Wynton Kelly Stevenson, an amazing musician-sorceror-scientist.

Wynton mixes harmonica, synthesizers and vocals for a sound that is totally unique. I love to hear him perform. There was a rather drunk guy at the show who also clearly loved Wynton’s sound, and he got out of hand and started hollering about “One more! One more!” Liliana, who is both Latina and a former New Yorker, told the dude to chill out in a very firm way. Do Not Mess 🙂 More Liliana and Wynton drawings here.

It is only possible for me to create and share my documentary art of Berlin life because of my Patrons on Patreon. Their monthly financial support allows me to make this art!

You could help, for as little as a dollar/euro per month.