Tag Archives: Suzanne Forbes artist

From the Vaults: Courtroom drawings and the Case of The Frozen Head.

St Paul Russian gangster trial courtroom drawing by Rachel Ketchum aka Suzanne Forbes approx 1992So you all know I used to be a courtroom artist.

It’s the only job I’ve ever had where people would immediately say, “Oh, that sounds so interesting!” and I would say, “Yes, yes it is.” It was also deeply traumatic, and wildly challenging, and sometimes deadly boring (embezzlement or early days of DNA testimony).

One of the more disgusting but less traumatic cases I worked on involved a pair of Russian gangsters who had moved to suburban St. Paul.

They were best friends, and their wives were best friends, vacationed together and so on.

An attorney courtroom drawing by Rachel Ketchum aka Suzanne Forbes approx 1992But all good things must come to an end, and some business rivalry caused one of them to shoot the other, chop off his head and hands, and dump the body in a lake.

At this time, around 1992 or 3, I was driving a 1991 Toyota Corolla. It was a dealer demo return but still the closest thing I’ve ever owned to a new car, and only my second car.

So I was extremely proud of it and kept it clean, visiting the carwash downtown after a day working in court.

Back to the trial: the cops found the slushy head in a partially frozen lake, and eventually arrested the Russian gangster guy.

St Paul Russian gangster trial courtroom drawing by Rachel Ketchum aka Suzanne Forbes ca 1992 detailHe was not the coldest human I ever saw in court, but definitely a really vicious sociopath. I have a drawing of a forensic pathologist using a pointer to indicate gunshot wound and axe marks on a slide of the decayed head, the headsicle if you will, but I can’t find it yet.

The prosecution utilized the shockingly cavalier way many murderers talk about their acts.

This guy was really just like, so he got the lease on the laundromat, so I chopped off his head. They always talk about it like, “Well I just did what anybody would you know.”

The thing is, the thing is, the guy put the body in his trunk to dump it. And then his nice suburban car was all bloody, so he took it to a carwash to be cleaned up.

He told the guys at the carwash that he had killed a deer. Not so unusual, in Minnesota.Witness courtroom drawing by Rachel Ketchum aka Suzanne Forbes approx 1992

You know what, my dear ones?

It was my fucking carwash he went to. The guys testified and everything.

Narrator: And she never went back to that carwash. 

Only the top drawing is from the Frozen Head trial; I have no idea where the other two are from. I made hundreds of courtroom drawings from 1991 to 1993, and I have only a fraction of them. I was constantly selling them to people involved in the trials, prosecutors and defense attorneys and DNA experts and ballistics people and so on.

I didn’t have a camera, and of course there were no camera phones. So until this moment, the only documentation of these drawings that existed was the footage the WCCO-TV cameraperson shot for the night’s news. And the station kept all that footage on BETAMAX tape. So,

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Until today, no modern media record of these drawings existed – if we had a fire or flood they would just be gone forever.

 

Last Days of the Bassy Club, part two.

Vicki at Bordello Bizarre at Bassy Club by Suzanne Forbes July 29 2018Wow it took me forever to finish these drawings from one of the very last parties ever at Berlin institution The Bassy Cowboy Club.

Maybe because they are such complex scenes to do in mixed media, or maybe because it’s always sad when a beloved venue leaves the cultural landscape of your city. Above, Vicki and her consort, on the right. I could not believe how beautiful she was.

Puck the hare at Bordello Bizarre at Bassy Club by Suzanne Forbes July 29 2018

Above, Puck the Hare dancing.

Puck is a terrific photographer and professional artist’s model who also makes cool costume art like the headdress she’s wearing. I first drew her at Kitkat, where I confused her rabbit ears for pony ears! I had a hard time drawing the transparent rain ponchos the guys in the band, Cloud Kinski, were wearing and I’m not sure I fully succeeded.Backstage at the Bassy Club by Suzanne Forbes July 29 2018

The darkroom/outer backstage area of Bassy Club was done up with real prison bars like a jail cell.

I imagine this clever conceit was more enjoyable for people who have not been to jail.

Last Days of the Bassy Club, Part One.

More Bassy:

You can see my drawings from Chantal’s here and here, and the previous Bordello Bizarre here and here

Summer Bug Bricolage Update.

Bug bricolage by Suzanne Forbes July 2018Some new decorative art projects for this month. I finally made a bug box with labels!

Insect shadowbox in situ by Suzanne Forbes July 2018Rather than look for a vintage typewriter font I dabbed the inkjet printed paper in patches with water to smear some letters and rubbed it with a bit of pastel for quick aging. For the curious, I use tinfoil molded into squarish shapes around the pinbacks of the jewelled bug brooches.

This allows me to glue them onto the backing securely and keep them straight. Then I just paint the glue and foil a matching color.

I buy the brooches on eBay with the simple rule: no more than 2 euros including shipping. It means I bid on a lot of auctions, but it’s not like there’s a rush!bug bricolage WIP Suzanne Forbes artist 2018

These machine-embroidered bugs are from EmbroideryMoks, a wonderful, ingenious etsy/eBay seller in Ukraine.

The artisan who runs it, Julia Yevzhenko, is brilliant. She has come up with some really clever ways to use her embroidery machine. I tacked these bugs down to the felt with flexible glue, then put the felt in an embroidery hoop and used black, gold and metallic threads to add details and make the edges crisp. Of course I also had to add some beading!

I’m kind of like a drag queen in that my first question is always, “How would this look with MORE?”

insect shoeclips by Suzanne Forbes July 2018I made these beaded insect shoe clips with two bug brooches wired to triangles of soft aluminium sculpture mesh lined with felt.

I probably over-engineered the fucking hell out of them, since it’s not like I’m a burlesque performer and I don’t plan to go jogging in these shoes. But entropy makes me furious and I like construction to be robust.

Once again I demonstrate my commitment to the creative protocol of buying cheap stuff and making it weird.

November 2017 Bricolage Roundup with EmbroideryMoks

June 2017 Bug Bricolage Roundup

More interior decorating and bricolage posts:

Our homeHalloween decordecoupage and bug shadow boxespassementerie and staining furniturelamps and frames, more framesNo-Kill Butterfly Gallery, bas-relief rococo insect mirror, and Fearless Pink Gay Santa.

 

Extravagant Shambles, a packed-house cabaret in the North of Berlin.

Cadbury Parfait at Extravagent Shambles by Suzanne Forbes July 24 2018I’d been hoping to draw beautiful performer Cadbury Parfait for months, so I was delighted when she invited me to her first cabaret production.

It was my first time visiting Wedding venue 800A, and it seemed like everybody else had decided to go too. Above, Cadbury Parfait performing as Cleopatra! Scotty the Blue Bunny at Extravagent Shambles by Suzanne Forbes July 24 2018Here’s Scotty The Blue Bunny head and shoulders above the fray before the show.

It wasn’t the most crowded club I’ve ever been in, but it was pretty close!Sarah Tonin and Ruby De Cadence at Extravagent Shambles by Suzanne Forbes July 24 2018

There were a variety of performers, and an MC called Sera Tonin.

Ruby de Cadence is on the right, shaking it! Speaking of shaking, it was warm in the club but I got an excellent shaken iced coffee at the bar, where I ran into one of my hub’s former colleagues working. The bartender was kind enough to wash the cocktail strainer to make sure it had no traces of alcohol, when I expressed my concern.

More shaking it, from queen Noeline la Bouche!!Noeline la Bouche at Extravagent Shambles Suzanne Forbes July 24 2018

Dancers at Extravagent Shambles by Suzanne Forbes July 24 2018I didn’t get to draw everybody, but I got most of the performers.

Here is Mademoiselle Rififi on the left and Elektra Bellefleur on the right, above. I love burlesque names. I hadn’t been to live drawing at a burlesque show in ages, and I had such a lovely time. Thank you Cadbury for having me as your guest!

And thank you, my Patreon Patrons, for making it possible for me to do this work and draw these beautiful people!!

I make this live event art and share it for free because of my Patrons, and anyone can help for as little as a buck a month.

Lots and lots of my Creative Commons licensed, free, shareable burlesque drawings are here on flickr.

First unterwegs of the summer! Post-accident, drawing on the train again.

Unterwegs July 20 2018 by Suzanne ForbesI couldn’t draw on public transit for quite a while.

Plus, I have become quite cautious about using the bus, always making sure to be seated and holding a rail or handle before the bus starts moving.

Which means I have to hustle; part of the efficiency and speed of the bus system here is that the bus driver does not wait for you to be settled and secure. The drivers just take off after a certain number of seconds, even if there are older folks looking for seats. They do pause for wheelchair users and baby carriages to get arranged and strapped in the wheeled area, at least.

Unterwegs July 19 2018 by Suzanne ForbesBut everybody else is on their own, and passengers are alert to help seniors and mobility aid users find a seat and be safe. So someone like me, who looks perfectly healthy, is not accorded any concern whatsoever, and my scramble to be seated in the regular seating may look a bit unseemly or neurotic.

I don’t care, because my hand feels terribly vulnerable, and it’s my job to protect my livelihood and my ability to contribute to society. I didn’t take transit much at all while I had my cast on; it’s only the last week or so I’ve been out and about.

This Tuesday was the first time I brought my drawing kit with me since the accident. It was fantastic to sit and draw from life again, I felt like a horse let out of a stall, running around the paddock like a fuckin maniac. Drawing isn’t “fun” or pleasure for me – it’s the exercise of the strongest muscles, the best skills I have, and using those skills is like working out.

It feels fantastic to use these powerful muscles, and at the same time it feels like work. Doing my job. Telling people’s stories.

I was put here to do this work, I believe, and doing it again makes me feel useful and strong. On Thursday, headed to the Drummess Jam, I was so caught up in working on the top drawing I didn’t realize I’d taken the wrong train til I had passed several unfamiliar stops!

Thank you, my Patreon Patrons, for making it possible for me to do this work and tell these everyday human stories. I am so grateful to be back to work.

Previous unterwegs are here:

April 2018

March 2018

February 2018 bonus round

February 2018

January 2018 bonus round

January 2018 round 1

December 2017

November 2017

September 2017

July bonus round

July

June

May bonus round

May round one

April

March 2

March

January

December

November

Archiving some very early portrait paintings.

Portrait of John Talbot Wallis by Suzanne Forbes aka Rachel Ketchum fall 1989One of the very first portraits I ever painted.

In late summer or early Fall 1989 I did this painting of my beloved, cherished friend John Talbot Wallis. He was staying with me at my little basement apartment in St. Paul, trying to kick heroin. It didn’t work out for him, and he went back to NY and relapsed immediately. I desperately hope he is still alive. Last I heard, in the mid-90s, he was very deep in addiction and had apparently lost most of his teeth. The odds aren’t good, but we junkies are tough as cockroaches. I’ve said a prayer for him every night for almost thirty years.

This was one of the earliest portraits I ever painted, though I had drawn quite a few by this point. To get ready for going back to art school full time, I was taking a painting class in downtown St. Paul, an extension class from the Minneapolis College of Design, with a wonderful woman professor.

I started out painting in acrylic, though there is tremendous bias against acrylics in the figurative and especially portrait painting community.

I really appreciated my teacher’s willingness to let me use acrylics. I was afraid I would have problems with my sobriety if I used oil paints, which involve solvents. I had never been an inhalant abuser, but I was less than a year sober and I wasn’t taking any chances!

I liked acrylics and it turned they are perfectly suited for my run-and-gun, punk rock style of painting, so I’ve never looked back. Detail portrait of John Talbot Wallis by Suzanne Forbes aka Rachel Ketchum Fall 1989My palette was a lot more Fauvist early on, partly because I didn’t know how to mix colors or how to see color temperature in shadows.

I had never intended to be a painter – I was gonna be a comic penciller, and have colorists to take care of that!  So I had paid little attention to my color theory class at Parsons and stubbornly avoided working in color as much as possible. It was really an accident that led me to becoming a painter, that the only class in the extension program that Fall was a painting class, and that I loved my teacher.  I also just really love Fauvism, and I still think my early paintings are terrific examples.

This portrait of John, an homage to The Green Stripe aka Portrait of Madame Matisse, is probably one of the top ten likenesses I’ve ever achieved.

This IS John, who I met at Stuyvesant a day or two after my fourteenth birthday and was close friends and sometimes friends with benefits with til I was 23. He was literally the jolliest drunk I have ever met, a vibrant, loving, wildly creative guy without a mean bone in his body. He was a drummer, an artist, a rapper, and a lover who adored pleasing women.

He turned me on to NWA and The Tubes, and we walked thousands of miles together over Manhattan Island in the 80s. We logged thousands of hours hanging out, writing graffiti, drinking beer, roaming the city or watching MTV. We used to do acid and heroin and watch Jaws 3 in 3D with the colors on the television reversed, laughing hysterically. He had a heart the size of Central Park. Merciful Goddess, I hope he is still alive.

detail Portrait of Brad Geiken by Suzanne Forbes aka Rachel Ketchum Fall 1990Another redhead, fellow MCAD painter Brad Geiken.

I painted this in the fall of 1990, I think, when Brad and I were together. Brad was a terrific, terrific painter and a really nice boyfriend. He looks mean here but that is the fault of me as the painter, not the man. Or he was mad because I was a shitty girlfriend and he deserved better. He had the most beautiful red hair.

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Until today, no record of these paintings existed – if we had a fire or flood they would just be gone forever.

A big pastel drawing finished!

Viva Lamore by Suzanne Forbes detail pastel on Mi Teintes June 26 2018Using pastels on dark paper is so weird.

I started this drawing of Viva Lamore at Dr. Sketchy’s Berlin “Broken Baroque” session quite a while back. She is the producer of Full Moon Cabaret as well as lots of other artistic projects, and a frequent Dr. Sketchy’s model; I love to draw her. I worked on this one a good bit at home, but couldn’t figure out how to resolve it.

So I tabled it for a while, to see if I got more comfortable using pastels.

One of my beloved Friend-Muse-Patrons sent me a box of Prismacolor Nupastels for my birthday. Those were my favorite pastels in college, if I could have been said to have a favorite in a media I do not love. They are square in profile rather than round and both harder and more waxy than most pastels. I find them much easier to control and they lay down a lot of pigment on my toothy Canson Mi Teintes paper.

Viva Lamore by Suzanne Forbes mixed media 32cm x 41cm June 26 2018I also knew I needed a workable fixatif to freeze each layer of color as I laid it on.

But I was having trouble finding the kind of workable fix I used in art school.

Eventually I figured out that Winsor and Newton “soft fixative” is the same product. It’s sold as Professional Fixative now in the US, I believe. It’s a (virtually odorless! brave new world!) spray fixative that holds the dusty pigments in place, and creates a new layer of tooth for the next layer of pastel to catch on and adhere to. I ordered some and went back to the picture of Viva this week.

Portrait of Viva Lamore in media media and pastel work in process by Suzanne Forbes 2017 to 2018

The process of adding layers of Prismacolor Nupastels to a portrait on Canson Mi Teintes paper by Suzanne Forbes, 2018

Pastels are imprecise anyway, so I can use them fairly well with my injured hand.

The problem with workable fixatif, or any fixatif, is that when you spray them on, they adhere the pigment particles to the paper with an adhesive medium. Which has the effect of darkening the pigments. I hadn’t had much trouble with the Lascaux fix I’d been using, but the new can totally knocked out my highlights.

Portrait of Viva Lamore in media media and pastel work in process by Suzanne Forbes 2017 to 2018After each spray of fix I had to go in and restore the highlights. The paper got coarser and coarser, although as promised the fix does build a new layer of tooth. You can continue to add pigment on the surface for a long time. The lightest values in the drawing you see in the photographs aren’t properly fixed; they could easily be rubbed or wiped off. But that is a problem for another day.

I feel like this is a nice depiction of Viva’s beauty and mischief!

Thanks so very much to my Patrons on Patreon whose financial support makes it possible for me to experiment and grow as an artist. You sustain me.

Work in progress: Painting Shakrah, while being photographed by Mirella Frangella!

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Shakrah and I had our second sitting for the new portrait the day before I was in a bus crash.

Work in Progress portrait of Shakrah Yves by Suzanne Forbes June 2018It was very lucky timing, as we had also scheduled with amazing portrait photographer Mirella Frangella.

Mirella is a career photographer whose personal work focuses on intimate character studies.

My friend Miss Natasha Enquist met her when Mirella’s photos of gauchos in South America were exhibited at The Ballery.

Mirella did a shoot with Miss Natasha, and was looking for other artists to photograph. Natasha suggested me!

Mirella came to the house and photographed me in fancy clothes the week before last.

She wanted to do another session, while I was actually working, so we set up a time with Shakrah, who I had recently started a second portrait of.

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

I love Mirella’s work and her way of using available light and her handheld flash to capture a close and realistic view of her subject.

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

We were so relaxed and comfortable with her presence as she worked.

During the sitting, at one point Shakrah was lounging elegantly on my boudoir chair while Mirella shot some close-ups of me.

I looked up and saw her and I yelled, “THAT is the look!” and grabbed my brush to make superfast big changes to the painting.

I changed her pose from standing to sitting in about ten minutes!

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

As you can see, I changed the painting quite a lot. I don’t often make such big changes between the first and second sittings, unless some new aspect of my model just captivates me. Or I accidentally painted my model standing on the wrong leg, like in this portrait of my beloved Friend-Muse-Patron Ramon!)

WIP Portrait of Shakrah Yves by Suzanne Forbes first and second sittings 2018Somehow I feel like you have more of a sense of Shakrah as a singer in the new version even though I haven’t painted the mike in yet, like she’s pausing by your table in the cabaret.

You can hear Shakrah singing vintage jazz here and see Mirella Frangella‘s beautiful portraits here.

We had such a lovely time working together with Mirella, it was amazing. Once my hand is healed enough for the cast to come off Shakrah and I will reconvene and finish the painting!

You can see our first sitting here and the previous portrait Shakrah and I did together here. Thanks so, so much to my beautiful Patrons on Patreon for providing the monthly sponsorship that allows me to tell women’s stories and collaborate with women artists!

Berlin summer days on the KuDamm.

Roxy the dj at Berlin Classic Days by Suzanne Forbes June 10 2018This is Roxy the DJ, she was so nice!

I went to an event called Berlin Classic Days, a car show/street fair that happens in our neighborhood.

Dancer at Berlin Classic Days by Suzanne Forbes June 10 2018Here’s a dancer who was working with the street art crew.

The folks from Murales Berlin art collective had some of their graffiti/calligraphy/art-transformed cars on display.

Miss Natasha Enquist at Berlin Classic Days by Suzanne Forbes June 10 2018 1My friend Miss Natasha Enquist was performing and I very rarely draw outside, so I wanted to take the opportunity.

Miss Natasha Enquist at Berlin Classic Days by Suzanne Forbes June 10 2018 I was sitting in the shade in the tent with Roxie so I was drawing MNE from a new angle, her very lovely and hard-earned posterior!

I was intrigued by the way the straps of the accordion delineated her shoulders. An accordion is such a heavy, breathing instrument; I love to draw the way people play with their whole bodies.Miss Natasha Enquist at Berlin Classic Days by Suzanne Forbes June 10 2018 2

I especially like the fashion-illustration style of this last one.

I was gonna be a fashion artist before I discovered superhero comics. I don’t know how long it’ll be before I can draw live again or use a pencil/brush pen, because of the bus accident I was in. So these are the last new drawings for a bit! But my orthopedist says I should heal up just fine. Meanwhile, I’ll be finishing up other things and doing other kinds of art 🙂

Dollhouse underground Machine shop by Suzanne Forbes photo by Daria Rein

Dollhouse Underground Laboratory finished, and the Reveal party!

Dollhouse Underground Laboratory by Suzanne Forbes. Photo by Daria Rein.

Dollhouse Underground Laboratory by Suzanne Forbes. Photo by Daria Rein.

I finished the Underground Superpowers Laboratory beneath my action figure dollhouse, after almost twenty years.

Suzanne Forbes by Daria Rein

Suzanne Forbes by Daria Rein

And gave a super-fun party to reveal it to friends and the Patreon Patrons  whose monthly support makes my art possible. It was so lovely to show off this ridiculous project, completed after so many years, to people who really got it and enjoyed it.

I was especially lucky that Daria was there to take these beautiful photographs with her clever new lens which clips onto her belt like a superhero gadget.

As you can see, there are brocade panels that fit into the dollhouse base, covering the individual laboratories. They have grosgrain ribbon tabs, allowing them to be quickly removed, revealing the LED-illuminated rooms behind them!

Doc Ock and the Lizard having a shouting match in the back of the Tube Room is my idea of a hilarious joke.

Dollhouse Underground Superpowers Laboratory Tube Room by Suzanne Forbes by Daria Rein

Dollhouse Underground Superpowers Laboratory Tube Room by Suzanne Forbes by Daria Rein

Dollhouse Underground Superpowers Laboratory Tube Room by Suzanne Forbes by Daria Rein

Dollhouse Underground Superpowers Laboratory Tube Room by Suzanne Forbes by Daria Rein

Because you know the old-school tweaker Spider-man Rogue’s Gallery would bitchily fight over everything from the brand of coffee in the break room to the voltage for galvanic experiments.

It wasn’t til I put him in the Tube Room that I had the idea of someone leaving their coffee on Han. Hilarious, right???

I got the excellent resin cast copy of the Han Solo in Carbonite convention exclusive on eBay. It’s from one of the artisans who does action figure casting. I painted him myself, an easy job.

The amazing Creature figure is from Resurrection of Monstress, definitely the best action figure series ever.

Dollhouse Underground Superpowers Laboratory Tube Room by Suzanne Forbes by Daria Rein

Dollhouse Underground Superpowers Laboratory Tube Room by Suzanne Forbes by Daria Rein

My other favorite joke is Vasquez from Aliens and Aeryn Sun from Farscape as the Veterans of Very Foreign Wars. There is an individual LED over the operating theater, which offsets the extreme Cool White of the LEDs in the surgery, but I forgot to turn it on in all the excitement.

Dollhouse Underground Superpowers Surgery by Suzanne Forbes by Daria Rein

Dollhouse Underground Superpowers Surgery by Suzanne Forbes, photo by Daria Rein

Dollhouse Underground Superpowers Surgery by Suzanne Forbes by Daria Rein

Dollhouse Underground Superpowers Surgery by Suzanne Forbes by Daria Rein

The black-haired figure on the gurney is the one who started it all. She was an accessory to the Cabinet of Dr. Caligali figure from Mezco’s Silent Screamers series who I got in 2000 or so.

Something about her hospital-blue gown which opened at the back gave me the idea of this super-powers laboratory, a Human Augmentation center. The wings which fit her perfectly turned up at the same time; I cut them off some other figure. The gurney came from the McFarlane X-Files figures.

I found a resin Christmas ornament dog with matching wings soon after.

I decided the dog should go in the Animal Sciences/gym room, as surely poor Franklin Richards needs a dog! After all the child has been through quite a lot.

Dollhouse Animal Uplift Room and Gym by Suzanne Forbes. Photo by Daria Rein.

Dollhouse Animal Uplift Room and Gym by Suzanne Forbes. Photo by Daria Rein.

Then I gave the dog a pet pangolin because why not?

Dollhouse Animal Uplift Room and Gym by Suzanne Forbes. Photo by Daria Rein.

Dollhouse Animal Uplift Room and Gym by Suzanne Forbes. Photo by Daria Rein.

I thought it would be nice if Reed was doing something useful and nurturing for a change so that’s why he’s making food for the animals.

Once I get the new Walgreen’s Exclusive Marvel Legends Reed with stretch arms I’ll have him using his powers to make the food.

When I realized the tiny spandex workout clothes I had from the 00’s American Girl 1/12th scale dolls would fit She-Hulk I was over the moon.

She-Hulk waving the weight bar around wondering how anyone expects her to exercise with such tiny weights- hilarious!

Truly, I am easily amused.

Dollhouse Machine Shop by Suzanne Forbes. Photo by Daria Rein.

Dollhouse Machine Shop by Suzanne Forbes. Photo by Daria Rein.

The Machine Shop/Break Room came out really well.

It is so pleasing to me to have made this. It is so satisfying to have nearly twenty years of collecting and searching and planning finished at last. It is sillier than the dollhouse itself, less of a sacred repository for the stories that saved me. It’s more about the visceral thrills of science fiction and comics, the ooky body-horror of mutation and the exhilarating potential of Frankenstein’s monster. The Batman tv show I watched as a child, with the super villain lairs and gadgets, played a part too. Olaf Stapleton’s Odd John and Sirius.

All the transcendent wonder and horror of the notion that we can change our bodies and become more…something.

Dollhouse underground Machine shop by Suzanne Forbes photo by Daria Rein

Dollhouse underground Machine shop by Suzanne Forbes photo by Daria Rein

Dollhouse Machine Shop by Suzanne Forbes. Photo by Daria Rein.

Dollhouse Machine Shop by Suzanne Forbes. Photo by Daria Rein.

Thanks so much to Daria Rein for the photos! Including this gorgeous one of the Vegan Chocolate Cake with Vegan Chocolate Mousse I made 🙂

Vegan chocolate cake with vegan chocolate mousse. Photo by Daria Rein.

Vegan chocolate cake with vegan chocolate mousse. Photo by Daria Rein.