I am incredibly sad that my beloved Dr. Sketchy’s Berlin is ending.
Lala Vox has poured her heart and soul into it for ten years, creating an event beyond anyone’s imaginings, and needs to let it go now. Co-producer Syren Joey, who has done fantastic work the last couple years, also has reasons to not be producing a big elaborate event.
Liliana is a friend and muse who I have drawn many times because she is one of the hardest-working entertainers in Berlin. I’ve caught her doing stand-up, producing variety shows, hosting New Year’s events, teaching the tango at her live talk show, and more.
She is also a professional life model, who worked for seven years at the top New York art schools, including the Art Student’s League and the School of Visual Arts, two of the places where I went to school!
There is nothing like the grace and elegance of an experienced artists’ model, who can tell a story in their gaze or the arch of a foot.
Liliana is also now teaching self-defense to women and minorities at Pretty Deadly Self Defense, a valuable Berlin resource I am hoping to check out soon!
Here is a picture of me at my usual table at a Sketchy’s earlier this year, by Maren Michaelis.
I absolutely encourage all Dr. Sketchy’s Berlin folks who haven’t yet been to visit Drink and Draw Berlin’s gorgeous and welcoming historic boat. The boat is docked on the river Spree, and is set up as a permanent life drawing space, with model platforms, hanging drapery, props, easels, and a variety of seating including very comfy! There are weekly drawing classes, events and more.
I know, there haven’t been any unterwegs for so long!
And some of my Patrons as well as many of my followers really enjoy them; I’m sorry I haven’t been making them. Unfortunately the last nine months or so have just been a mess with my health, and I haven’t gone anywhere except to doctors, most of whom are walking distance or one subway stop away. I’m feeling better now, and have had a little bit of energy for going to things. And since we live where all the doctors are but none of the nightlife is, that means riding the U-Bahn!
Above, a lady with gloves I saw while heading to the Drink And Draw Berlin boat for a Dr. Sketchy’s/D&D Berlin session. The guy behind her was just staring at me. Not like people usually stare at me – because watching someone draw is vaguely interesting, or because seeing someone draw on the subway is unusual, or I am wearing a giant fly made of Swarovski crystals on my head or whatever. This guy was staring at me like I was one more random event in a day that didn’t make sense. I felt for him, but I liked the way his arm was just hanging there, so I drew him anyway. I do not believe the bottle was his; it had rolled from a different part of the car.
This guy was very aware that I was drawing him.
I had caught his eye when I sat down across from him because I swung my bag around to get my sketchbook out and accidentally bonked the lady next to me. I apologized loudly in my American way, saying “Entschuldigung! Tut mir leid!” while the lady snorted and everyone looked over. Then I saw the guy sitting back so serenely, and started drawing him. And he realized it, and actually posed! Which happens occasionally, but not often, on the U-Bahn.
The costumes and sets, by Le Pustra, are simply unbelievable, and everyone has such a unique look. I knew I would be spoilt for choice!!
My jaw fell off my face when I saw Charly Voodoo walk onstage.
As a corset-lover (some might say hardcore corset fetishist!) I am always thrilled when I see someone seriously corseted. Charly Voodoo‘s whole look was incredible, with a lace head mask, high heels and stockings. He is absolutely beautiful (as is his husband Pierre-Louis, a dancer and plant-lover who revealed so much more! Sadly, I did not have a chance to draw Pierre-Louis!)
Charly’s corset is by Maxim Blotin, a young corsetmaker in Paris. It looked like satin coutil to me but apparently is made of something called leather satin! It is either corded or quilted, with gores, and a near-pipestem cut. I did not draw the details accurately, which pains me, but I think I got the shaping right. His mask, by Kevin Jacotot, was a thrilling challenge. I was so excited I really couldn’t even see straight.
Next to Charly above, singer and violinist Shir-Ran Yinon, woman of exquisite profile and fabulous pipes.
And then Charly Voodoo started to play the piano!!
Amazingly!! He is FAB. And then, I got a special ringside seat for a spectacular vignette involving Julietta la Doll, one telephone, two glasses of water and no pants!! But I can’t share anything about that on this family-friendly blog, so here’s another drawing of Bridge Markland!
You can find out what wild theater and performance Bridge is up to right here, if you’re not too afraid of her wild soul!
Her staging of an 1890s “German screwball comedy” with puppets is coming up Nov. 29- Dec. 1, at another beautiful Berlin venue, the Theater im Delphi.
Legendary Berlin performing artistReverRso, who unrolled a strip of cutwork cotton from his mouth as he danced in a lace dress, then blindfolded himself.
That is producer and torch song singer Le Pustra above, limned in glitter.
Wigs for the show are done by hair artistNina Butkovich-Budden. They are devastating, characters in their own right. The suberb stage managing is by Lady White Rabbit, who I hadn’t seen in ages – she took very good care of me! I can’t imagine this immersive, improvisational show anywhere but at the historic and louche Ballhaus Berlin. This theater is a treasure, and I hope it will be preserved as a venue for some time.
Speaking of which, I gotta get to Clärchens Ballhaus before they shut it down. Should I draw tango or swing?
As always, I’m incredibly grateful to my Patrons on Patreon. I couldn’t show up and tell these folx’ stories without the monthly financial support of my Patrons, especially as my health has declined this year. The subway was inexplicably just not working when I left Ballhaus tonight, and the fact that I could hail a taxi to go home means so much. I might otherwise have spent hours figuring out a sequence of trams, buses and trains to get home – I have before, and it’s brutal on my body and on my psyche.
I will be increasingly asking for disability accommodations at venues, as I simply can’t move, stand, or do the things I once could.
Le Pustra was kind enough to let me in the theater early to find a seat that was comfortable for me. Pure luck that I picked the one where Julietta was going to be making a very naughty phone call – my luck, that is! I was also very grateful to both Mayliss – stage manager Lady White Rabbit – and Julietta la Doll for warning me about the water in Julietta’s performance and making sure my art wasn’t damaged!
Shine started out with some gems about filming adult media that I never would have thought of!
I was absolutely fascinated to hear her talk about the secrets of a happy set and how to troubleshoot when things go sideways. Shine on IMDB here! You would not believe how much creative work she has done as a producer and director of sexy erotic cinema.
“There is power in creating images, and for a woman of color and a queer to take that power… I don’t find it exploitative; I think it’s necessary.” – Shine Louise Houston
Here’s Shine with Jiz Lee, demonstrating the concept of the 180-degree Line.
Although all I know about film-making is what I’ve seen on queer porn sets, I know this concept from my career as a comic-book penciller! I drew Jiz Lee often in the Oughts in the Bay, because we both donated lots of time to benefits for local sex-positive institutions like The Center for Sex and Culture. I keep up with them daily on twitter and Instagram, because Jiz is always on top of news and opportunities for sex-positive activism and education.
Seriously, if you want to be learning and growing about how to support trans and nonbinary folx and QPOC erotic cinema, Jiz Lee is your first stop.
They were the first out nonbinary person I knew IRL, and their clear voice is always educating me on how to be of use and of help. Step one: PAY FOR YOUR PORN!!!
Suzanne Forbes photographed by Jiz Lee at Shine Camera Work class Oct 26 2019
Jiz Lee took this cool over-the-shoulder shot of me drawing!
It was a total treat that one of the demo models for Shine’s class was Bishop Black!
Always a pleasure to see that gentleman creative, who is one of the hardest working artists in Berlin’s incredibly rich queer life.
People I know have been shooting with Shine Louise Houston forever!
Sadly my health got worse and worse in my last years in the Bay, and I never managed to be somewhere Shine was working. It was an honor to at last document her historic and powerful artistic presence. I loved hearing her talk about intuitive and spiritual approaches to cinema; even if you’re not a film-maker the class is so interesting and I highly recommend it!
These drawings are licensed Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
That means they’re 100% FREE for all to share and enjoy! In addition, I release the copyright on each drawing to the performer shown and they may use the drawings for their own profit and pleeeasssure in any way they choose.
As a fat, queer, disabled artist, crowdfunded support is the only way I can make this work and release it for free.
She is the Motha of the House of Bushwig, a LatinX punk and International Queen who came to Berlin to light things up this summer. I got a good likeness of her, but I could not find photo reference of her outfit, so the look I have drawn her in is a composite of several of her incredible pastel explosions of creativity. I hope the Queen will find that ok!
This extremely cute boy Nām was one of two backup dancers for queen Ocean.
As a guest of international NY/Berlin drag festivalBushwig this summer, I drew more performers in a single day than I have EVER drawn before, but I couldn’t draw everybody. I felt bad I couldn’t capture the beauty of the queen herself, but sometimes even the best stage-side seat doesn’t give me a decent view of a performer, and that was the case here.
ReveRso is a Berlin drag legend, bringing a very different style.
There was a whole other part of ReverRso’s performance, involving actual fireworks in personal areas, that I could not draw for this Patreon-sponsored site. Perhaps you will find it elsewhere 😉
I didn’t get this performer’s name but they danced tremendously in those sky-high boots!
This guy is incredibly tall and an amazing dancer, he was BEATING the stage into submission in the brutal heat, just moving and slamming. Drop splits!!
I am still working on finishing all the Bushwig Berlin drawings and spraying them with fixativ and scanning them! I actually still have another five performers. The first Bushwig Berlin post is here and the second is here.
As usual these drawings are licensed Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) for all to share and enjoy!
In addition, I release the copyright on each drawing to the performer shown and they may use the drawings for their own profit and pleeeasssure in any way they choose.
As a fat, queer, disabled artist, crowdfunded support is the only way I can make this work and release it for free.
I adore the delicate and sophisticated (and sometimes naughty) sound of Loreleila Voix and Syren Joey, and it’s a thrill to see them perform in full sea-worthy costume. This session of Dr. Sketchy’s Berlin featured the Sea Salts duo performing quite a few lovely numbers. Above, Lorelei in her “blangmange” costume, a marvelous pink hoopskirt froth with a mermaid tail.
Plus, lady with a rapier! Always love a woman with a sword.
Syren Joey is a great performer and I always love to draw her. However, I was struggling quite a lot with these drawings, as I am pushing iterations of my mixed media technique and experiencing the danger of over-confidence. “Don’t get cocky, kid!”
Using chalk markers, pastels and india ink pens, I’m developing an additive/subtractive approach to drawing that lets me work in a more painterly way.
I’m constantly changing and correcting as I draw. It’s actually a derivative of the correction-tape method I developed when doing pen-and-ink work on Guidolon. If I made a mistake, I ran the correction tape over it and was redrawing on top in seconds. It worked great for drawings that were being scanned and transmitted digitally, because no-one ever saw the tape. Not so good for art people are gonna buy the originals of! (and they do; if you want to buy one of my existing drawings from an event, go here, towards the bottom.)
The chalk markers, with their tremendous opacity and extremely fast dry-down, give me similar powers to correction tape. And at the previousDr. Sketchy’s, with just two models in neutral colors, I was flying! But Sunday I jumped in with the same fearless vigor, and a lot went wrong. Damage to the surface of the paper from too much water in the brown chalk marker, problems with my line as I moved too quickly even for myself, and weird scumbling effects from the pastels I was using.
I just kept rolling, working and reworking the same drawings, trying to figure it out, because I am invested in the process.
It did mean, however, that I didn’t make nearly as many drawings as usual. There are these three of the Sea Salts, and a couple portraits of Bishop Black, and one of beautiful Gizam Akman, and that’s it!
You can see the drawings of Bishop and Gizam here.
The lineup was astonishing, and I stayed in my stageside seat by the piano, supported by kind stranger Arthur, for a good six or seven hours. There was no way I was leaving before drawing Hungry and Betty Fvck!
Check out Amber Alert, above! What a stunner! Amber talks about the early days of Brooklyn’s innovative drag scene and her drag journey here on Huffpost.
Rhama is so lovely!
An elegant nonbinary singer and dancer, you can see them on youtube here. Their latex dress is by a designer named Florian Máthé.
I was so excited to be a guest of international NY/Berlin drag festivalBushwig this summer. I knew superstar drag performer and makeup artist Hungry would be performing; I’ve been dreaming of drawing her for years. And I knew I’d get to see and draw a whole armada of international drag talents for the first time.
I got to speak to her briefly and show her my drawing after, and I have to admit I was a gibbering fangirl.
You just can’t imagine how beautiful, how ethereal, how meta-human and naiad-like and perfumed with colors she is.
Her makeup is painterly perfection, her skin glows, her brocade corset by MistyCouture has an extraordinary pipestem waist, her smooth bone-tattooed chest is flecked with gold leaf and petals. Her nail gloves were made by Vie of Unicorns Poop Glitter and they waved like undersea fronds in the air!
Hungry is simply a living orchid, a baroque marvel, and the kind of talent you meet only a few times in a lifetime. And she was so sweet and kind!
Read about the development of her style and her collaboration with Björk here.
I got to draw Europe’s Cheekbone Queen, the beautiful Betty Fvck, twice in one week!
Always a thrill to see this beauty work it. Drawing her at both Bushwig and Extravagant Shambles “Pride, Not Prejudice” was a total drawing Lotto win! Betty is so elegant!!
I was seated right up against the stage, and had such a great view of everyone. The venue, Festsaal Kreuzberg, is really lovely, a kind of industrial/tiki forbidden island on the river.
The variety and diversity of talent was marvelous.
This angel bby drag goblin is Dirt from the Ground. You can see them perform here!
I was very charmed by Frida Pussy, who was assigned acts of contrition for unsafe acts: “Repeat, ‘I’m on PREP it’s fine’ fifteen times”.
Nun to devil transformation is a classic for a reason, baby!
I loved Donna Trump, a sass queen from Manchester’s thriving drag scene.
I was pretty damn wobbly near the end of this show, as I have been sick on and off all summer and it was very, very hot in the venue.
I was lucky enough to have a kind stranger be my support team – basically as my health has deteriorated this past couple years the type of embedded, in-the-splash-zone, eight-hours-nonstop drawing I do has become much harder.
A stranger (or friend!) showing appreciation for the value of my work, offering to get me a non-alcoholic drink, helping to buffer my drawing hand against surging crowds, fanning me with a flyer, holding my seat while I hit the loo, giving me a Euro or two to help my crowd-funding – all matter so much. Thank you, Arthur!
The minute producer Cadbury Parfait announced a Pride Week show with an all queer-identifying lineup, I was in!
I love to go to shows at iconic venue Monster Ronsons, even though it’s on the absolute opposite side of town (and of course in the summer getting to the East is a nightmare because U-Bahn construction). Because, a) the place just feels like home, and b) Ronsons actually has some shitty air-conditioning, which puts it WAY ahead of basically every other venue in Berlin. And Pride, Not Prejudice was a can’t-miss Extravagant Shambles lineup!
Above, Eden Lost shakes off the patriarchy.
EdenLost is one of those performers who just blows my mind. They have the kind of star power and gorgeousness that comes off the stage in waves. I was so thrilled to meet them and have been following their adventures on the Insta, where I just saw they cosplayed 80’s Punk Storm!!! You must click!!! So good I am basically rolling around on the floor SHRIEKING.