Suzanne Forbes, an expat New Yorker in Berlin. Made possible by the generous support of her Patrons. https://www.patreon.com/SuzanneForbes. Former DC Penciller for Star Trek, former courtroom artist, painting portraits and teaching drawing.
I returned to my comic-book roots with this edition of Dr. Sketchys Berlin. I have a new tool, a giant PITT brush marker, and I just dashed the drawings out like a wild woman!! Using a combination of the PITT marker and my beloved white chalk marker on Strathmore Toned Gray paper, I was able to treat the drawings like paintings, working additive-subtractive. This method gave me tremendous freedom and confidence.
The models were Lucille Lehr and Sebastian Stone, two extremely muscular and fit humans who totally embodied cartoon heroes. They are both extremely talented multi-disciplinary artists, and they brought such marvelous energy to the show. Lucille’s resemblance to Jane Fonda was UNCANNY. I had SO MUCH FUN!!!!!
I am so grateful to have Dr. Sketchy’s and the good folks who make it happen in my life.
Just a guy, carrying home some plants for his balcony, like you do.
Living in Berlin, I constantly see people using public transit for carrying and moving the kind of stuff you generally only see people transport with cars in the US. This fellow went to Bauhaus, which is like fancy Home Depot, got his plant stuff, and hopped on the same bus I took.
I saw these two at our local pub.
The argument passed and they were talking convivially soon after, so I’m glad I caught this moment of body language.
My documentary drawings of everyday Berlin life are courtesy of my Patrons on Patreon, whose monthly financial support allows me to make this free art available!
SUCH a beautiful party for the official release of the gorgeous coffee table book of photographs by Jo Pollux and text by Sadie Lune.
It was held at cherished all-inclusive queer art gallery/bar/clubhouse Ludwig Berlin in Neukölln, and featured the artist and her muses! The book showcases Jo’s Film Noir aesthetic and Sadie’s dark prose. In attendance were models from the book, including Sadie,Bishop Black, Manon, Finn Peaks, and more.
There was a wonderful crowd of queer Berliners, plus visitors from all over.
There were performances, including this one by Finn Peaks.
Finn had pink eye makeup on making him look even more like Anne Carlisle in Liquid Sky!
And afterwards the crowd retired to the back room to witness à la carte acts of dominant play by Sadie, always a huge hit.
My live-drawing of queer Berlin’s art scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available! You can help for as little as a dollar/euro a month.
I’m working on some more drawings from the back room, but since they are sensual and involve passionate interactive I am not creating them for my Patreon. You will be able to find them on my other website, the one with my name, soon 🙂
You genuinely cannot imagine how hard she worked this whole week. And how beautifully the events focused on embracing diversity, creating safe spaces, and representation.
This is Jonny Porkpie, who is apparently the (self-proclaimed) Burlesque Mayor!
His act involved a strip down with flasks, vials and bottles of liquor concealed in ever-more ingenious places. Not very relevant to my interests as a recovering alcoholic but it was a charming performance!
Little Miss Piss did an act that was very different at the end than at its beginning.
It was PACKED with surprises! I cannot show you the drawing of the end here, sadly. You will have to find it on my not-safe-for-puritans erotic art channel and site 🙂 Perhaps you can find it by googling.
The Newcomer competition at Shimmy Shakedown was a Battle for the Best in Burlesque!
Newcomers from all over Europe and Germany competed for the title of ‘Burlesque Entertainer of the Year’. Above, you can see Noeline La Bouche, who won “Most BadAss” I believe!Here’s Setty Mois – she was my first drawing of the night and I wish I could have captured her in more detail.
I love hearts as a theme because I love love 🙂 Cadbury Parfait, who won “Most Classic”!
This performance was intensely moving. Watching The Velvet Unicorn use “Hands Up Don’t Shoot” in the Burlesque context, with their “costume” consisting of the kind of black hoodie that is so often racially profiled, was disquieting. As it should be.
As they stripped down and twerked I thought of both the appropriation of black dance moves by white performers and how white culture hyper-sexualizes people of color to other and alienate them. I was reminded of Karen Finley throwing glitter on her chocolate-covered, abused body at the end of “We Keep Our Victims Ready“ because “After everything they do to us, we’re supposed to get dressed and go out to dinner”. I was not surprised to learn The Velvet Unicorn works withsocial justice and trauma in their burlesque art. They have a radio show as well!
Here is beautiful CocoLectric, as a lovely flower during the Full Moon Cabaret “Nature” show! So many incredible performers traveled from all over the world to perform at Berlin Burlesque Week, and I was thrilled to meet them and get a chance to draw them.
This is AgathaFrisky, a gorgeous lady in a gorgeous outfit, as a Corpse Flower!!!
Her costume was exquisite, and she has an amazing shake!
With smiles for miles and legs for leagues, she lit up the stage. Meeting her I was so touched by her warmth, and her Instagram is full of powerful, compassionate social justice messages. She recently performed at Hubba Hubba Revue in San Francisco, where I cut my burlesque live-drawing teeth from 2005 to 2014!
Below, producer and hostess with the most, Viva Lamore.
Because of recentchanges in US law, I cannot create any drawings that show nudity, “implied nudity”, or breasts with pasties for my Patreon, which is how I have crowdfunded my free documentary art the last few years. I’ve created a new site for my documentary art about human sexuality and gender expression. I can’t link to it because of Patreon rules. Please don’t blame Patreon; blame SESTA-FOSTA. Maybe you could find the new site by googling!
There’s a post on my new site with new drawings from this Full Moon Cabaret too. It shows the breathtaking power and beauty of the performers at this show in all their glory. Skyclad, or in pasties.
I’ll continue to post on here too, sponsored and supported by my beloved, cherished Patrons, as right now that’s the only source of revenue for my art and I’ll always be interested in doing “work-safe” art as well as art with nudity such as life drawing. I’m working on a funding model for the new site.
Of course, you can always paypal me artist support money at suzanneforbes @ protonmail.com!
I started drawing this tender couple because I liked the shape of the left-hand partner’s coat and legs.
As I drew them, they sorted out movie plans and then things got very, very cute!
This guy was on the train I got on right after.
He was very tall guy with a very large instrument case, and he looked tired as hell. Whatever gig he was coming from must have been intense. I couldn’t figure out what the instrument was – it was like a guitar case, but oversized. Yet not big enough for a standup bass.
And this young woman in a sweatshirt dress was on the phone, on the bus.
Her phone call making her happy.
Previous unterwegs below. All unterwegs drawings are courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available!
It’s because I can’t ride one, I don’t understand the basic mechanics. But people bring their bikes on the U-Bahn, and their dynamics with the bikes are interesting, so I occasionally try to draw them.
When I did the drawing above I was thinking about the looseness and easy mark-making of my pre-comics drawing style.
I recently scanned some drawings from 1990-91 for my archives, and realized how much rigidity I developed while I was formatting my drawing style for comic inking and printing. I want to try and rediscover that sketchy early 90s style.
I wouldn’t say this drawing succeeded at that, but it’s been a long road here and it’s ok for it to be a wander to try and go back abit.
At least I drew this goofy hand, which is barely drawn at all!
In Berlin homeless people spare-changing on the U-Bahn announce themselves and say their names loudly as they enter the train.
That’s what the guy you see here is doing. There’s a sort of script panhandlers follow. It’s not clear to me if this is custom or required by some regulation. It does serve the purpose of giving people a chance to dig in their purses/pockets for change, if they are so inclined. I panhandled daily to support my heroin habit in the last year of my active using; I understand doing anything you can to ease the mechanics of asking strangers for money.
This is Lydia, aka Lylicious Ink, tattooing a lovely lady, ON A BOAT. Lydia is a friend who is a fantastic artist who is now a tattoo artist, like Daria.
I went to the new Drink And Draw Berlin location finally, and holy heck it’s amazing. Drink And Draw’s classes and events are now held in a 90-year-old boat docked in the Historic Harbor by Markisches Museum. The atmosphere is so cozy, so charming, so superbly comfortable for drawing, I cannot even deal. I want to go back ASAP.
These two cool as hell friends of Lydia’s were talking about tat appointments, and one of them was also drawing.
I just was so happy there! There were groups of artists and tattooists working at tables and on couches throughout the boat’s comfy seating areas, and another woman tattoo artist, the fantastically badass Strix, working up on the stage, and people doing stick-and-poke.
This is Elliott, stick-and-poke tattooing his own leg.
I knew people stick-and-poke tattooed themselves, as my incredible artist sister-in-law Caitlin has a number of beautiful works she has designed and done herself. But I’d never seen it happening live in front of me before! I was like, look, a hot boy stick-and-poking his own leg on a boat! What could possible be more Berlin? But then I remembered my friend Suz told me about a nonbinary person who stick-and-poke tattoos drunk club-goers on the party train U8 on Friday nights around 3am, and that is actually more Berlin 🙂
I had some lovely Fritz-Kola on the boat (local soft drink company well known for always sponsoring art events!) and altogether the nicest time.
Thanks, Drink and Draw Berlin! I’ll be back!
And always, my deepest and profoundest gratitude to my Patrons, who crowdfund my documentary art project of a feminist intersectional lens on Berlin life! You can help, with any amount you like per month, a dollar or euro is great ?
My Patrons on Patreon give monthly financial support which allows me to make this free documentary art available for all to share!
This guy reminded me of a boy named Raj I had a crush on my first semester at Stuyvesant.
Something about his slightly flipped, slightly 80s hair. Raj was so cute; I used to watch him play Asteroids in Tony’s Cafe next to Stuyvesant. He went back to India at the beginning of 1981, when I was fourteen, and I never saw him again. So many people we know over a lifetime! Isn’t it amazing? And I was so fascinated by how this young guy’s body language echoes the redheaded Persephone a while back!
I guess there are only so many ways that people can sit or stand on a subway, because I have also seen and drawn this stance before!
Drawing this woman, I felt so mesmerized and exhilarated by the unique lines of every human. I just love seeing people and recording their being so much.
This goth mom was with her hairless dad and blond daughter.
She was like a burst of jet hair and clothes among them, very serene. She knew I was drawing them too! Mostly people don’t.