Suzanne Forbes, an expat New Yorker in Berlin. Made possible by the generous support of her Patrons. https://www.patreon.com/SuzanneForbes. Former DC Penciller for Star Trek, former courtroom artist, painting portraits and teaching drawing.
The lineup was astonishing, and I stayed in my stageside seat by the piano, supported by kind stranger Arthur, for a good six or seven hours. There was no way I was leaving before drawing Hungry and Betty Fvck!
Check out Amber Alert, above! What a stunner! Amber talks about the early days of Brooklyn’s innovative drag scene and her drag journey here on Huffpost.
Rhama is so lovely!
An elegant nonbinary singer and dancer, you can see them on youtube here. Their latex dress is by a designer named Florian Máthé.
I’m still catching up from the beginning of June, with events like this finissage at the Schwules Museum. It was a beautiful event for the closing of the incredible “Objects of Desire” exhibit, with two live performances.
Above, gorgeous model, makeup-artist and advocate Layanna Flaxx shows off her purple hair. I was sitting with my friend Sadie Lune and saying how amazing her makeup in her latest film was, and she was like “Yeah Layanna did it!”.
I also drew this young photographer who was documenting the live performance of LiadHussein Kantorowicz. I need to get the photographer’s name!
The performances involved nudity, so I can’t create those drawings for this site – look for them on my other site in the next few days.
I am not much of a play-goer, but Robert Farrar is one of the cleverest lyricists I know, so I was confident his drawing-room comedy would entertain! The set for the play was ingeniously designed and the venue was as old-school Berlin as it gets, full of character – the house dog has his own chair.
Drawing the actors was wonderful. I loved the range of expressions and the luxurious amount of time I had to draw everyone, especially after Berlin Burlesque Week when I had an average of four minutes to capture each performer! Above, left to right, Achim Krämer, Robert Farrar and Tom Eggert.
I had a marvelous time!
Above, Robert Farrar and Zofia Huddon. Working on these I felt great freedom from my usual pressure of perfectionism. There is a giddy spirit in them usually absent from my work. My art is increasingly political (all artis political) as I have more spoons available to be furious and horrified about much of the world. So it was nice to take a break and draw some comedy.
Above, Achim Krämer in final costume, or nearly final.
There was so much quick change gender-blender dressplay towards the end, it was hard to keep track!
It’s the monthly financial support of my gorgeous Patrons that allows me to make documentary art of Queer Berlin and distribute it for free.
If you can help to crowdfund me, by joining my Patreon or just by buying me an alcohol-free beverage or passing a hat when you see me out at a club, I will love you even more!
SUCH a beautiful party for the official release of the gorgeous coffee table book of photographs by Jo Pollux and text by Sadie Lune.
It was held at cherished all-inclusive queer art gallery/bar/clubhouse Ludwig Berlin in Neukölln, and featured the artist and her muses! The book showcases Jo’s Film Noir aesthetic and Sadie’s dark prose. In attendance were models from the book, including Sadie,Bishop Black, Manon, Finn Peaks, and more.
There was a wonderful crowd of queer Berliners, plus visitors from all over.
There were performances, including this one by Finn Peaks.
Finn had pink eye makeup on making him look even more like Anne Carlisle in Liquid Sky!
And afterwards the crowd retired to the back room to witness à la carte acts of dominant play by Sadie, always a huge hit.
My live-drawing of queer Berlin’s art scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available! You can help for as little as a dollar/euro a month.
I’m working on some more drawings from the back room, but since they are sensual and involve passionate interactive I am not creating them for my Patreon. You will be able to find them on my other website, the one with my name, soon 🙂
The minute I met Berlin burlesque producer and performer Cadbury Parfait, I wanted to paint her picture.
She is exceptionally beautiful, and she has fantastic personal style, grace and power. She performs and produces wonderfully naughty, sexy, political, intersectional burlesque shows. Plus, she’s funny!
So we scheduled a sitting, which is challenging because she’s one of the busiest people in the Berlin burlesque scene, and got started. I had a fine large canvas given to me by one of my Patrons, and it is thrilling to be working large again.
I really prefer to paint on the biggest canvas possible for a home studio, so the subject’s figure is one third to one half life-size. We settled on her 1930s style Voodoo Vixen gown in sapphire blue velvet for Cadbury’s outfit, and kept everything else simple and natural.
As sometimes happen, I lost the thread during the process – I made good headway to capturing her likeness and proportions, then screwed it up. This is an almost inevitable part of the portrait painting process; there’s generally at least one point where I almost have it and then lose it, either by accident or design.
So while much of the structure you see is a good foundation, the essential spirit and humor of Cadbury’s personality is currently AWOL. Working back in forth in that uncertainty of recovering the good bit, tolerating the fact that you’ve fucked it up, is part of the process. Keats called our ability to tolerate uncertainty the “negative capacity”.
Whistler used to wipe down the canvas to a shadow after every sitting, then start over.
His process was the process of seeing the sitter and painting the sitter, and he stopped when he did it enough times to hit the sweet spot, know it and call it. I often have to explain this to my sitters, who may be startled that what looked like a really promising portrait has turned weird, or awkward, or lost an arm. Cadbury, who has a striking way with words, got it instantly and phrased it this way: “It’s like the Rubik’s Cube – you have to destroy it in order to fix it! You almost have it except that one orange square – but you have to break the whole thing to get that part right.”
That’s exactly, exactly how it is. I’m used to it, so I trust the process.
and all profits from this show are going to an LGBTQ+ cause! And it’s at beloved East Berlin queer clubhouse Monster Ronsons, which has some shitty A/C, which is 200% better than 99% of Berlin venues! Some of my very fave local performers will be onstage, like Noelinela Bouche, as well as breathtakingly gorg out-of-towners like Betty Fvck and LilyLustre, both of whom I’ve drawn once and been simply CRAVING to draw again!
Plus, there’s a mooning contest which is pretty exciting!
So I was psyched to see this show and I was not disappointed.
Behind a secret door was a long room with a stage, lined with a very long dining table.
I took a seat on the sidelines so I could draw. (I learned my lesson about trying to eat and draw simultaneously at a LOTR-themed immersive dinner theater event put on by the Greater Bay Area Costumers’ Guild in 2005 or 6!) Most of the Full Moon attendees were in ’30s finery and there was a crew of gorgeous performers in really wonderful Shanghai 1930s style. That’s stage manager Maylisss standing in the background above; she is an expert at vintage clothing and costuming.
Below, more lovely audience and attendees!
That’s Chika, above helping with the mooning-hole!
and below with legend Vanessa Jupiter in the long gloves who is a trained massage therapist and was doing massages for the guests.Viva and her crew are so vibrant and sexy, and there is a kink vibe to the shows so I feel right at home!
This was one of those events where I wanted to draw everyone a dozen times.
Here you can seeSadie, eight months pregnant, being interviewed as she and photographerJo Pollux lie within Sadie’s piece, “Weird Sisters”. I feel like it looks like they’re in a field at night and Sadie is pointing out the constellations to Jo, telling her a story about the baby’s star sign.
Many of the poses and outfits were too racy for a Patreon sponsored post, so I’ll finish those drawings and you’ll have to find them on my flickr 😉
I especially loved Valentina’s pasties and red thigh-high boots look, and Martini’s red and black corset! Most of Biszhop’s outfits consisted of his extreme good looks, a pretty accessory and a smoky gaze. His bits were covered, but not by much!
Martini Cherry Furter both posed and performed, an exhilarating number involving the audience setting her on fire!
She has incredible stage presence. She looked so good I actually lost all decorum and shouted, “Girl you are SO BEAUTIFUL!!”. She accepted that as her due, with a gracious smile.
thank you so much to these amazing artists who brought their hearts and souls to the show, it was a privilege to draw you!
Two of Berlin’s hardest working entertainers invited me to their talk-show-with-a-twist.
Le Grand Mess takes place at the charming little theater InnovationArt just two subway stops from us, so the hubbin and I made an evening out of it. I have enjoyed drawing both Liliana Velásquez and Fannie Headaek before.