Suzanne Forbes, an expat New Yorker in Berlin. Made possible by the generous support of her Patrons. https://www.patreon.com/SuzanneForbes. Former DC Penciller for Star Trek, former courtroom artist, painting portraits and teaching drawing.
SUCH a beautiful party for the official release of the gorgeous coffee table book of photographs by Jo Pollux and text by Sadie Lune.
It was held at cherished all-inclusive queer art gallery/bar/clubhouse Ludwig Berlin in Neukölln, and featured the artist and her muses! The book showcases Jo’s Film Noir aesthetic and Sadie’s dark prose. In attendance were models from the book, including Sadie,Bishop Black, Manon, Finn Peaks, and more.
There was a wonderful crowd of queer Berliners, plus visitors from all over.
There were performances, including this one by Finn Peaks.
Finn had pink eye makeup on making him look even more like Anne Carlisle in Liquid Sky!
And afterwards the crowd retired to the back room to witness à la carte acts of dominant play by Sadie, always a huge hit.
My live-drawing of queer Berlin’s art scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available! You can help for as little as a dollar/euro a month.
I’m working on some more drawings from the back room, but since they are sensual and involve passionate interactive I am not creating them for my Patreon. You will be able to find them on my other website, the one with my name, soon 🙂
Here you can seeSadie, eight months pregnant, being interviewed as she and photographerJo Pollux lie within Sadie’s piece, “Weird Sisters”. I feel like it looks like they’re in a field at night and Sadie is pointing out the constellations to Jo, telling her a story about the baby’s star sign.
Sadie is VERY pregnant with her second child! Nonetheless, she is a very experienced model and the vibe was extremely chill. She wore several pairs of SUPER high heeled Fluevogs!
I didn’t plan for the drawings of Jo to come out all anime-superheroine, but I was working with a new type of pen and really working fast! I’m super grateful to Jo and Sadie for letting me share this moment.
I did a pastel drawing of Sadie posing on the couch en déshabillé but you’ll have to go to my flickr to see it!
Now we’re at the stage where I make serious refinements to scale and positioning.
You can see I’ve scaled down Jo’s body significantly and adjusted the room and furnishings as well. I made her enormous hands much smaller, although enormous hands are cool! I had made them so large I had to repaint them twice to get them normal size 🙂
One foot of at least one model always breaks the frame in every one of my portraits, and it was best if it was Sadie’s new Fleuvog boot, so I moved Jo’s knee and feet back.
You can see the previous pass of post sitting work above, the color clarification pass where I clean up muddy colors from the first sitting.
And the first sitting, which I painted almost entirely with sponges from the euro store and sponge brushes, in 2.5 hours.
This Sunday I started a big new portrait of my dear friend Sadie Lune and her wonderful partner Jo.
This is my first diptych painting. It is being done on two canvases, which will be hung together or separately at the choice of my curator Thorsten at @ludwig.berlin when we show the works in early October!
Sadie is wearing her beautiful black leather Alexandra corset by @darkgardencorsetry. Jo, a photographer, is wearing a marvelous outfit of a little ruffled white dress and a cage harness of black elastic, which I will paint in at the next sitting. And they will have Autumn headdresses of rosehips!
I have wanted to paint Sadie since I met her at “Nude Aid”, an art benefit for the Center for Sex and Culture, in 2007. She is an artist, performer, sex worker and activist and has marvelous style and presence. The day I met her she was working as both artist and model as she often does. She was wearing a cloche, I remember it so vividly!
As the drawings were all sold that day for a fundraiser, I don’t have a picture of it, alas.
We talked that day about a portrait collaboration, but with our busy, frantic, community-focussed, subsistence working lives as Bay Area artists, we were never able to make it happen in the US.
I did make several drawings of her at events, like the one above of her at her birthday party (also at the CSC) in a latex dress. That party was full of amazing performances, like Jiz Lee and Syd Blakovich doing a work from their Twincest collaboration with blood-drinking and fisting.
Sadie invited the audience to use her body as a canvas for “birthday bites” and we all decorated her with bite marks!
Suzanne Forbes drawing at Midori’s “Taken” performance at Femina Potens/ Photo by Zille Defeu Sept 29 2010
We both were constantly donating time and arttofundraisersforthesex-positive and queer artcommunity in the Bay Area in 2006-2010. My policy for five years was, if someone in the community asked me for any art or art labor, I said yes. So we were doing the same events in the scene all the time. Here’s another shot of me drawing at another Art of Restraint. You can see my red flowered head in this one from another Nude Aid. These events were so beautiful and magical, so queer and body-positive and great for community resources. They didn’t leave us as much time for personal projects as we would have liked, though!
Sadie moved to Berlin years before anyone else I knew, and was a great inspiration to me.
She was tremendously helpful in the year before we moved here, providing critical advice about how to prepare for life here and apply for an artist’s visa. (By the way I was granted a two-year artist’s visa of my own on August 28th!)
It has taken us until now to sort out doing a portrait at last, because we both face health challenges and Sadie has a little one, who is now four.
And that’s fine. It takes time to come together for personal-project portraits.
it took a year to schedule and another two years to finish the sittings for my portrait of Midori, for example!
I believe it always happens at exactly the right time.