Suzanne Forbes, an expat New Yorker in Berlin. Made possible by the generous support of her Patrons. https://www.patreon.com/SuzanneForbes. Former DC Penciller for Star Trek, former courtroom artist, painting portraits and teaching drawing.
I returned to my comic-book roots with this edition of Dr. Sketchys Berlin. I have a new tool, a giant PITT brush marker, and I just dashed the drawings out like a wild woman!! Using a combination of the PITT marker and my beloved white chalk marker on Strathmore Toned Gray paper, I was able to treat the drawings like paintings, working additive-subtractive. This method gave me tremendous freedom and confidence.
The models were Lucille Lehr and Sebastian Stone, two extremely muscular and fit humans who totally embodied cartoon heroes. They are both extremely talented multi-disciplinary artists, and they brought such marvelous energy to the show. Lucille’s resemblance to Jane Fonda was UNCANNY. I had SO MUCH FUN!!!!!
I am so grateful to have Dr. Sketchy’s and the good folks who make it happen in my life.
I’m still catching up from the beginning of June, with events like this finissage at the Schwules Museum. It was a beautiful event for the closing of the incredible “Objects of Desire” exhibit, with two live performances.
Above, gorgeous model, makeup-artist and advocate Layanna Flaxx shows off her purple hair. I was sitting with my friend Sadie Lune and saying how amazing her makeup in her latest film was, and she was like “Yeah Layanna did it!”.
I also drew this young photographer who was documenting the live performance of LiadHussein Kantorowicz. I need to get the photographer’s name!
The performances involved nudity, so I can’t create those drawings for this site – look for them on my other site in the next few days.
I met up withSuzanne in Prenzlauerberg for a visit to the Circus Bar!
There are two circus bars, actually, kitty-corner from each other as we used to say in the Old Country.
Zum Starken August has burlesque Friday and Saturday nights, with an MC like Martini Cherry Furter, above. Toast Hawaii has bands and also something called Pornokaroake which I don’t know what that even is. Toast Hawaii, btw, is a disgusting German dish. Do not google it.
I’ve drawn Martini before and it is always SUCH a pleasure. She is so beautiful, all glamour and cheekbones and legs and sass. The straight boys she was teasing as I drew this were blushing like little kids.
I’m working on a drawing of performer La Lobo Balucia from this night too, which should be up soon 🙂
SUCH a beautiful party for the official release of the gorgeous coffee table book of photographs by Jo Pollux and text by Sadie Lune.
It was held at cherished all-inclusive queer art gallery/bar/clubhouse Ludwig Berlin in Neukölln, and featured the artist and her muses! The book showcases Jo’s Film Noir aesthetic and Sadie’s dark prose. In attendance were models from the book, including Sadie,Bishop Black, Manon, Finn Peaks, and more.
There was a wonderful crowd of queer Berliners, plus visitors from all over.
There were performances, including this one by Finn Peaks.
Finn had pink eye makeup on making him look even more like Anne Carlisle in Liquid Sky!
And afterwards the crowd retired to the back room to witness à la carte acts of dominant play by Sadie, always a huge hit.
My live-drawing of queer Berlin’s art scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available! You can help for as little as a dollar/euro a month.
I’m working on some more drawings from the back room, but since they are sensual and involve passionate interactive I am not creating them for my Patreon. You will be able to find them on my other website, the one with my name, soon 🙂
The minute I met Berlin burlesque producer and performer Cadbury Parfait, I wanted to paint her picture.
She is exceptionally beautiful, and she has fantastic personal style, grace and power. She performs and produces wonderfully naughty, sexy, political, intersectional burlesque shows. Plus, she’s funny!
So we scheduled a sitting, which is challenging because she’s one of the busiest people in the Berlin burlesque scene, and got started. I had a fine large canvas given to me by one of my Patrons, and it is thrilling to be working large again.
I really prefer to paint on the biggest canvas possible for a home studio, so the subject’s figure is one third to one half life-size. We settled on her 1930s style Voodoo Vixen gown in sapphire blue velvet for Cadbury’s outfit, and kept everything else simple and natural.
As sometimes happen, I lost the thread during the process – I made good headway to capturing her likeness and proportions, then screwed it up. This is an almost inevitable part of the portrait painting process; there’s generally at least one point where I almost have it and then lose it, either by accident or design.
So while much of the structure you see is a good foundation, the essential spirit and humor of Cadbury’s personality is currently AWOL. Working back in forth in that uncertainty of recovering the good bit, tolerating the fact that you’ve fucked it up, is part of the process. Keats called our ability to tolerate uncertainty the “negative capacity”.
Whistler used to wipe down the canvas to a shadow after every sitting, then start over.
His process was the process of seeing the sitter and painting the sitter, and he stopped when he did it enough times to hit the sweet spot, know it and call it. I often have to explain this to my sitters, who may be startled that what looked like a really promising portrait has turned weird, or awkward, or lost an arm. Cadbury, who has a striking way with words, got it instantly and phrased it this way: “It’s like the Rubik’s Cube – you have to destroy it in order to fix it! You almost have it except that one orange square – but you have to break the whole thing to get that part right.”
That’s exactly, exactly how it is. I’m used to it, so I trust the process.
and all profits from this show are going to an LGBTQ+ cause! And it’s at beloved East Berlin queer clubhouse Monster Ronsons, which has some shitty A/C, which is 200% better than 99% of Berlin venues! Some of my very fave local performers will be onstage, like Noelinela Bouche, as well as breathtakingly gorg out-of-towners like Betty Fvck and LilyLustre, both of whom I’ve drawn once and been simply CRAVING to draw again!
You genuinely cannot imagine how hard she worked this whole week. And how beautifully the events focused on embracing diversity, creating safe spaces, and representation.
This is Jonny Porkpie, who is apparently the (self-proclaimed) Burlesque Mayor!
His act involved a strip down with flasks, vials and bottles of liquor concealed in ever-more ingenious places. Not very relevant to my interests as a recovering alcoholic but it was a charming performance!
Little Miss Piss did an act that was very different at the end than at its beginning.
It was PACKED with surprises! I cannot show you the drawing of the end here, sadly. You will have to find it on my not-safe-for-puritans erotic art channel and site 🙂 Perhaps you can find it by googling.
The Newcomer competition at Shimmy Shakedown was a Battle for the Best in Burlesque!
Newcomers from all over Europe and Germany competed for the title of ‘Burlesque Entertainer of the Year’. Above, you can see Noeline La Bouche, who won “Most BadAss” I believe!Here’s Setty Mois – she was my first drawing of the night and I wish I could have captured her in more detail.
I love hearts as a theme because I love love 🙂 Cadbury Parfait, who won “Most Classic”!
This performance was intensely moving. Watching The Velvet Unicorn use “Hands Up Don’t Shoot” in the Burlesque context, with their “costume” consisting of the kind of black hoodie that is so often racially profiled, was disquieting. As it should be.
As they stripped down and twerked I thought of both the appropriation of black dance moves by white performers and how white culture hyper-sexualizes people of color to other and alienate them. I was reminded of Karen Finley throwing glitter on her chocolate-covered, abused body at the end of “We Keep Our Victims Ready“ because “After everything they do to us, we’re supposed to get dressed and go out to dinner”. I was not surprised to learn The Velvet Unicorn works withsocial justice and trauma in their burlesque art. They have a radio show as well!
You can read about how I came to know and love these characters, how they led to my career in comics, and my friendship with their creator, Chris Claremont, here.
There’s even a cameo by Bill Sienkiewicz in the Marvel hallways in 1986. But it’s not an easy read, be warned.
As soon as I was gonna have an action figure dollhouse, I needed New Mutants action figures, and particularly Rahne and Dani.
Because my emotional investment in these particular characters was so profound, they needed a safe home in the Valhalla of my dollhouse even more than the other avatars of story-people who helped me survive. I started accumulating parts to make the customs, like heads, almost as soon as I started collecting Marvel Legends scale figures. I have literally had the heads for Sam and Dani since at least 2003.
I got my first 6″ (dollhouse) scale action figure in 1999.
She was a DC Direct Death figure, a gift from a boy at work who liked me, and kept giving me terrific comics-related gifts, even though I was married. That Death figure released the lifelong lust for a dollhouse I’d managed to contain until age 32. I found out that action figures were being made in one-twelve scale, and it was the tipping point.
I could bear not having a dollhouse with dolls in it – but I couldn’t bear not having a dollhouse with super heroes in it.
I didn’t finish the dollhouse for a good fifteen years, but I started collecting super hero action figures like a fucking fiend right away.
1999 began the first heyday of 6″ scale action figures, the early days of ToyBiz Marvel Legends and DC Direct and McFarlane, plus LOTR figures and various other genre properties that were being done in 6″ scale.
It genuinely shocked me, the obscure characters that began appearing as the adult collector market developed. But I knew no-one would ever make New Mutants figures for adults, that was TOO obscure.*
It was incalculably thrilling to me to see the new X-Men figures released with the first film in 2000.
It was lying around the store as a joke object. Because it was so funny, so ludicrous that a character as fucked up as Wolverine, from a property as weird and obscure as the X-Men, could have been made into a plastic toy a child could buy in a regular toy store.
And because the idea that comic book readers would buy toys of their favorite characters was unimaginable.
I bought the first Wolverine action figure, though, and I still have mine, though his snap-on claws are lost.
Because it was hilarious and insane that this secret world of ours had extrojected itself into real space, but it was also magic.
I took my time getting my hands on these, because I was waiting to see what else might happen, and eventually the Jean figures started popping up individually on the secondary market.
I wound up paying at least thirty bucks for each of the three figures I bought, but they are so terrific, it’s hard to be upset.
The body for Dani was a Marvel Legends version of Kitty Pryde released in 2016. The sculpt was way too tall and lean for Kitty (though appropriately less bosomy) and perfect for Dani. I used the Jean Grey body (“buck” in action figure talk) for Rahne, Shan and Illyana. Illyana, insanely enough, was recently actually released as an action figure. Dani is just the right amount taller than the other girls. ‘Lock was remade in action figure form last year, and look how great he is!
By 2018, so many X-Men action figures had been released I needed to build a new dollhouse.
So I built a School for Gifted Youngsters, seen above. It was a huge effort that took about a year, but it’s 99% percent done. The kids, of course, are relaxing in the living room.
I made Rahne’s head from a resin dollhouse doll, sanded and resculpted with my beloved Apoxie Sculpt. Painting her teeny little face took me, a professional portrait artist, a total of over three working days. it was worth it to me because my emotional investment was vast. But… it was DERANGED.
Whatever they charge you is a bargain. The work involved in doing it yourself, even as a professional artist in a fully equipped craft space, is bananapants.
Where are the boys?? Doug is done, coming soon, and I’m working on Sam. I plan to use a Miles Morales head for Bobby, and they cost a mint, so I’m working on it.
I should probably say more about how I made them, and I will. But it was so emotionally wrenching to make them, and such a relief and mercy to be done and place them safely in the X-Mansion, that I’m done for now.
Enjoy these amazing gay teens in the safe harbor I have built them, as I slowly build a safe harbor for my own amazing gay teen self in the ship of my adult life.
*breaking news out of San Diego, July 19 2019: Hasbro is releasing a New Mutants Marvel Legends Dani Moonstar figure with Karma and Wolfsbane heads! But actually, I like mine better 🙂 Of course I’ll buy the Hasbro Dani Moonstar figure anyway! I totally want a furious badass version of Dani and a transitional Rahne action figure and a Shan with a headband!
Big Broad Revue is co-produced by Dotti Moscati, who gave a quick talk about how much she values diversity and inclusion in burlesque.
Same, queen! It’s all about the big, embracing tent. I love a show that welcomes all folx. The next BBRevue show is looking awesome too, I don’t know if I’ll be able to make it with the vast amount of medical procedures both hb and I have in June but I am gonna try like hell. The venue, Zum böhmischen Dorf, is very cool as well!
Liliana did her new comedy routine about redacted cause spoilers, you gotta see it yourself and wore two different bespoke latex outfits! Sadly, I could only draw this transp. burgundy and black one. You can catch Liliana’s comedy every Sunday, no matter what, at Sunday Slips.
She is hilarious, sexy and luminous. She threw knives in her underwear.
We also enjoyed several other performers including local legend Cadbury Parfait and violin-playing contortionist Ellie Steingraeber, whose drawings I will get up shortly- I still gotta get some reference for their costumes 🙂
Wynton mixes harmonica, synthesizers and vocals for a sound that is totally unique. I love to hear him perform. There was a rather drunk guy at the show who also clearly loved Wynton’s sound, and he got out of hand and started hollering about “One more! One more!” Liliana, who is both Latina and a former New Yorker, told the dude to chill out in a very firm way. Do Not Mess 🙂 More Liliana and Wynton drawings here.
It is only possible for me to create and share my documentary art of Berlin life because ofmy Patrons on Patreon. Their monthly financial support allows me to make this art!