Happy New Year!
I made this doll as a sort of summoning spell/eidolon/telepresence device for my friend Eliza Gauger.
Eliza lived in Berlin at one time, and may return someday. The idea is that the doll holds a space for her here, whenever she’s ready to return, and when she does arrive she can have it as a gift. Until then, it will sit on my shelf with my Alien figures from a beloved friend/muse/Patron and cards from friends.
Eliza is, of course, the artist/creator of the Problem Glyphs open source art project and book. Which is a healing spell of love and sacrifice, a work of sustaining power.
Eliza was also one of the people who sent us money when we were desperate, the first couple months in Berlin, cause Dan couldn’t work and we had to pay cash for my meds.
And Eliza had a hard year, this year. You can support her work on Patreon and download open source Problem Glyph art here, buy your own copy of the Problem Glyphs coffee table book here, buy Problem Glyph t-shirts here, request a sigil for your own problem here, buy original art and prints here, and follow her shitposts on twitter here.
I started the doll months ago, when I noticed one of the porcelain fairy heads I bought at a craft store in St. Paul, Minnesota in the early 90s reminded me of Eliza. At the same time, in the doll parts drawer, my gaze fell on a little leather jacket. It was from a Living Dead Doll I bought in the early Oughts, which I had cut up and redressed for some other project. The vision of the Eliza Reserved Parking doll came together in minutes, scrabbling through the drawer.
But – there were no arms in the doll drawer! Just a grubby baggy of taxidermy weasel feet.
Video of this disappointing moment on my IG video here. I found the fairy mint-colored ones, from a Monster High body sold withouten any head, online. The arms have ball joints and pegs, which I inserted into shoulder pieces of epoxy clay, thus meaning the doll has some posability.
Their body (the doll is definitely non-binary) is made with the traditional batting-stuffed cotton body, and their legs are porcelain ballerina legs that I made stockings for and gave boots from a totally different Monster High doll. I used grey nail flocking, just like the flock I used on the White Witch’s reindeer’s ears, to give the doll’s head some pale, glinting texture.
During the time I was making the doll, Eliza got a dog.
A gallumphing nightmare beast of a lolloping moor-rambler, with glowing eyes and black fur. Luckily, while searching through a box of action figure bases for Sentinel parts for my upcoming Danger Room project (which will go under the School for Gifted Youngsters), I found a nice black wolf. Maybe he came with a Wolverine figure? Idk.
Anyway I had exactly enough left of the deep purple glove leather trim I got from an LA handbag manufacturer on etsy back in 2005 to make the terror goggie a harness. And while I used silver Sharpie and a bit of drybrushed gray acrylic to reduce the albedo of the micro-rhinestuds on the doll’s jacket, I left the ones I glued on the dog’s eyes alone. Hence, the glittering.
As I have said before, the “foreigners office” is not really that bad a place. Although in winter there are no families picnicking on the grass outside, there are still lots of folks eating and drinking. The fact that food and beverages are allowed is such a humane detail. People buying snacks from vending machines and eating vegan salad from Scoom make it seem normal, not terrifying, to be waiting there. It’s also pretty shabby, with this random desk shoved in front of an unused door, in our waiting room. As you can see in the picture. The seats are stained, and everyone is pretty casual about their kids running around.
It’s all of a piece with our experience of German bureaucracy, which has been that they care about getting the procedure correct, getting you what you need, and getting you outta there, not about denying you. The agents in the offices are generally irritated, at you, but not cruel. Their end goal is the same as yours.
Following correct procedure is seen as a public good, so if you don’t follow correct procedure, you are inconveniencing everyone, and why would you do that? Hence the irritation. We actually screwed up, for the first time, forgetting Dan’s most recent paystub, but they found a workaround for it. His visa was renewed, and off we went. I hope things worked out as well for the sweet family I had a few minutes to draw while we waited.
I was waiting at the gastroenterologist office and saw this fellow in the most totally bland minimalist Swiss look. I drew him because I liked the geometry of his folded legs and the boxy chair, even though his style choices were putting me to sleep.
More medical waiting rooms:
I made these drawings of Mama Ulita and Lars Schwuchow at the Kabarett der Namenlosen edition of Dr. Sketchy’s Berlin.
So grateful to Le Pustra, LalaVox , Ballhaus Berlin and all the performers/models/crew for this amazing drawing session at Dr. Sketchy’s Berlin! Here’s the Insta ? and thanks so very much to my Patrons on Patreon, whose monthly financial support allows me to make art!
previous Dr. Sketchy’s Berlin:
I saw this red-headed woman and her enormous Cerberus and just HAD to draw them, I was drawing so fast because of course you never know how long you’ll have, what station the person will get off at. I was lucky and got a decent amount of time to get the details.
I’m not normally out in the world before one in the afternoon at the earliest, but I had an endocrinologist appointment so I was on the U6 with the morning folks. Which included this very tall dude, who drained one pint can, crushed the can and immediately opened another. Ah, Berlin!
It is my Patrons on Patreon whose monthly financial contributions make it possible for me to work as I can, when I can. Given how rocky my health has been this year, with multiple autoimmune illnesses and a bus accident that busted up my drawing hand, it’s an indescribable blessing. I am so grateful to you!
My documentary art is licensed Creative Commons and free for all!
Previous unterwegs are here:
February 2018 bonus round
He asked if he had an outfit for that. I told him to look in his dress clothes wardrobe, where he discovered the delirious galactic tentacle shirt I purchased for him this summer. He was pleased.
I absolutely love the people at the company he works for. After years of exploitation by despicable startup scumbags in the Bay, this is our fourth holiday party celebrating with a company that cares about their employees. I wasn’t feeling strong enough to do nearly as much drawing as I usually do, but I got this one lovely moment.
What glorious muses these Weimar angels of debauchery are!
I haven’t managed to see the theatrical performance of Berlin’s legendary Kabarett der Namenlosen yet, but I got to draw several of its wonderful characters. Above, Le Pustra and the sublime Mama Ulita.Le Pustra, the producer of Kabarett der Namenlosen, has also been co-producing Dr. Sketchy’s Berlin with LalaVox. So it was natural they would do a session featuring the styles and sensuality of the dark cabaret.
And how beautifully the 1930s dance hall setting of Ballhaus Berlin frames them. It’s heartbreaking to feel the spirit of Weimar Berlin right now, as LGBTQIA rights are under attack in places where so much progress had been made.
The Weimar era’s freedom of sexual and gender expression is so fucking poignant right now.
We must not go back, we must protect everyone’s right to be and love who they are, and wear whatever they want.
If you’re in Berlin, see the Kabarett der Namenlosen while you can! Thanks again to Le Pustra, LalaVox and all the performers/models/crew for another lovely time at Dr. Sketchy’s Berlin! Here’s the Insta ? and thanks so very much to my Patrons on Patreon, whose monthly financial support makes it possible for me to make art!