Tag Archives: queer art

More Rahne and Dani queer New Mutants art from the 80s!

Rahne Dani New Mutants Queer Love Movie and 1986 art by Suzanne ForbesApparently, in 1986 I predicted the future on-screen LGBTQ romance of New Mutants Rahne and Danielle, aka Wolfsbane and Mirage!

Wow, I had completely, completely forgotten these existed!

Rahne and Dani double page love scene spread by Rachel Ketchum aka Suzanne Forbes May 1986Holy heck I made so much queer art with the New Mutants!

Thanks to the support of my Patrons on Patreon, I try to do a little archiving of my vast lifelong art archives every month. I hit a goldmine of late-80s and early 90s stuff this week. Rahne long panel by Rachel Ketchum aka Suzanne Forbes May 1986

Because these drawings, which are all dated May 7- May 12, are on illustration board, they had gotten stored with larger works from a slightly later time.

I believe these were all drawn in May 1986, not long after I first met Chris Claremont, based on the level of my skills.

And also because the love scene is totally inspired by Kory and Karras in one of my very favorite issues of the Titans, New Teen Titans (vol.2) #19 (1986), which was drawn by Eduardo Barreto!

Rahne’s makeover is an echo of the X-Men scene in issue #210, where Rogue goes to Bloomingdales, which is what Chris was writing an outline for in his little stenographer notebook the day I met him.

I haven’t seen any of this artwork in decades!

Literally, the box was packed up when I lived in West Hartford, where I drew my last issue of Star Trek for DC. That was Fall 1995. New Mutants Rahne makeover May 1986 by Suzanne Forbes aka Rachel KetchumIt traveled all over the US with me, and finally to Berlin, like all the other boxes of art!

 

Obviously, I desperately wanted to show the kids having a good time!

One of the (many) things I was always (fondly) hassling Chris about was the lack of PARTYING in the book. It was the 80s, f’r chrissake! I loved them, I wanted them to be happy for at least a night.

New Mutants party scene May 1986 by Suzanne Forbes Aka Rachel KetchumDani is making a vision bouquet for Rahne! Isn’t that so cute???

I drew Kitty drunkenly phasing through the couch and Sam shrugging and toasting her with his beer!
New Mutants coming out story May 1986 by Suzanne Forbes aka Rachel Ketchum

But like all coming-out stories, this one takes an emotional turn for a while.

Having myself been through the awkward moment when you’re fifteen and you tell your best female friend you have a crush on her, I didn’t imagine it would go perfectly smoothly.

New Mutants Rahne and Dani coming out story May 1986 by Suzanne Forbes aka Rachel KetchumI was optimistic. I believed those mutant girls would get together!

My own girl crush confession had resulted in hot shower sex and waking up in spoons. And my mom took her and I to brunch next morning! So I had a hopeful take on things. I feel like the (sorry it’s so hard to see) text did a pretty good job of mirroring Chris’ style.Queer New Mutants double page party scene May 1986 by Suzanne Forbes Aka Rachel Ketchum

Look how happy they are! This drawing totally reminds me of Calvin and Hobbes dancing.

I am truly enormously excited about the New Mutants film, and so excited to see my vision of Rahne and Dani’s love on the big screen.

You can read about how I became a New Mutants fan and my journey to become a comics penciller here, and you can see my Wolfsbane and Mirage custom action figures here!

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Until today, no record of these drawings existed – if we had a fire or flood they would just be gone forever.

Color experiments and Weimar Glamour with Kabarett der Namenlosen.

Le Pustra and Mama Ulita at Dr Sketchys Berlin by Suzanne Forbes Jan 15 2020I found a bunch of unfinished drawings from a Kabarett der Namenlosen session of Dr. Sketchy’s Berlin!

Work in progress Suzanne Forbes drawing of Le Pustra and Mama Ulita 2019I was shocked to find these drawings, hiding in a sketchbook I thought contained nothing of importance. (I also found an unfinished unterwegs that I genuinely don’t remember drawing!)

As you can see to left, the drawing of Le Pustra and Mama Ulita was mostly finished. The others were more scribbly, just pencil. But now that I have actually seen the live performance of the Kabarett, I felt I should try finishing them up.

Why had I abandoned them?Le Pustra at Dr Sketchys Berlin by Suzanne Forbes Jan 15 2020

Mama Ulita at Dr Sketchys Berlin by Suzanne Forbes Jan 15 2020 back viewWas it frustration that I can never really capture the wild glamour of these performers, in their soft silk robes and stockings, with their immaculate white tie and tails?

I feel terrible frustration trying to convey exactly how it feels to see Mama Ulita perform. When she whips off her bob wig to reveal her own seal-slick black cap of hair, the audience gasps. I honestly want to be David Downton, at moments like that. This drawing doesn’t have a fraction of her elegance.

But it is a valid attempt, and it was worth finishing to see where it went, so I don’t know why that didn’t happen. Maybe these drawings just overtaken by events, as they say in the military? It’s been a tough year or two, healthwise.

I’m working hard to figure out how to add color to my drawings, but I am still so unsure. I used markers, pastels and a water reservoir brush to add color to several of them. Color is such an important part of the visual design of the Kabarett, with bright wigs by Nina Budden Hair and pale ostrich boas. I don’t really know how to convey these soft vintage shades alongside the graphic black and white tuxedoes.

I am committed to the process of making color an integral part of my live drawing, and it’s tough!

Mama Ulita at Dr Sketchys Berlin by Suzanne Forbes Jan 15 2020Sometimes hints of color, little accents, are best.

Sometimes I try to do more and don’t feel I succeeded. The trouble is, even terrific photographers can’t capture everything the eye sees at a show like this. There are a thousand moments, each so beautiful, and I can’t show you them all.Le Pustra and Dekolars at Dr Sketchys Berlin by Suzanne Forbes Jan 15 2020

Still, I do my best, and I hope you enjoy this tender moment with Le Pustra and Lars Schwuchow, above.

I am so grateful to my Patrons on Patreon, who make it possible for me to document Berlin’s queer intersectional performance scene and release the artwork free to all.

Last drawings of the year – fabulous drag performers of course!

Adele Computer performs at Bushwig Berlin Dec 30 2019 by Suzanne ForbesHere are some more glamorous folx from Bushwig Berlin, where I drew the most performers in a single day ever!

Seriously, I still have a couple left to finish, and there are THREE other Bushwig Berlin posts! Above is the marvelous Adele Computer, so sassy and so spectacular.

Sasha Kills at Bushwig Berlin Dec 30 2019 by Suzanne ForbesAbove with the swan and the shark, Sasha Kills, whose performance “MALIBU” included both inflatable beach gear and blood.Performer at Bushwig Berlin Dec 30 2019 by Suzanne ForbesPerformer 2 at Bushwig Berlin Dec 30 2019 by Suzanne Forbes

Performer at Bushwig Berlin Dec 30 2019 by Suzanne ForbesTrying to get ahold of credits and links for the other four performers, so if anybody knows, let me know!

As usual these drawings are licensed Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) for all to share and enjoy!

In addition, I release the copyright on each drawing to the performer shown and they may use the drawings for their own profit and pleeeasssure in any way they choose. Thanks to the chill-as-heck venue Festsaal Kreuzberg. And to Bushwig for having me!

As a fat, queer, disabled artist, crowdfunded support is the only way I can make this work and release it for free. 

You can join my Patreon Patrons, for as little as a dollar/euro a month, to keep me working and releasing my documentary art of Queer Berlin as Free Art.

Kabarett der Namenlosen!

Bridge Markland in slip at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI made it to Kabarett der Namenlosen!

The show is a time-travelling fever dream of Once Upon a TIme Queer Berlin. I was so excited to draw Bridge Markland, above, again!! Bridge is a barn-burner of a performer, a terror and a treasure.

Lars and Mlle Vicky Butterfly dancing at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThe pre-show experience began with Lars and lovely Mlle. Vicky Butterfly dancing before the Ballhaus Berlin stage, shrouded in fog.

Lars at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI warmed up with this profile of Lars Schwuchow, then the loose marker drawing above.

Lars is a serious Art Deco guy, and he has an Arrow shirt ad elegance I always want to capture, but I didn’t quite get it this time.

I had drawn several of tonight’s performers before, at Dr. Sketchy’s Berlin sessions; you can see Lars, Mama Ulita and Le Pustra here and here, and Bridge Markland as Anita Berber here.

The costumes and sets, by Le Pustra, are simply unbelievable, and everyone has such a unique look. I knew I would be spoilt for choice!!

Charly Voodoo and Shir-Ran Yinon at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesMy jaw fell off my face when I saw Charly Voodoo walk onstage.

As a corset-lover (some might say hardcore corset fetishist!) I am always thrilled when I see someone seriously corseted. Charly Voodoo‘s whole look was incredible, with a lace head mask, high heels and stockings. He is absolutely beautiful (as is his husband Pierre-Louis, a dancer and plant-lover who revealed so much more! Sadly, I did not have a chance to draw Pierre-Louis!)

Charly’s corset is by Maxim Blotin, a young corsetmaker in Paris. It looked like satin coutil to me but apparently is made of something called leather satin! It is either corded or quilted, with gores, and a near-pipestem cut. I did not draw the details accurately, which pains me, but I think I got the shaping right. His mask, by Kevin Jacotot, was a thrilling challenge. I was so excited I really couldn’t even see straight.

Next to Charly above, singer and violinist Shir-Ran Yinon, woman of exquisite profile and fabulous pipes.

Charly Voodoo playing piano at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesAnd then Charly Voodoo started to play the piano!!

Amazingly!! He is FAB. And then, I got a special ringside seat for a spectacular vignette involving Julietta la Doll, one telephone, two glasses of water and no pants!! But I can’t share anything about that on this family-friendly blog, so here’s another drawing of Bridge Markland!

Bridge Markland at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesYou can find out what wild theater and performance Bridge is up to right here, if you’re not too afraid of her wild soul!

Her staging of an 1890s “German screwball comedy” with puppets is coming up Nov. 29- Dec. 1, at another beautiful Berlin venue, the Theater im Delphi.

Legendary Berlin performing artist ReverRso, who unrolled a strip of cutwork cotton from his mouth as he danced in a lace dress, then blindfolded himself.

Le Pustra at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThat is producer and torch song singer Le Pustra above, limned in glitter.

Wigs for the show are done by hair artist Nina Butkovich-Budden. They are devastating, characters in their own right. The suberb stage managing is by Lady White Rabbit, who I hadn’t seen in ages – she took very good care of me! I can’t imagine this immersive, improvisational show anywhere but at the historic and louche Ballhaus Berlin. This theater is a treasure, and I hope it will be preserved as a venue for some time.

Speaking of which, I gotta get to Clärchens Ballhaus before they shut it down. Should I draw tango or swing?

As always, I’m incredibly grateful to my Patrons on Patreon. I couldn’t show up and tell these folx’ stories without the monthly financial support of my Patrons, especially as my health has declined this year. The subway was inexplicably just not working when I left Ballhaus tonight, and the fact that I could hail a taxi to go home means so much. I might otherwise have spent hours figuring out a sequence of trams, buses and trains to get home – I have before, and it’s brutal on my body and on my psyche.

I will be increasingly asking for disability accommodations at venues, as I simply can’t move, stand, or do the things I once could.

Le Pustra was kind enough to let me in the theater early to find a seat that was comfortable for me. Pure luck that I picked the one where Julietta was going to be making a very naughty phone call – my luck, that is! I was also very grateful to both Mayliss – stage manager Lady White Rabbit – and Julietta la Doll for warning me about the water in Julietta’s performance and making sure my art wasn’t damaged!

From Gollum to Galadriel: When Winter Came to ACUD MACHT NEU.

Alexa Spread at Extravagant Shambles Nov 6 2019 Suzanne ForbesI was so excited when Cadbury Parfait told me she was producing a fantasy-themed Extravagant Shambles!

There is nothing I love like some dark fantasy and mythology – mix with burlesque and drag acts and you get pure entertainment mithril! (lil geek joke there for ya. Very little.) This Shambles was in the Club at Kunsthaus ACUD MACHT NEU, an epic Berlin queer art space. I don’t get to Mitte much, but I had been previously been to an art show there with artist and curator Suzanne Wegh – they are the source of all my art event hot tips. Above, Alan Lee (but not THAT Alan Lee) as Alexa Spread did a terrifying, grasping Gollum, then rose into a column of light and became Galadriel.

Darell Haynes at Extravagant Shambles Nov 8 2019 by Suzanne ForbesDarell Haynes, Louisiana born but now singing his heart out in Berlin, sang “I See Fire” from the second Hobbit flick.

He just filled the room; it was one of those moments that makes the hairs on your arms stand up. He is an actual trained professional opera singer, which is not what you are expecting in the club where the entrance always smells a little like piss. Darell was on German tv show Supertalent last year, with the group Mo’Voce! You can see them sing and get a standing ovation here.

Agata Dmon at Extravagant Shambles Nov 8 2019 by Suzanne ForbesShambles fave Agata D’Mon danced with a glowing moon.

I always love to draw her. My friend and Patron Daniel Paikov  was there taking pictures with his usual sang-froid, managing despite the fact that the ACUD Club is a dark cave of bloody light. We nightlife documenters find a way!

Marie Matthies at Extravagant Shambles Nov 8 2019 by Suzanne ForbesContortionist Marie Matthies was both fierce and so flexible!

Lexy Nightcat at Extravagant Shambles Nov 6 Suzanne ForbesLexy Nightcat did an incredible Ghostbusters number, wrangling green spirits to the classic banger theme.

Sarah Tonin at Extravagant Shambles Nov 28 2019 by Suzanne ForbesHere’s hostess Sarah Tonin.

She is wearing a handmade glitter crop top and skirt with peach chiffon draping by Harry Hardon. I did my best to draw it but it is so worth a look at the real thing!

Felicity Felicis at Extravagant Shambles Nov 28 2019 by Suzanne ForbesI love to draw knockout Felicity Felicis.

Every time I see her I can’t believe how gorgeous and badass she is!

Cadbury Parfait at Extravagant Shambles Nov 28 2019 by Suzanne Forbesand here’s producer Cadbury Parfait herself!

She was an ethereal Persephone who stripped down for a deep dive into the darkness of Winter. I so much appreciate coming to her productions, as they are always inclusive and amazing, and she makes sure I feel welcome and have a seat.

I didn’t draw everyone at this show – and I didn’t draw my muse Noéline la Bouche for an unusual reason. Noéline performed as the Goddess “Yemaya – mère de l’eau”, and I was so captivated by her dance choreography and costume for this number I actually decided to just watch! But you can see photos of her doing the act!

This has been a terrible year for me healthwise as a disabled artist, and crowdfunded support is the only way I can make this work and release it for free. I’m so grateful to my Patrons, who make my work happen.

Anyone can join my Patreon Patrons, for as little as a dollar/euro a month, to keep me making my documentary art of Queer Berlin as Free Art.

Cute young artist folx at Kino Babylon for Spit and Ashes!

Young artist at Spit and Ashes screening Babylon Kreuzberg Oct 26 2019 by Suzanne ForbesI went to celebrated cinema Babylon Kreuzberg for the screening of my friend Sadie Lune’s new movie from Maria Beatty, Spit and Ashes.

The whole scene was like Planet of the Invasion of the Sexy Young Queers. Basically no-one had any gender binary and no-one had any hair on the sides of their head. If I hadn’t already been dizzy and exhausted I would have been knocked into a chair by the sheer gorgeous life and freedom of the young people. I drew this blue-haired artist while they were waiting in line.

Waiting for Spit and Ashes screening Babylon Kreuzberg Oct 26 2019 by Suzanne ForbesEveryone was looking fantastic and fearless.

While waiting I got to IRL meet and talk to Sara Niedorf, co-founder of Final Girls Berlin Film Festival, Berlin’s marvelous showcase for horror films produced, directed and written by women. As the crowd lined up for Spit and Ashes, I saw an old friend from SF! He had wanted to let me know he was in Berlin but decided to respect my mentioning health issues on my twitter. It was so good to hug an old friend who understands the challenges of my life with disability.

When Sadie arrived, she was in full Witch regalia and breathtaking! Director of Production Jo Pollux was gleaming like a fey creature, spooky and ethereal.

I hugged them and then I had to leave, because I have been having a crushing Hashimoto’s flareup; I was feeling like hammered shit. I am so damn sad I couldn’t see their gorgeous movie on the big screen with that amazing crowd. But I had already done one event that day, live-drawing Shine Louise Houston teaching film-making, and then gotten mixed up and gone to Moviemento (where I had drawings on display this year btw!!!) instead, and had to cab it to Babylon. I was in spoon debt already.

I didn’t have any trouble at all accepting that I’m an alcoholic and an addict and that addiction is a lifelong, incurable disease. But I am having a terribly hard time accepting that autoimmune illness has permanently changed my life. Every time I get better I think I’m better for good; every time I get worse I feel consumed with guilt and grief for the work I’m not doing and terrified of a future where I may be able to do less and less.

I am so grateful to my Patrons on Patreon, whose support makes everything I do possible.

If I didn’t have this monthly financial support, I wouldn’t be able to work at all. The flexibility of being supported by Patrons is so critical to my work. I’m writing this flat on my back on the couch on a Halloween night when all over town my friends are doing beautiful events I desperately want to document – but at least, thanks to my Patrons, I can take the time to scan, edit and post these drawings of cool young folx, and share them with the world.

Drawing Shine Louise Houston in Berlin!

Shine Louise Houston teaching film at Altes Finanzamt Oct 26 2019 by Suzanne ForbesA great regret from the Bay Area era of my documentary work was that I never got to draw film-maker Shine Louise Houston.

She is the powerhouse creative force behind revolutionary queer studios CrashPad Series and PinkLabelTV, and an amazing QPOC artist.

Shine Louise Houston teaching camera technique at Altes Finanzamt Oct 26 2019 by Suzanne ForbesYesterday I got to meet and draw Shine, and what a thrill!

Shine Louise Houston‘s camera work and film workshops are incredibly popular and sell out like lightning, but I was able to get in as a documentary artist and record her teaching the class.

Shine Louise Houston and students at Altes Finanzamt Oct 26 2019 by Suzanne ForbesShine started out with some gems about filming adult media that I never would have thought of!

I was absolutely fascinated to hear her talk about the secrets of a happy set and how to troubleshoot when things go sideways. Shine on IMDB here! You would not believe how much creative work she has done as a producer and director of sexy erotic cinema.

“There is power in creating images, and for a woman of color and a queer to take that power… I don’t find it exploitative; I think it’s necessary.” – Shine Louise Houston

Shine Louise Houston and Jiz Lee at Altes Finanzamt Oct 26 2019 by Suzanne ForbesHere’s Shine with Jiz Lee, demonstrating the concept of the 180-degree Line.

Although all I know about film-making is what I’ve seen on queer porn sets, I know this concept from my career as a comic-book penciller! I drew Jiz Lee often in the Oughts in the Bay, because we both donated lots of time to benefits for local sex-positive institutions like The Center for Sex and Culture. I keep up with them daily on twitter and Instagram, because Jiz is always on top of news and opportunities for sex-positive activism and education.

Jiz Lee at Altes Finanzamt Oct 26 2019 by Suzanne ForbesSeriously, if you want to be learning and growing about how to support trans and nonbinary folx and QPOC erotic cinema, Jiz Lee is your first stop.

They were the first out nonbinary person I knew IRL, and their clear voice is always educating me on how to be of use and of help. Step one: PAY FOR YOUR PORN!!!

Suzanne Forbes photographed by Jiz Lee at Shine Camera Work class Oct 26 2019

Jiz Lee took this cool over-the-shoulder shot of me drawing!

Shine Louise Houston teaching camera work at Altes Finanzamt Oct 26 2019 by Suzanne ForbesIt was a total treat that one of the demo models for Shine’s class was Bishop Black!

Always a pleasure to see that gentleman creative, who is one of the hardest working artists in Berlin’s incredibly rich queer life.

Shine Louise Houston teaching at Altes Finanzamt Oct 26 2019 by Suzanne ForbesPeople I know have been shooting with Shine Louise Houston forever!

Sadly my health got worse and worse in my last years in the Bay, and I never managed to be somewhere Shine was working. It was an honor to at last document her historic and powerful artistic presence. I loved hearing her talk about intuitive and spiritual approaches to cinema; even if you’re not a film-maker the class is so interesting and I highly recommend it!

These drawings are licensed Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

That means they’re 100% FREE for all to share and enjoy! In addition, I release the copyright on each drawing to the performer shown and they may use the drawings for their own profit and pleeeasssure in any way they choose.

As a fat, queer, disabled artist, crowdfunded support is the only way I can make this work and release it for free. 

You can join my Patreon Patrons, for as little as a dollar/euro a month, to keep me making my documentary art of Queer Berlin as Free Art.

Barbara at The Ballery.

Barbara at The Ballery by Suzanne Forbes Oct 10 2019I was recently in a group show at Schöneberg gallery The Ballery.

The works shown included a beautiful series of portraits by photographer Eva Brunner. Barbara, above, was the model. During the finissage evening of the exhibit, Barbara performed some deft comic numbers.

This is an example of a drawing where I could take my time with the background and really work out the details. As all my dear ones know, I love to draw people playing music and have had far less chances to do so this year, since I’ve been ill so much. 
Barbara at The Ballery by Suzanne Forbes Oct 10 2019 detail

I added the color when I got home, based on memory and little scribbly notes on the drawings.

I swear to you that the colors appeared exactly as they do here: the glowing red light in the Ballery’s cloakroom, the oversize bottle of Campari, Barbara’s signature red/orange look, the red accent on her mike, and the red nailpolish in the portrait behind her. Other than that it was all grays and whites and blacks.

A marvelous scene I was lucky to capture, including Barbara’s gorgeous gams!! Thanks to my Patrons on Patreon, who make my documentary art possible <3

Berlin X Brooklyn Drag Exhilaration!

Horrorchata at Bushwig Berlin by Suzanne Forbes Oct 10 2019This is Horrorchata.

She is the Motha of the House of Bushwig, a LatinX punk and International Queen who came to Berlin to light things up this summer. I got a good likeness of her, but I could not find photo reference of her outfit, so the look I have drawn her in is a composite of several of her incredible pastel explosions of creativity. I hope the Queen will find that ok!

Nām at Bushwig Berlin by Suzanne Forbes July 30 2019This extremely cute boy Nām was one of two backup dancers for queen Ocean.

As a guest of international NY/Berlin drag festival Bushwig this summer, I drew more performers in a single day than I have EVER drawn before, but I couldn’t draw everybody. I felt bad I couldn’t capture the beauty of the queen herself, but sometimes even the best stage-side seat doesn’t give me a decent view of a performer, and that was the case here.

ReveRso at Bushwig Berlin by Suzanne Forbes July 30 2019ReveRso is a Berlin drag legend, bringing a very different style.

There was a whole other part of ReverRso’s performance, involving actual fireworks in personal areas, that I could not draw for this Patreon-sponsored site. Perhaps you will find it elsewhere 😉Dancer at Bushwig Berlin by Suzanne Forbes July 31 2019

I didn’t get this performer’s name but they danced tremendously in those sky-high boots!

Performer at Bushwig Berlin by Suzanne Forbes July 31 2019This guy is incredibly tall and an amazing dancer, he was BEATING the stage into submission in the brutal heat, just moving and slamming. Drop splits!!

Cupcake at Bushwig Berlin by Suzanne Forbes July 30 2019Cupcake in pink!

Cupcake is a performing artist, theatre-trained actor and a member of the Queer Arab Barty collective. I enjoyed their performance immensely!

I am still working on finishing all the Bushwig Berlin drawings and spraying them with fixativ and scanning them! I actually still have another five performers. The first Bushwig Berlin post is here and the second is here.

As usual these drawings are licensed Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) for all to share and enjoy!

In addition, I release the copyright on each drawing to the performer shown and they may use the drawings for their own profit and pleeeasssure in any way they choose.

As a fat, queer, disabled artist, crowdfunded support is the only way I can make this work and release it for free. 

You can join my Patreon Patrons, for as little as a dollar/euro a month, to keep me working and releasing my documentary art of Queer Berlin as Free Art.

Bushwig Berlin 2019 – more incredible performers!

Amber Alert at Bushwig Berlin Sept 17 2019 by Suzanne ForbesI was honored to be a guest of international NY/Berlin drag festival Bushwig this summer.

The lineup was astonishing, and I stayed in my stageside seat by the piano, supported by kind stranger Arthur, for a good six or seven hours. There was no way I was leaving before drawing Hungry and Betty Fvck!

Check out Amber Alert, above! What a stunner! Amber talks about the early days of Brooklyn’s innovative drag scene and her drag journey here on Huffpost.

Rhama at Bushwig Berlin Sept 17 2019 by Suzanne ForbesRhama is so lovely!

An elegant nonbinary singer and dancer, you can see them on youtube here. Their latex dress is by a designer named Florian Máthé.

Wanda Cookie at Bushwig Berlin Sept 17 2019 by Suzanne ForbesHere’s Wanda Cookie, having a spectacular tantrum!

I really appreciate all the performers who traveled to be here in Berlin.

And I don’t know this performer’s name or links but I’m working on it 🙂

Thanks to the chill-as-heck venue Festsaal Kreuzberg. And to Bushwig for having me! And to DJ Hannah Lou, an incredible professional who managed the music for a huge lineup impeccably.

As usual these drawings are licensed Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) for all to share and enjoy!

In addition, I release the copyright on each drawing to the performer shown and they may use the drawings for their own profit and pleeeasssure in any way they choose.

As a fat, queer, disabled artist, crowdfunded support is the only way I can make this work and release it for free. 

You can join my Patreon Patrons, for as little as a dollar/euro a month, to keep me working and releasing my documentary art of Queer Berlin as Free Art.