I’m still catching up from the beginning of June, with events like this finissage at the Schwules Museum. It was a beautiful event for the closing of the incredible “Objects of Desire” exhibit, with two live performances.
Above, gorgeous model, makeup-artist and advocate Layanna Flaxx shows off her purple hair. I was sitting with my friend Sadie Lune and saying how amazing her makeup in her latest film was, and she was like “Yeah Layanna did it!”.
I met up withSuzanne in Prenzlauerberg for a visit to the Circus Bar!
There are two circus bars, actually, kitty-corner from each other as we used to say in the Old Country.
Zum Starken August has burlesque Friday and Saturday nights, with an MC like Martini Cherry Furter, above. Toast Hawaii has bands and also something called Pornokaroake which I don’t know what that even is. Toast Hawaii, btw, is a disgusting German dish. Do not google it.
I’ve drawn Martini before and it is always SUCH a pleasure. She is so beautiful, all glamour and cheekbones and legs and sass. The straight boys she was teasing as I drew this were blushing like little kids.
Here’s performer La Loba Lucía, one of my favorite people in Berlin to draw!
She always looks like a super hero, even doing her gangster routine here. She brought the routine out of retirement just for this night so I was super excited! It was so important to me to be there on this night, and yet I was so sick I almost gave up and went home. Only the support of my friend and fellow artist Suzanne Wegh kept me there.
Just a guy, carrying home some plants for his balcony, like you do.
Living in Berlin, I constantly see people using public transit for carrying and moving the kind of stuff you generally only see people transport with cars in the US. This fellow went to Bauhaus, which is like fancy Home Depot, got his plant stuff, and hopped on the same bus I took.
I saw these two at our local pub.
The argument passed and they were talking convivially soon after, so I’m glad I caught this moment of body language.
This couple at the Finanzamt had each other’s backs.
They were stressed out, because they were at the Finanzamt (tax office) but they were keeping each other cool.
My documentary drawings of everyday Berlin life are courtesy of my Patrons on Patreon, whose monthly financial support allows me to make this free art available!
It was a bit of a bear to make this, but I’m glad I powered through!
In general, I prefer having miniature things to making them. And I am very good at sourcing things. But I couldn’t find a big, school-style blackboard from any of my usual miniature sources. It needed to be scaled to Dr. Hank McCoy, who is a big figure! So I built it from scratch.
Luckily, I save every single piece of miniature wooden trim!
I cut a backing board from illustration board and then framed it with several different trims to get the ledge for the chalk and eraser.
I had to miter cut the trim with my miniature miter-cutter, which I hate doing. I packed and moved the miter-cutter to Berlin knowing I would need it, and I have. But damn, it drives me nuts.
I pleated a piece of felt and glued it to a strip of trim, then cut it down, to make the eraser. Pesky!
For the board surface I used self-adhesive chalkboard vinyl.
It may not be as archival as chalkboard paint would have been, but it was neater and faster. I used two layers, for opacity, and I still only needed a tiny bit; I can give the rest to my friend with little kids.
And white gel pen was perfect for the writing – it even smears.
I did some work on the facade of the house today too; the whole thing is coming along. It’s damn near completely done, in just about a year. And then, the front garden, with gates. And then the Danger Room, underneath, and the Morlock subway tunnels under that, just like the laboratories and subway under the other dollhouse. I gotta make a custom Callisto…
I am not much of a play-goer, but Robert Farrar is one of the cleverest lyricists I know, so I was confident his drawing-room comedy would entertain! The set for the play was ingeniously designed and the venue was as old-school Berlin as it gets, full of character – the house dog has his own chair.
Drawing the actors was wonderful. I loved the range of expressions and the luxurious amount of time I had to draw everyone, especially after Berlin Burlesque Week when I had an average of four minutes to capture each performer! Above, left to right, Achim Krämer, Robert Farrar and Tom Eggert.
I had a marvelous time!
Above, Robert Farrar and Zofia Huddon. Working on these I felt great freedom from my usual pressure of perfectionism. There is a giddy spirit in them usually absent from my work. My art is increasingly political (all artis political) as I have more spoons available to be furious and horrified about much of the world. So it was nice to take a break and draw some comedy.
Above, Achim Krämer in final costume, or nearly final.
There was so much quick change gender-blender dressplay towards the end, it was hard to keep track!
It’s the monthly financial support of my gorgeous Patrons that allows me to make documentary art of Queer Berlin and distribute it for free.
If you can help to crowdfund me, by joining my Patreon or just by buying me an alcohol-free beverage or passing a hat when you see me out at a club, I will love you even more!
I actually drew this picture of a lady with giant pillows on the U-Bahn in June.
But I have been so busy I didn’t have time to scan it or the other new unterweg of last month!
These two struck me with their very different styles.
I am using bunch of different gray-scale markers again, experimenting with value scales. And I am increasingly using gray and black pastel or conté crayon to texture surfaces and add dimension. Really, nothing could have suggested “pillow” as fast and effectively as the gray pastel did. I’m not sure how I got here, because I started out so constrained by the exigencies of comics printing in the 80s. But I like it, and I like the freedom.
Previous unterwegs below. All unterwegs drawings are courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available!
SUCH a beautiful party for the official release of the gorgeous coffee table book of photographs by Jo Pollux and text by Sadie Lune.
It was held at cherished all-inclusive queer art gallery/bar/clubhouse Ludwig Berlin in Neukölln, and featured the artist and her muses! The book showcases Jo’s Film Noir aesthetic and Sadie’s dark prose. In attendance were models from the book, including Sadie,Bishop Black, Manon, Finn Peaks, and more.
There was a wonderful crowd of queer Berliners, plus visitors from all over.
There were performances, including this one by Finn Peaks.
Finn had pink eye makeup on making him look even more like Anne Carlisle in Liquid Sky!
And afterwards the crowd retired to the back room to witness à la carte acts of dominant play by Sadie, always a huge hit.
My live-drawing of queer Berlin’s art scene is courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available! You can help for as little as a dollar/euro a month.
I’m working on some more drawings from the back room, but since they are sensual and involve passionate interactive I am not creating them for my Patreon. You will be able to find them on my other website, the one with my name, soon 🙂