Suzanne Forbes, an expat New Yorker in Berlin. Made possible by the generous support of her Patrons. https://www.patreon.com/SuzanneForbes. Former DC Penciller for Star Trek, former courtroom artist, painting portraits and teaching drawing.
Here are the bartenders at the Lori Cafe in Kreuzberg.
I drew this waiting to be let through the secret door for the Full Moon Cabaret, and it feels like I drew it before I entered another world!
These ladies were waiting to see the endocrinologist, like me.
My endocrinologist is in a bizarre, deeply ugly modern building with walls – the walls inside!!!- literally covered in stainless steel. It’s the Galeries Lafayette building, but in the store at least a lot of the ugly is covered in fancy and you can buy delicious cake.
The young woman shown here is a standup comedian. Going to live-draw at a standup open mic is one of those things that’s on my list of things to draw, like drawing at a tango session again, like visiting the circus center and drawing people doing aerials again, like drawing people ice-skating which I’ve never done, like drawing people playing pool again…there is enough time, but not always energy! And first, before any of those things, I’ve been invited to draw The Berlin Bruisers, Europe’s only gay-inclusive rugby league!!
As always, my deepest thanks to my beloved Patrons on Patreon, who make it financially possible for me to document Berlin life.
They did, though they were stuck in the dark! The new action figure dollhouse isn’t quite finished yet, but it is through no fault of mine. Boy howdy, are dollhouse lights a pain in the ass. I was so thrilled about my decision to go with battery-operated miniature LEDS and external battery adapters, as detailed in this post. LEDs last forever, stay cool, and use so little power!
But I never considered that some battery powered dollhouse LED lights might not FIT the external adapters!
That’s right, some take smaller batteries, and some just have incompatible housings. So it turned out that some lights I ordered, and waited forever for the arrival of, were incompatible. And then I had to order more external housings, not because I needed more battery boxes – I think four is fine for the 20-odd lights – but because I need the adapter plates. Which don’t seem to be available anywhere, at least not yet.
This is why you NEVER USE A TRANSITIONAL TECHNOLOGY FOR A PERMANENT INSTALLATION!
You can see one of the adapter plates and the light fixture housing it sits in to the left, in the library. This one is for a tabletop lamp, which why it has a long cord and is loose in the room.
Another problem is that the adapter plates are reliant on a minuscule thread of live wire and a tiny dot of solder to make their connection, and can easily (especially in the process of ceiling installation) be twisted so the connection is broken. I got mad and took one apart, and I haven’t been able to get it to work again. I am fairly good at things like this – I used to rewire antique lamps I bought at Berkeley Flea Market – so I am really peeved. So peeved I’m gonna get a new soldering iron (I gave my old one to beloved friend-muse-Patron Monique Motil) and started reinforcing all the adapters I install from here on.
Which is…four of twenty-odd. Because the others are installed, and the carpet laid over them, and the door frames over that, and then the moldings. This system, which is the time-honored method of giving dollhouses a clean finish, means that the floor covers up your messy wires, the door frame goes in next so you know how much to cut the moldings on either side of it, and the moldings provide a clean edge where floor meets wall and cover any imperfections in floor-cutting. I made a diagram, above! It’s a great system, except when you’re dealing with wiring, because if something goes wrong with the wiring, you have to tear everything out.
I am not pleased, now that I have seen that fragile dab of solder my electricity hinges on.
I did this whole thing to avoid the fragility and propensity to failure of tape-wire dollhouse lighting, which is what the old house has. When I built the old house I learned to solder and soldered all the tapewire connections, because tapewire is notorious for failure when you use the system of brads it comes with. Anyway, tapewire is being deprecated in the States, where it’s much more commonly used than the round wire you see in the UK and Europe. Because of the LED lights coming in.
But nobody has designed a system for someone who wants to wire a whole house with battery LEDS and operate it from one switch.
YET. Never use a transitional technology for a permanent installation. Sigh. As you can see, the house is now mostly lit, but most of the light fixtures are cheap round placeholder lights. It seems I can only really get the compatible lights from Canada. And, the mail is so much worse than usual.
I normally order most of my dollhouse stuff from the UK, because we don’t have to pay duties (until March 29, and then who knows what the hell happens, Theresa May sure has no fucking idea). But ordering stuff from the UK four Sundays before Brexit, while DHL is even more fucked up than usual…well. It certainly does mean a lot of days stuck in mail jail, which is what we call it in Berlin when they say they’re bringing your package and you don’t dare leave the house cause if they leave it with a neighbor or a paketshop you’ll have no idea which one.
Lucky for me, folks visiting from the US are kind enough to bring me things 🙂 Among the things brought by friend & Patron Dan Shick after the holidays are the roof shingles, which I’ve been putting on. You can see them below, I love how they look!
Hopefully the light sich will get sorted out and finished soon!
The moment I saw Lolita Vavoom performing, I knew I wanted to paint her.
She is a VERY busy person, with producing the Berlin Burlesque Week, Jews! Jews! Jews! and touring all over as a performer, so it took time to schedule. We got started with a first sitting last night though, with Lolita wearing custom latex by a local artist.
I actually took pictures of the process periodically, which I don’t often remember to do.
I thought my Patrons on Patreon, who provide the funding for my art, might enjoy them.
I reconvene with Lolita at the end of the month, as she’ll be touring all over between now and then.
Here’s her Insta for peeks! Meanwhile, if you’re in Berlin, mark your calendars for Berlin Burlesque Week in May! Here’s the Instagram for updates and news! And here’s my first drawing of Lolita, performing with Full Moon Cabaret – speaking of which, some pretty exciting Full Moon drawings coming soon 🙂
Sadie is VERY pregnant with her second child! Nonetheless, she is a very experienced model and the vibe was extremely chill. She wore several pairs of SUPER high heeled Fluevogs!
I didn’t plan for the drawings of Jo to come out all anime-superheroine, but I was working with a new type of pen and really working fast! I’m super grateful to Jo and Sadie for letting me share this moment.
I did a pastel drawing of Sadie posing on the couch en déshabillé but you’ll have to go to my flickr to see it!
Many of the poses and outfits were too racy for a Patreon sponsored post, so I’ll finish those drawings and you’ll have to find them on my flickr 😉
I especially loved Valentina’s pasties and red thigh-high boots look, and Martini’s red and black corset! Most of Biszhop’s outfits consisted of his extreme good looks, a pretty accessory and a smoky gaze. His bits were covered, but not by much!
Martini Cherry Furter both posed and performed, an exhilarating number involving the audience setting her on fire!
She has incredible stage presence. She looked so good I actually lost all decorum and shouted, “Girl you are SO BEAUTIFUL!!”. She accepted that as her due, with a gracious smile.
thank you so much to these amazing artists who brought their hearts and souls to the show, it was a privilege to draw you!
Two of Berlin’s hardest working entertainers invited me to their talk-show-with-a-twist.
Le Grand Mess takes place at the charming little theater InnovationArt just two subway stops from us, so the hubbin and I made an evening out of it. I have enjoyed drawing both Liliana Velásquez and Fannie Headaek before.