Tag Archives: Patreon powered artist

Bushwig Berlin, Baby!!

Hungry at Bushwig Berlin Sept 4 2019 by Suzanne ForbesWhat a glorious thrill ride of drag magic!

I was so excited to be a guest of international NY/Berlin drag festival Bushwig this summer. I knew superstar drag performer and makeup artist Hungry would be performing; I’ve been dreaming of drawing her for years. And I knew I’d get to see and draw a whole armada of international drag talents for the first time.

That is Hungry at the top; the crowd went WILD.

I got to speak to her briefly and show her my drawing after, and I have to admit I was a gibbering fangirl.

Hungry at Bushwig Berlin Sept 4 2019 by Suzanne Forbes face detailYou just can’t imagine how beautiful, how ethereal, how meta-human and naiad-like and perfumed with colors she is.

Her makeup is painterly perfection, her skin glows, her brocade corset by Misty Couture has an extraordinary pipestem waist, her smooth bone-tattooed chest is flecked with gold leaf and petals. Her nail gloves were made by Vie of Unicorns Poop Glitter and they waved like undersea fronds in the air!

Hungry is simply a living orchid, a baroque marvel, and the kind of talent you meet only a few times in a lifetime. And she was so sweet and kind!

Read about the development of her style and her collaboration with Björk here.

Betty Fvck at Bushwig Berlin Aug 29 2019 by Suzanne ForbesI got to draw Europe’s Cheekbone Queen, the beautiful Betty Fvck, twice in one week!

Always a thrill to see this beauty work it. Drawing her at both Bushwig and Extravagant Shambles “Pride, Not Prejudice” was a total drawing Lotto win! Betty is so elegant!!

I was seated right up against the stage, and had such a great view of everyone. The venue, Festsaal Kreuzberg, is really lovely, a kind of industrial/tiki forbidden island on the river.

Dirt the drag goblin at Bushwig Berlin Sept 4 2019 by Suzanne Forbes

The variety and diversity of talent was marvelous.

This angel bby drag goblin is Dirt from the Ground. You can see them perform here!

I was very charmed by Frida Pussy, who was assigned acts of contrition for unsafe acts: “Repeat, ‘I’m on PREP it’s fine’ fifteen times”.

Nun to devil transformation is a classic for a reason, baby!

Frida Pussy at Bushwig Berlin Sept 4 2019 by Suzanne Forbes devil style

I loved Donna Trump, a sass queen from Manchester’s thriving drag scene.

She has a new weekly cabaret happening! You can get her goodies on DragQueenMerch here.Donna Trump at Bushwig Berlin Sept 6 2019 by Suzanne Forbes

Sookie Sterling at Bushwig Berlin Sept 6 2019 by Suzanne ForbesAnd check out Sookie Sterling of the Sterling Sisters, a full-on legend.

You can see her on her Insta here.Tyler Ashley at Bushwig Berlin Sept 6 2019 by Suzanne Forbes

Tyler Ashley, a trained dancer, hit the stage like a comet.

She is like a divine blend of Liquid Sky and Xanadu and is known as the dauphine of Bushwig! DJ Hannah Lou at Bushwig Berlin Sept 6 2019 by Suzanne Forbes

DJ Hannah Lou is an incredible professional who managed the music for a huge lineup impeccably.

She was in an amazing silver space angel look.

As usual these drawings are licensed Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) for all to share and enjoy!

In addition, I release the copyright on each drawing to the performer shown and they may use the drawings for their own profit and pleeeasssure in any way they choose.

As a fat, queer, disabled artist, crowdfunded support is the only way I can make this work and release it for free. 

You can join my Patreon Patrons, for as little as a dollar/euro a month, to keep me working and releasing my documentary art of Queer Berlin as Free Art.

I was pretty damn wobbly near the end of this show, as I have been sick on and off all summer and it was very, very hot in the venue.

I was lucky enough to have a kind stranger be my support team – basically as my health has deteriorated this past couple years the type of embedded, in-the-splash-zone, eight-hours-nonstop drawing I do has become much harder.

A stranger (or friend!) showing appreciation for the value of my work, offering to get me a non-alcoholic drink, helping to buffer my drawing hand against surging crowds, fanning me with a flyer, holding my seat while I hit the loo, giving me a Euro or two to help my crowd-funding – all matter so much. Thank you, Arthur!

 

December 2018 Unterwegs!

Enormous dog and his human on the U Bahn Dec 20 2018 by Suzanne ForbesPersephone phones home.

I saw this red-headed woman and her enormous Cerberus and just HAD to draw them, I was drawing so fast because of course you never know how long you’ll have, what station the person will get off at. I was lucky and got a decent amount of time to get the details.

Day drinker on the U6 Dec 18 2018 by Suzanne ForbesThis punk as fuck guy was having some lager at 10 a.m.

I’m not normally out in the world before one in the afternoon at the earliest, but I had an endocrinologist appointment so I was on the U6 with the morning folks. Which included this very tall dude, who drained one pint can, crushed the can and immediately opened another. Ah, Berlin!

It is my Patrons on Patreon whose monthly financial contributions make it possible for me to work as I can, when I can. Given how rocky my health has been this year, with multiple autoimmune illnesses and a bus accident that busted up my drawing hand, it’s an indescribable blessing. I am so grateful to you!

My documentary art is licensed Creative Commons and free for all!

Previous unterwegs are here:

Fall 2018

September 2018

August 2018 unterwegs

July 2018 bonus round

July 2018

April 2018

March 2018

February 2018 bonus round

February 2018

January 2018 bonus round

January 2018 round 1

December 2017

November 2017

September 2017

July bonus round

July

June

May bonus round

May round one

April

March 2

March

January

December

November

Extravagant Shambles, a packed-house cabaret in the North of Berlin.

Cadbury Parfait at Extravagent Shambles by Suzanne Forbes July 24 2018I’d been hoping to draw beautiful performer Cadbury Parfait for months, so I was delighted when she invited me to her first cabaret production.

It was my first time visiting Wedding venue 800A, and it seemed like everybody else had decided to go too. Above, Cadbury Parfait performing as Cleopatra! Scotty the Blue Bunny at Extravagent Shambles by Suzanne Forbes July 24 2018Here’s Scotty The Blue Bunny head and shoulders above the fray before the show.

It wasn’t the most crowded club I’ve ever been in, but it was pretty close!Sarah Tonin and Ruby De Cadence at Extravagent Shambles by Suzanne Forbes July 24 2018

There were a variety of performers, and an MC called Sera Tonin.

Ruby de Cadence is on the right, shaking it! Speaking of shaking, it was warm in the club but I got an excellent shaken iced coffee at the bar, where I ran into one of my hub’s former colleagues working. The bartender was kind enough to wash the cocktail strainer to make sure it had no traces of alcohol, when I expressed my concern.

More shaking it, from queen Noeline la Bouche!!Noeline la Bouche at Extravagent Shambles Suzanne Forbes July 24 2018

Dancers at Extravagent Shambles by Suzanne Forbes July 24 2018I didn’t get to draw everybody, but I got most of the performers.

Here is Mademoiselle Rififi on the left and Elektra Bellefleur on the right, above. I love burlesque names. I hadn’t been to live drawing at a burlesque show in ages, and I had such a lovely time. Thank you Cadbury for having me as your guest!

And thank you, my Patreon Patrons, for making it possible for me to do this work and draw these beautiful people!!

I make this live event art and share it for free because of my Patrons, and anyone can help for as little as a buck a month.

Lots and lots of my Creative Commons licensed, free, shareable burlesque drawings are here on flickr.

Finishing my big new portrait of Sadie Lune and Jo Pollux!

Portrait of Sadie Lune and Jo Pollux before bifurcation by Suzanne Forbes Oct 17 2017

Portrait of Sadie Lune and Jo Pollux before bifurcation by Suzanne Forbes, Oct 17 2017

I finished my biggest painting in like twelve years!

At 30″ by 80″ (76cm by 204cm), these conjoined canvases form a fine large surface. I could have gone the traditional route, setting my sitters deep within the pictorial space with plenty of air around them. But I wanted something more demanding of my abilities and more interrogative of the viewer, a compressed space with an exploded perspective that tips the viewer into the painting’s world.

Portrait Sadie Lune cu by Suzanne Forbes Oct 17 2017Into the dangerous, powerful air breathed by artists Sadie Lune and Jo Pollux.

Portrait of Sadie Lune by Suzanne Forbes Oct 18 2017I set up the perspective of the picture with the idea that Sadie and Jo should take up as much space in it as possible.

At some point in the 90s I read a quote from Roseanne Barr, where she advised young actresses to “take up as much space as you possibly can.”

I think this is a great idea for women, to just occupy space with our presence and authority and strength and certainty, and in Sadie’s case, coiled professional menace.

I had done a painting that utilized an exploded perspective in 2005, the portrait of Khris Brown that is still one of my favorite things I’ve ever done (below right).

I approached the portrait I did of Rah Hell this summer the same way, opening and flattening the pictorial space to force the viewer to acknowledge her carelessly confident drummer’s body (below left). Our Art Nouveau herringbone wood floors work even better for distorting the perspective than the floors in my Berkeley Craftsman did.Portraits by Suzanne Forbes 2005 and 2017

To get the exaggerated foreshortening of my model’s forms, I simply alternate between sitting and standing with the easel very close to the model.

Then I make decisions about scale and positioning, as described in the previous post, and position one foot to break the frame, my signature! This is a straightforward way of suggesting that the power of the woman in the portrait can’t be contained by the picture plane. And it also references my career in comics and my love for comic panel design.

You can see here how close I was to the model chair.After the third sitting Sadie and Jo WIP by Suzanne Forbes Oct 2017

During the long third sitting, Sadie and Jo and I talked about art and sex and power.

Sadie and I reminisced about the wonderful Oughts’-era climate for sex-positive kinky art in San Francisco. We talked about the many performances and shows we did for Madison Young’s queer art gallery Femina Potens and the events, like Sadie’s birthday party, at the Center For Sex and Culture. For a while the background of the painting looked like the Leather Pride Flag!After the third sitting Sadie and Jo WIP by Suzanne Forbes Oct 2017

Jo, who is a photographer, told us an amazing story of when she met Nan Goldin.

The whole process of making the painting has been nourishing and strengthening, a collaborative meeting of minds and talents. Sadie and Jo both brought their A game to the work, serving tremendous presence and face and great physical stamina.

Portrait of Sadie and Jo detail by Suzanne Forbes Oct 2017After the final sitting I dug in and sorted out the background and details. As much as I liked the Leather Pride colors, I wanted to paint the realistic space of my salon, to ground the figures in a real world and place the viewer in it with them.

I adjusted the perspective of the floor over and over, to give the immanence I wanted to Sadie and Jo.

And I repainted Jo’s hands like a million times, so they would only be substantial artist’s hands, not disorientingly large! I had fun painting the Autumn goddess head-dresses of leaves and rosehips Jo and Sadie wore to Folsom Europe for a performance this year.

I very carefully composed the shadows at Sadie’s feet to guide the eye to the vicious tip of her singletail, which actually is the dark blue and black colors I painted it.

I gave Jo a branch to hold because I was like, “Needs moar witch!” Once the details were done, it was time to separate the two canvases for transport to Ludwig, where they will be shown. I didn’t know what would happen once they were separated; the painting looked finished and resolved with them conjoined but….

With the canvases separated, the blue background wall panel behind Jo (right side) became a dead space!Portrait of Jo Pollux by Suzanne Forbes before and after Oct 18 2017I had to activate it visually with shadows.

Which was good, really, as it made the unused pink velvet boudoir chair more significant. I like to include pink velvet furniture, like my sadly lost dusty rose velvet model’s armchair, in my paintings. Not only is pink velvet a great visual reference to pussy, it references a powerful moment in my experience as an artist.

In 1993 I went to Philadelphia with my first husband. We went to the Philadelphia Museum of Art, where we saw the Cornells, Duchamp’s Étant donnés and the Degas known as both “Interior” and “The Rape”. I can’t begin to describe the impact that group of works had on me, but I can tell you the most important thing I carried away: that women need to make paintings of women.

Jo Pollux detail by Suzanne Forbes Oct 18 2017For decades I have been both inspired by the great male painters and furious that men have made most of the great paintings of women.

My spiritual master as an artist, John Singer Sargent, was not sexually involved with women. He made pictures of them as beings. Numinous, sensual, prickly, elegant, fearless beings. I am hoping in the next few years to really move into my abilities as a painter, and to begin painting women with all the strength I see in them.

It really helps to make big paintings, when you want to depict strength and grace, and I hope this diptych is a step towards that.

This work was made possible by the generosity of my Patrons on Patreon, who contribute monthly support to enable me to make art. I am so, so grateful.

You can help for as little as a buck a month!

In Berlin and wanna see it in person and hear me and Sadie talk about art, gender, portraiture as service and more? Come to Ludwig this Sunday, Oct 22, at 8pm for an artist’s talk and vernissage!

Sadie and Jo are both brand-new on Patreon, you can help them make feminist art!

 

 

More drawings from Dr. Sketchy’s Weimar Berlin at Cafe Kalwil.

Bridge Markland posing at Dr Sketchys Berlin Aug 22 2017 by Suzanne ForbesWow, I have made SO MUCH ART this month! Thank you, amazing Patreon Patrons, for making this possible.

Here are some more drawings from the Anita Berber Salon Session of Dr. Sketchy’s Berlin. Above, Bridge Markland portraying Anita Berber amid a group of young women drawing. The life drawing scene in Berlin is absolutely being taken over by women!

For this one I pulled out my Winsor & Newton Series 7 Sable No. #7, which I have kept and cared for since I bought it when I was a student at Parsons in 1984. It is beat to shit but still shakes out to a nice point and holds a wash like nobody’s business. I haven’t done a wash drawing in decades and have no ink, so I used a bit of black acrylic (bad! don’t use acrylic on a sable brush!). It came out lovely I think! The craft paper isn’t sturdy enough to hold up to a wash so I had to press the drawing under a bunch of my doorstop Rose Levy Beranbaum cookbooks after.

Bridge Markland posing at Cafe Kalwil by Suzanne Forbes Aug 22 2017Here’s another drawing of the amazing Bridge, illuminating beautiful Cafe Kalwil with her classic art modelling chops.

You can see my previous Dr. Sketchy’s Berlin drawings of Bridge here!

Le Pustra as Sebastian Droste by Suzanne Forbes Aug 10 2017And I finished two more drawings of Le Pustra as Sebastian Droste.

You can see the previous ones here. The one below has paint added with my fingers, as I continue to experiment with mixed media despite my previous failures. I am so gorram excited about the next time I get to draw Le Pustra, at the Kabarett der Namenlosen.

Or maybe I will sneak in a sketch of him at the October Dr. Sketchy’s Berlin which is Victorian Spiritualism themed! OH hell yeah you know Imma hit that big time in Full Goth.Le Pustra as Sebastian Droste by Suzanne Forbes Aug 22 2017

After all I snuck in a sketch of event organizer LaLa Vox this time 🙂LalaVox hosting Dr Sketchys Berlin Aug 6 2017 by Suzanne Forbes

The night is dark and full of ice cream: Moldover and Alfred Ladylike at Posh Teckel in Neukölln.

Moldover performing at Posh Teckel drawn by Suzanne Forbes Aug 10 2017Seriously, nukes could fly any second. The world is ON FIRE because of some dimwitted psychopaths. Life has returned to 80’s conditions, a world of “tomorrow I’ll ____, unless nukes. Thursday I’ll _____, unless nukes.”

And yet, I am full of joy, and I got to see an amazing show, and I made art.

I’ve drawn Alfred Ladylike before, on two occasions. I am a fan of Alfred both in solo and Donut Heart incarnations. Although I did not draw her the first time I saw her perform, when she opened with “Professional” for Amanda Palmer at the show I drew at last Fall! Alfred played at Posh Teckel in Neukölln last night.Alfred Ladylike performing at Posh Teckel drawn by Suzanne Forbes Aug 10 2017

“Teckel” means “dachshund” and there has never been a bar as dachshund-themed as Posh Teckel ever in the history of the world.

It is pretty damn delightful, and also it is a bar that cares a lot about music. It is smaller than our flat but charming. The music sounded great. Alfred performed a few songs but I only made one drawing because it was entirely red and dark and very, very hot in the music part of the bar!

Luckily the music space cooled off a bit as the evening went on. I asserted my needs and dragged in a bar chair to sit on in front of the stage. No-one minded. It’s Berlin, we do what we like.

Moldover drawn by Suzanne Forbes Aug 10 2017Then Moldover played and wow he is a crackerjack musician and terrific live performer.

He was really just extremely good. I knew pretty much nothing about controllerism, or that Moldover is known worldwide as the Godfather of Controllerism. But I know musicians, and I know performers, and I was just thrilled to see such a terrific show out of the blue on a Thursday night in Berlin when we might all die in a nuclear firestorm tomorrow.

Moldover drawn by Suzanne Forbes Aug 10 2017Boy howdy, I sure hope I get to go back and read this six months from now and say “wasn’t it scary, thank heavens things are better now.”

Because this is the sweetest and brightest and most joyful and meaningful my life has ever been and I’m drawing like blue hot holy hell. I headed home at midnight; I stopped at our all-night bistro to get ice-cream. Mango eis in the velvet dark and coolness of the summer night, our neighborhood still quietly bustling. I was so happy I scared the cats my husband by dancing in the front door. It would be a shame to get radiation sickness at a time like this.

Anyway, If you like me going around and documenting Berlin life and art, you can help make it possible by supporting me on Patreon. It’s easy and you can pledge as a little as a buck a month; I’ll be thrilled! Moldover has a Patreon too and is on bandcamp and both those corporations are being pretty decent world citizens, as corporations go, so far. So you could go support this fine musician here on Patreon (I did!) or buy his music and music devices on bandcamp. And watch this video, where Moldover wears a tinfoil jumpsuit and performs inside a giant computer chip.

Or maybe he’s really tiny? Whichever, check it out.

Don’t wait too long, in case nukes.