Tag Archives: mixed media drawing

More drawings from Dr. Sketchy’s Berlin Baba Yaga session!

Marin van der Waa Narrates at Dr Sketchys Berlin by Suzanne Forbes sept 23 2018Marijn was the narrator, reading a spooky fairy tale in a voice that filled the room like smoke.

I have drawn Marijn before at Dr. Sketchy’s and was pleased to be able to do so again. Having a narrator really added to the experience of the show! Marijn is an illustrator herself, and you can follow her on the Instas here or check out her website here.

Women artists at Dr Sketchys Berlin Sept 27 2018 by Suzanne ForbesI also drew some of the artists this time!

I wound up sitting right next to the organizer of Berlin Museum Crew, artist Samantha Stover, (her mane of 60s movie star hair was covering her face alas!) and several other young woman artists. That’s Lucille Lehr with the two-colored hair! Plus my dear friend, artist and art teacher Giulia Caruso, was just a few seats away! That’s her with the fuschia streak and tattoos ūüôā

Models at Dr Sketchys Berlin Sept 21 2018 by Suzanne ForbesAnd the one sketch I made of the other model besides Valentina Demonia, Hurricane Irina !

Another amazing Dr. Sketchy’s Berlin, thanks¬†to¬†LalaVox¬†and¬†Le Pustra.¬†So excited for the Hansel and Gretel session, October 21 at Ballhaus Berlin!

More drawings from this session here; previous Dr. Sketchy’s Berlin:

Viva Lamore, à la Baroque

Betty Fvck, Trixie Tassels and More, Berlin Burlesque Week

Broken Baroque

Victorian Spiritualist edition with Valentina Demonia and Syren Joey

More Victorian Spiritualist edition

Weimar Berlin, with Le Pustra and Bridge Markland

More Weimar Berlin

and my first Dr. Sketchy’s Berlin with Viva Lamore, Syren Joey and live painting outdoors!

Thanks so very much to my Patrons on Patreon, and welcome to the new Patrons who joined this month! You make it possible for me to make this art and share it open source, licensed with Creative Commons for all to share, print and enjoy.

A big pastel drawing finished!

Viva Lamore by Suzanne Forbes detail pastel on Mi Teintes June 26 2018Using pastels on dark paper is so weird.

I started this drawing of Viva Lamore at Dr. Sketchy’s Berlin “Broken Baroque” session quite a while back. She is the producer of Full Moon Cabaret as well as lots of other artistic projects, and a frequent Dr. Sketchy’s model; I love to draw her. I worked on this one a good bit at home, but couldn’t figure out how to resolve it.

So I tabled it for a while, to see if I got more comfortable using pastels.

One of my beloved Friend-Muse-Patrons sent me a box of Prismacolor Nupastels for my birthday. Those were my favorite pastels in college, if I could have been said to have a favorite in a media I do not love. They are square in profile rather than round and both harder and more waxy than most pastels. I find them much easier to control and they lay down a lot of pigment on my toothy Canson Mi Teintes paper.

Viva Lamore by Suzanne Forbes mixed media 32cm x 41cm June 26 2018I also knew I needed a workable fixatif to freeze each layer of color as I laid it on.

But I was having trouble finding the kind of workable fix I used in art school.

Eventually I figured out that Winsor and Newton “soft fixative” is the same product. It’s sold as Professional Fixative now in the US, I believe. It’s a (virtually odorless! brave new world!) spray fixative that holds the dusty pigments in place, and creates a new layer of tooth for the next layer of pastel to catch on and adhere to. I ordered some and went back to the picture of Viva this week.

Portrait of Viva Lamore in media media and pastel work in process by Suzanne Forbes 2017 to 2018

The process of adding layers of Prismacolor Nupastels to a portrait on Canson Mi Teintes paper by Suzanne Forbes, 2018

Pastels are imprecise anyway, so I can use them fairly well with my injured hand.

The problem with workable fixatif, or any fixatif, is that when you spray them on, they adhere the pigment particles to the paper with an adhesive medium. Which has the effect of darkening the pigments. I hadn’t had much trouble with the Lascaux fix I’d been using, but the new can totally knocked out my highlights.

Portrait of Viva Lamore in media media and pastel work in process by Suzanne Forbes 2017 to 2018After each spray of fix I had to go in and restore the highlights. The paper got coarser and coarser, although as promised the fix does build a new layer of tooth. You can continue to add pigment on the surface for a long time. The lightest values in the drawing you see in the photographs aren’t properly fixed; they could easily be rubbed or wiped off. But that is a problem for another day.

I feel like this is a nice depiction of Viva’s beauty and mischief!

Thanks so very much to my Patrons on Patreon whose financial support makes it possible for me to experiment and grow as an artist. You sustain me.

Mixed media portraits of women.

Portrait of Anna May 3 2018 by Suzanne ForbesA fellow New Yorker came over to visit and was kind enough to pose for several hours so I could make a careful study of her beautiful face!

Portrait of Anna May 3 2018 by Suzanne Forbes detailI can hardly believe it was less than a year ago I was so scared of adding color to my drawings that I thought it was a big deal to buy one pink pastel.

Now I am routinely adding color. Not a lot, not every time, but I keep gently pushing myself to experiment.

The drawing below is of my Beloved Friend-Muse-Patron Monique Motil, who came here to spend her birthday with me and her sister Marie!

We were dining at Restaurant Lutter & Wegner sei 1811, an amazing Charlottenburg treasure.

I discovered this beautiful little gem of a traditional German resto when I was hired to live-draw at a birthday party there earlier this year. This time I had Spargel for the first time, with sauce hollandaise.

Although Spargel looks like zombie dildoes or White Walker penises, it is absolutely delicious. Monique and Marie by Suzanne Forbes West Berlin May 12 2018

Seeing my beloved Monique and spending time with her and her amazing sister was a glorious time.

yes this is miniature and yes I own it thanks to my mom who I shipped it to and who sent it to Monique so she could bring it to me.

She is a cherished friend, fantastic human, AND one of the most gifted artists I’ve ever known, as well as one of my longest-time collectors and¬†Patrons.

She brought me fantastic art treasures as well as the miniature LEDS and miniature defibrillator for the Dollhouse Underground Laboratory.

I was able to go out and do things with M&M, in the daytime (!!!!!!), thanks to the wonder of the HRT treatment I’m taking for my menopause symptoms.

You don’t have to settle for a shit quality of life, uterus/ovaries-having women of a certain age. You can be stronger, clearer-headed, better rested, full of energy.

Aren’t you worth finding out if HRT is for you? It’s working for millions of menopausal women in the UK and Europe and for so many trans women every single day!

Unterwegs, three different ways!

Grandmother and child by Suzanne Forbes Dec 21 2017This stylish grandma and young lady were drawn from inside the bus as I waited for it to leave.

So she couldn’t see me carefully noting the details of her all-black outfit. It was one of those very gray Berlin days, but not very cold.

Grandpa and little bud by Suzanne Forbes Dec 21 2017This grandpa and his little bud were so cute.

I drew them mostly from a memory snapshot, since it would be creepy to keep looking over at a little kid. You can see I’m not very good at drawing Minions.

phone people by Suzanne Forbes Dec 21 2017Phone people never notice me drawing them.

So it’s too bad for them if they don’t want the interesting angles of their limbs recorded for posterity.

You can see previous unterwegs here:

December 2017

September 2017

July bonus round

July

June

May bonus round

May round one

April

March 2

March

January

December

November

A portrait of my mom in Berlin!

Pat Ketchum by Suzanne Forbes West Berlin Oct 26 2017My mom came to visit! It was wonderful.

I made this portrait of her at Cafe Bilderbuch in Schöneberg. We were having coffee. We love coffee!  This is the first time I tried black ballpoint on the Canson Toned Gray paper, and I really enjoyed using a ballpoint on that surface.

It’s a heavy paper that feels smooth to the touch, yet accepts a lot of pigment from pastels, which usually need a surface with tooth. I added oil pastel and chalk pastel when we got home.

Pat Ketchum by Suzanne Forbes West Berlin detail Oct 26 2017Cat supervisors were on hand.

Our horrible Morgan and adorable Viviane enjoyed their time with Grandma, who is a Cat Person of the highest order, very much. Morgan hardly even bit her.

Drawing Donut Heart for Pride Month!

donut heart at gay and lesbian festival july 15 berlin by Suzanne ForbesI went to draw Donut Heart performing again!

suz in pink dress july 2017 by Dan SchickThis time at the Lesbian and Trans* stage at the Berlin Lesbian and Gay Festival. The festival is one part of the Berlin Pride Month activities, which culminate the following weekend in Christopher Street Day.

There were a lot of stages, so I wasn’t sure how to find the Lesbian and Trans stage – until suddenly I walked into a crowd where I felt completely at home. Everyone had tattoos and brightly colored hair and they welcomed me with warm smiles.

I dressed up fancy! Photo by Dan Schick from when we went to see Spider-Man Homecoming earlier that afternoon – a charming must-see!

This is by far the most complicated color drawing I’ve done since college and my days as a courtroom artist.

I wanted to capture the details and vividness of the scene as much as possible. (DJ Chroma wasn’t actually performing at the same time as Donut Heart of course, I just added her cause she is so great looking!)

donut heart berlin july 15 detail by Suzanne Forbes

Detail before adding pastels on top of marker, pencil, colored pencil and ink.

I keep pushing the limits with the mixed media experiments on Canson kraft paper and it keeps going mostly ok.

Portrait of Tess and Colin Jan 2017 by Suzanne Forbes photo by Colin Fahrion

Portrait of Tess and Colin Jan 2017 by Suzanne Forbes photo by Colin Fahrion

I’m very confident with color when I’m using opaque paints, as in this portrait commission of loved ones from January.

But with additive¬†transparent media like watercolor and markers I feel wobbly. There’s a pass at watercolor painting Ian¬†so bad only my Patreon Patrons got to see the whole thing.

You can see the first drawing I did at the Lesben-Schwule Fest here; it has some colors added.

I grabbed a few Sharpies from my deskside drawer and spotted in a bit of pink and green.

I used color in my courtroom drawings of course, and those were on beige and buff illustration board.

Courtroom drawing by Suzanne Forbes working as Rachel Ketchum for WCCO-TV, 1992

Courtroom drawing by Suzanne Forbes working as Rachel Ketchum for WCCO-TV, 1992

 I think the midtone beige of the kraft paper helps to mediate my limited color skills.

Suzanne Forbes drawing Donut Heart July 15 2017 by Dara

Suzanne Forbes drawing Donut Heart July 15 2017 by Dara

Alfred Ladylike was wearing her silver dress from Loving the Alien, and the additive/subtractive nature of pastels worked pretty well for it. Not as much success capturing Rah Hell‘s gold sequin fedora!

I’m using two shades of grey and two shades of umber in regular pastels, white conte crayon, a black oil pastel and alcohol based DeSerres markers in shades of warm and cold grey, and a red-brown Caran d’Ache colored pencil.

Me and Dara, former Donut Heart bassist, by Dara!

All this goes over the PITT brush pens and .05 HB mechanical pencils I normally use, on Canson kraft paper. It has some tooth and a texture, like a cotton paper.

Most significantly maybe I am using the clear-ish “blender” shade of the DeSerres markers OVER the pastels. I run it over the black oil pastel and the solvent in it dissolves some of the pastel base, creating a wash.

I also use a blender marker or 10% grey over the chalk pastels, to help blend and incorporate. For this Donut Heart drawing I bought a pack of colored markers at the Euro-Store for one euro, and added those in.

It was scary experimenting like this, and it took me ten days to finish the drawing once I started adding color. I was nervous about making an ugly, muddy mess or a primary-colored cartoon. I’m pleased with the result though, and now I have colored markers….’cause-

I needed all the colors for the full rainbow of the Pride flag! donut heart drawing by Suzanne Forbes July 15 2017

Live Drawing at “Loving the Alien”, Monster Ronson’s Berlin.

Shlomi Wagner as Anastasia at Loving the Alien by Suzanne Forbes July 20 2017

Shlomi Wagner as Anastasia at Loving the Alien by Suzanne Forbes July 20 2017

I finally went to Monster Ronson’s!

Iggy swan song at Loving The Alien by Suzanne Forbes July 20 2017

Iggy’s swan song at Loving The Alien by Suzanne Forbes July 20 2017

After a year and a half of passing it whenever I went to and fro from teaching at ESDIPBerlin!

Loving the Alien by Suzanne Forbes July 20 2017I went with Suzanne Wegh, to see “Loving The Alien”, a musical that several folks I know are involved in. Delighted¬†surprise when a woman I know was also manning the door!

Iggy and Mandy by Suzanne Forbes July 20 2017We were kindly seated in the front row, so I could draw.

It was a great show with really terrific songs, a cracking band and fabulous dancers.

Spaceman at Loving the Alien by Suzanne Forbes July 20 2017Lots of homage not just to Bowie but to other icons of glam like my beloved T. Rex.

Afterwards I went backstage and finished my drawings while the performers changed, just like Degas or Toulouse-Lautrec, except gayer and with more glitter!

Further info with performer name links as I get them sorted, the drawings are licensed Creative Commons Attribution NoDerivs and can be downloaded here.