Suzanne Forbes, an expat New Yorker in Berlin. Made possible by the generous support of her Patrons. https://www.patreon.com/SuzanneForbes. Former DC Penciller for Star Trek, former courtroom artist, painting portraits and teaching drawing.
Many of the poses and outfits were too racy for a Patreon sponsored post, so I’ll finish those drawings and you’ll have to find them on my flickr 😉
I especially loved Valentina’s pasties and red thigh-high boots look, and Martini’s red and black corset! Most of Biszhop’s outfits consisted of his extreme good looks, a pretty accessory and a smoky gaze. His bits were covered, but not by much!
Martini Cherry Furter both posed and performed, an exhilarating number involving the audience setting her on fire!
She has incredible stage presence. She looked so good I actually lost all decorum and shouted, “Girl you are SO BEAUTIFUL!!”. She accepted that as her due, with a gracious smile.
thank you so much to these amazing artists who brought their hearts and souls to the show, it was a privilege to draw you!
What glorious muses these Weimar angels of debauchery are!
I haven’t managed to see the theatrical performance of Berlin’s legendary Kabarett der Namenlosen yet, but I got to draw several of its wonderful characters. Above, Le Pustra and the sublime Mama Ulita.Le Pustra, the producer of Kabarett der Namenlosen, has also been co-producing Dr. Sketchy’s Berlin with LalaVox. So it was natural they would do a session featuring the styles and sensuality of the dark cabaret.
And how beautifully the 1930s dance hall setting of Ballhaus Berlin frames them. It’s heartbreaking to feel the spirit of Weimar Berlin right now, as LGBTQIA rights are under attack in places where so much progress had been made.
The Weimar era’s freedom of sexual and gender expression is so fucking poignant right now.
We must not go back, we must protect everyone’s right to be and love who they are, and wear whatever they want.
Marijn was the narrator, reading a spooky fairy tale in a voice that filled the room like smoke.
I have drawn Marijn before at Dr. Sketchy’s and was pleased to be able to do so again. Having a narrator really added to the experience of the show! Marijn is an illustrator herself, and you can follow her on the Instas here or check out her website here.
I also drew some of the artists this time!
I wound up sitting right next to the organizer of Berlin Museum Crew, artistSamantha Stover, (her mane of 60s movie star hair was covering her face alas!) and several other young woman artists. That’s LucilleLehr with the two-colored hair! Plus my dear friend, artist and art teacher Giulia Caruso, was just a few seats away! That’s her with the fuschia streak and tattoos 🙂
This first one is of the beautiful Viva Lamore, who wore a marvelous outfit with a cage hoop. Because the theme for this Dr. Sketchy’s was Broken Baroque, everyone was wearing ropes of pearls and masses of ruffles. Plus fluffy white cotton batting wigs.
I’m struggling to control the “dust sticks” as I call them and render some kind of believable volume with such pale colors.
I find it so hard to get any detail with pastels. Especially drawing things like pearls and lace. As you can see, for important areas like the models’ faces, I just cheat and use ink. I’m using both my beloved PITT brush pens and 50% grey scale markers here to add in darker values. For the pearls, I started using a white color pencil.
As much as I’ve hated and ignored color pencils all my life, I can see how on paper this good, they can be a nice tool.
Each of these drawings is on a different shade of Mi Teintes paper, as I randomly chose from my pad of sepia, umber, and buff paper in order to provide “new experiences”. Mighta gone a little overboard on adding complicating factors there, as the effect of each color of pastel stick is startlingly different on light vs dark papers.
So I am working on them just a little bit at a time, trying not to set myself the overwhelming goal of “finishing” or “getting them right”.
You can see the drawings I’ve finished so far from this Dr. Sketchy’s here.
Thanks so very much to my Patrons on Patreon whose financial support makes it possible for me to explore new materials like this. You are the best.
There’s nothing I love like too much, and Broken Baroque is such a gorgeous theme. As always, LalaVox and Le Pustra did it up right. Above is the marvelous Viva Lamore as Mistress Overdone. She looked both beautiful and deliciously wicked! She is such an amazing performer, and her gestures are incredibly expressive. I brought my new pastels and drew with them!
I always try and draw hostess LalaVox, as she brings her A game to her look every time. Like this ship-in-head!
Isn’t the sacque-back gown a perfect style for her?
I had been wanting to draw Evilyn Frantic for a long time, since I saw her in the street last year, introduced myself and told her I wanted to draw her picture.
This one-minute sketch was my first chance, more to follow as I clean up and finish up the pastel mess I made!
LalaVox and Suzanne Forbes at Dr Sketchys Berlin Victorian Spiritualism by Maren Michaelis.
Also bonus: here is a drawing of Viva Lamore jumping out of a Campbell’s soup can, from the Sunday Slips New Year’s Extravaganza! She is wearing a handmade bra fashioned after the 1940s Schiaparelli design! How amazing is that?
If you’re interested in a similar design, last year there was a hand print bra and panty set made for the Bettie Page line by Playful Promises, the queer, trans, gender-fluid-, sex-worker-, body positivity- and diversity-embracing lingerie company.
Thanks so very much to my Patrons on Patreon whose financial support makes it possible for me to go to events like this. You are the best.