Last Fall, a Patron gifted me a collection of vintage embroidery hoops, including some that were very old. One had a type of closure I’d never seen before. Instead of the usual screw to ratchet the outer hoop looser, you press down on the brass bar. This opens the hoop at the dovetailed joint. Fascinating, right?
It reminded me of the kind of old brass bar taps you see in an ancient Berlin gay bar, when you’re sitting at the bar drawing.
My plan is to gift it to a Berlin bear bar!
The boots are made of gold leather salvaged from a pair of gold booty shorts left behind by Miss Natasha Enquist when she left Berlin.
Always be makin’! Here’s me and Suzanne Wegh sitting in the air-conditioned library before we began our day of embroidering, sewing and drawing. It was 101 degrees in Berlin today!
A friend recently said we should refer to ourselves as “TwoZanne” when working like this. Awesome, right???
That’s the drawing on the left, in blues and greens. The Grace Bar is a very fancy place, and I never go anywhere fancy in Berlin, so it was an interesting experience. The rooftop bar was absolutely full of blue magic hour light, reflected from the blue-tinted glass of neighboring buildings and the long Berlin twilight.
It was very beautiful, but the scenesters and “influencers” at this invite-only party were completely ignoring that.
I had to leave after her first set because it was quite hot and the waiters were passing around all these frosty mojito thing drinks, which made me very thirsty! I very, very rarely feel any temptation to drink alcohol since I got sober in ’89, but a hot night and frozen drinks all around was a bad combo for me, so I went home! And quickly got to work on drawing the colors of the evening. I tried to capture that blue feel.
I was also inspired to finish an orphaned drawing from this April, when Miss Natasha performed a concert at the English Theater, with proper theatrical lighting. Me and several friends went to see her, including Giulia Caruso, a fellow artist and also fellow art collaborator with Miss Natasha. The lighting and visuals were really lovely, but unfortunately it was really dark in the seats!
So I finished the lighting and color on this from memory, my mental file of images of light particles falling on MNE’s elegant face. As a portraitist, it’s so important to me to draw the same models over and over, to really try to understand how light lies over the skin and bones of a face I know.