On the roof of a fancy hotel, Miss Natasha plays the accordion.

Two drawings of Miss Natasha Enquist by Suzanne Forbes Aug 2018I was invited to Miss Natasha Enquist‘s performance at the Grace Bar at Zoo Hotel.

That’s the drawing on the left, in blues and greens. The Grace Bar is a very fancy place, and I never go anywhere fancy in Berlin, so it was an interesting experience. The rooftop bar was absolutely full of blue magic hour light, reflected from the blue-tinted glass of neighboring buildings and the long Berlin twilight.Miss Natasha Enquist at Blue Summer Night Aug 16 2018 by Suzanne Forbes

It was very beautiful, but the scenesters and “influencers” at this invite-only party were completely ignoring that.

I had to leave after her first set because it was quite hot and the waiters were passing around all these frosty mojito thing drinks, which made me very thirsty! I very, very rarely feel any temptation to drink alcohol since I got sober in ’89, but a hot night and frozen drinks all around was a bad combo for me, so I went home!  And quickly got to work on drawing the colors of the evening. I tried to capture that blue feel.

Miss Natasha Enquist at the English Theater Aug 28 2018 by Suzanne ForbesI was also inspired to finish an orphaned drawing from this April, when Miss Natasha performed a concert at the English Theater, with proper theatrical lighting. Me and several friends went to see her, including Giulia Caruso, a fellow artist and also fellow art collaborator with Miss Natasha. The lighting and visuals were really lovely, but unfortunately it was really dark in the seats!

So I finished the lighting and color on this from memory, my mental file of images of light particles falling on MNE’s elegant face. As a portraitist, it’s so important to me to draw the same models over and over, to really try to understand how light lies over the skin and bones of a face I know.

There’s a reason artists paint the same person many times; it’s because it’s a different story every time.

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