Tag Archives: Suzanne Forbes

First unterwegs of the summer! Post-accident, drawing on the train again.

Unterwegs July 20 2018 by Suzanne ForbesI couldn’t draw on public transit for quite a while.

Plus, I have become quite cautious about using the bus, always making sure to be seated and holding a rail or handle before the bus starts moving.

Which means I have to hustle; part of the efficiency and speed of the bus system here is that the bus driver does not wait for you to be settled and secure. The drivers just take off after a certain number of seconds, even if there are older folks looking for seats. They do pause for wheelchair users and baby carriages to get arranged and strapped in the wheeled area, at least.

Unterwegs July 19 2018 by Suzanne ForbesBut everybody else is on their own, and passengers are alert to help seniors and mobility aid users find a seat and be safe. So someone like me, who looks perfectly healthy, is not accorded any concern whatsoever, and my scramble to be seated in the regular seating may look a bit unseemly or neurotic.

I don’t care, because my hand feels terribly vulnerable, and it’s my job to protect my livelihood and my ability to contribute to society. I didn’t take transit much at all while I had my cast on; it’s only the last week or so I’ve been out and about.

This Tuesday was the first time I brought my drawing kit with me since the accident. It was fantastic to sit and draw from life again, I felt like a horse let out of a stall, running around the paddock like a fuckin maniac. Drawing isn’t “fun” or pleasure for me – it’s the exercise of the strongest muscles, the best skills I have, and using those skills is like working out.

It feels fantastic to use these powerful muscles, and at the same time it feels like work. Doing my job. Telling people’s stories.

I was put here to do this work, I believe, and doing it again makes me feel useful and strong. On Thursday, headed to the Drummess Jam, I was so caught up in working on the top drawing I didn’t realize I’d taken the wrong train til I had passed several unfamiliar stops!

Thank you, my Patreon Patrons, for making it possible for me to do this work and tell these everyday human stories. I am so grateful to be back to work.

Previous unterwegs are here:

April 2018

March 2018

February 2018 bonus round

February 2018

January 2018 bonus round

January 2018 round 1

December 2017

November 2017

September 2017

July bonus round

July

June

May bonus round

May round one

April

March 2

March

January

December

November

A big pastel drawing finished!

Viva Lamore by Suzanne Forbes detail pastel on Mi Teintes June 26 2018Using pastels on dark paper is so weird.

I started this drawing of Viva Lamore at Dr. Sketchy’s Berlin “Broken Baroque” session quite a while back. She is the producer of Full Moon Cabaret as well as lots of other artistic projects, and a frequent Dr. Sketchy’s model; I love to draw her. I worked on this one a good bit at home, but couldn’t figure out how to resolve it.

So I tabled it for a while, to see if I got more comfortable using pastels.

One of my beloved Friend-Muse-Patrons sent me a box of Prismacolor Nupastels for my birthday. Those were my favorite pastels in college, if I could have been said to have a favorite in a media I do not love. They are square in profile rather than round and both harder and more waxy than most pastels. I find them much easier to control and they lay down a lot of pigment on my toothy Canson Mi Teintes paper.

Viva Lamore by Suzanne Forbes mixed media 32cm x 41cm June 26 2018I also knew I needed a workable fixatif to freeze each layer of color as I laid it on.

But I was having trouble finding the kind of workable fix I used in art school.

Eventually I figured out that Winsor and Newton “soft fixative” is the same product. It’s sold as Professional Fixative now in the US, I believe. It’s a (virtually odorless! brave new world!) spray fixative that holds the dusty pigments in place, and creates a new layer of tooth for the next layer of pastel to catch on and adhere to. I ordered some and went back to the picture of Viva this week.

Portrait of Viva Lamore in media media and pastel work in process by Suzanne Forbes 2017 to 2018

The process of adding layers of Prismacolor Nupastels to a portrait on Canson Mi Teintes paper by Suzanne Forbes, 2018

Pastels are imprecise anyway, so I can use them fairly well with my injured hand.

The problem with workable fixatif, or any fixatif, is that when you spray them on, they adhere the pigment particles to the paper with an adhesive medium. Which has the effect of darkening the pigments. I hadn’t had much trouble with the Lascaux fix I’d been using, but the new can totally knocked out my highlights.

Portrait of Viva Lamore in media media and pastel work in process by Suzanne Forbes 2017 to 2018After each spray of fix I had to go in and restore the highlights. The paper got coarser and coarser, although as promised the fix does build a new layer of tooth. You can continue to add pigment on the surface for a long time. The lightest values in the drawing you see in the photographs aren’t properly fixed; they could easily be rubbed or wiped off. But that is a problem for another day.

I feel like this is a nice depiction of Viva’s beauty and mischief!

Evilyn Frantic at Dr Sketchys Berlin Burlesque Week June 23 2020 by Suzanne Forbes Edited June 23 2020: I also finally finished a long-tabled drawing of Evilyn Frantic!

Thanks so very much to my Patrons on Patreon whose financial support makes it possible for me to experiment and grow as an artist. You sustain me.