Tag Archives: gothic rococo

Some new embroidery works, in shades of moonlit blue.

Embroidery by Suzanne Forbes May 2018Embroidery takes an incredibly long time.

Textile art is SLOW ART. I love that about it, because I draw and paint so fast. However, I have been so busy the last few months I haven’t had the deep time it takes to finish new embroidered pieces.

So I did the mystic eye piece you see above just to keep my hand in, using a rhinestone applique and surrounding it with a variegated fine rayon thread aura and some swarovski crystal beading.

Lunar Moth Embroidery Art by Suzanne Forbes May 2018Then at the beginning of this month I dug in and made sixteen hours’ time for this Lunar Moth in sparkly blues.

Lunar Moth Embroidery Art by Suzanne Forbes May 2018 eye detailI cut up a digital galaxy print shirt for the backing and added a layer of my favorite galaxy print sparkle tulle. Tulle over stretch fabrics is such a great way to create a stable,precise surface.

I often, as I did here, embroider the outline of the design on the bottom fabric first. This creates a little extra depth between the base and the tulle.

I added crystal and pearl beading at the end, and some swarovski crystals and dark blue sequins.

Grey mohair for the fur was very last thing, as I am allergic to it and it makes me sneeze like crazy!

The eyes of this moth are antique mother-of-pearl buttons from the incredible vintage button lady’s booth at the Markt am Winterfeldplatz. I love embroidery so much, and hope to make some more time for it this summer.

Textile art, and embroidery in particular, is the most soothing kind of creative work for me.Embroidery works by Suzanne Forbes 2013 thru 2018

The Lunar Moth was the largest piece I’ve done in ages, I’ve only used a hoop this big once or twice before. Here you can see it hanging with some similarly colored pieces from before we left the States, made in 2014.

til next time, my dears!

February 2018 Bricolage Roundup, with creepy dolls!

Dollhouse shadowbox by Suzanne Forbes Feb 26 2018It wouldn’t be February without creepy dolls, right?

Creepy doll shadowbox Suzanne Forbes Feb 2018Here’s a little dollhouse shadowbox I made. I customized a vintage Living Dead doll by giving her antlers and the shiny chrome arm projecting from her chest I’ve always wanted myself.

Come on, haven’t you ever wanted a slightly smaller, heat resistant velociraptor arm that pops out of your chest to grab the spilling pot when both your hands are already full?

The antique dolls are wearing little dresses I made them.

 

Cicada shadowbox by Suzanne ForbesI also made a couple of bug shadowboxes, cause you can never have enough of those!

And more bug earrings, with tiny cast glass cicadas I found. You can see the Valentines Monster Doll Armada, which I was consumed with making for much of last February, here. Some of them are still available to purchase. The February 2016 Scary Mermaid doll post is here. And the previous batch of bug bricolage is here.Insect earrings and shadowboxes by Suzanne Forbes Feb 2018

Works in Process – drawing pastel clothing with pastels, yikes!

WIP VIva Lamour by Suzanne Forbes detail Feb 2018I’m working on these three pastel drawings from Dr. Sketchy’s Berlin veeeerrry slowly.

This first one is of the beautiful Viva Lamore, who wore a marvelous outfit with a cage hoop. Because the theme for this Dr. Sketchy’s was Broken Baroque, everyone was wearing ropes of pearls and masses of ruffles. Plus fluffy white cotton batting wigs.

WIP VIva Lamour by Suzanne Forbes Feb 2018I’m struggling to control the “dust sticks” as I call them and render some kind of believable volume with such pale colors.

I find it so hard to get any detail with pastels. Especially drawing things like pearls and lace. As you can see, for important areas like the models’ faces, I just cheat and use ink. I’m using both my beloved PITT brush pens and 50% grey scale markers here to add in darker values. For the pearls, I started using a white color pencil.

WIP Dr Sketchys Berlin by Suzanne Forbes Feb 2018As much as I’ve hated and ignored color pencils all my life, I can see how on paper this good, they can be a nice tool.

Each of these drawings is on a different shade of Mi Teintes paper, as I randomly chose from my pad of sepia, umber, and buff paper in order to provide “new experiences”. Mighta gone a little overboard on adding complicating factors there, as the effect of each color of pastel stick is startlingly different on light vs dark papers.

WIP Evilyn Frantic by Suzanne Forbes Feb 2018So I am working on them just a little bit at a time, trying not to set myself the overwhelming goal of “finishing” or “getting them right”.

You can see the drawings I’ve finished so far from this Dr. Sketchy’s here.

Thanks so very much to my Patrons on Patreon whose financial support makes it possible for me to explore new materials like this. You are the best.

November bricolage roundup- shadowboxes, passementerie and mantelpieces!

mantis bricolage shadowbox by Suzanne Forbes Oct 2017More bug stuff, because it’s not like our house can have too much creepy bug decor.

I made this mantis shadowbox using some 1970s upholstery fabric I got in Berkeley in the late 90s, some vintage velvet flowers and little bees saved from the same era, and a machine-embroidered mantis from this amazing artist in Kiev, who is doing totally innovative textile art with the digital embroidery tech now available.

Egg shadowbox by Suzanne Forbes Oct 2017I’d always wanted an egg glossary display box.

No natural history, curiosity cabinet-themed library is complete without one! I used the 70s fabric again; a glue gun is my method of choice for stretching even wrinkled fabric smoothly across the particleboard backing of a shadowbox. Some of the little speckled eggs and the grapevine nest came from topiary ball displays I made for my first wedding, in 1993 or 4.
Glue gun party by Suzanne Forbes Nov 2017

I have nights where I crash around the flat asking, “What would Tony Duquette Do?”

And the answer is always, “Glue gun, Passementarie, MORE.” I added a couple trims to this silk velvet patchwork upholstered bench. After the intensity of the first three quarters of this year, with teaching and drawing and painting and my hub becoming a cyborg and being sick quite a bit, I really need this November make-cation.

jewelry holder by Suzanne ForbesI made a display holder for some of the earrings I’ve sculpted, made and modified.

I just took the glass out of a deep frame and gluegunned fabric to the backing. I used a beautiful textured knitting yarn left over from some lovely crochet blossoms my mom made me; the texture keeps the earrings from sliding around.

And most significantly of all, I got one of my first adult textile art pieces back up on display.

mantel scarf by suzanne forbes 2000I made this mantel scarf of crushed changeant velvet and celestial Czech glass buttons and bead embroidered wire and pleated ombre ribbon cockades in 1999.

I was living with my second husband in a gorgeous Craftsman fourplex in North Berkeley. It was the first place I ever painted like I truly wanted my home to be, in insane shades of aniline violet, quinacridone red, and chartreuse. It was full of built-ins I decoupaged with gilt paper Dresden trim, Victorian frogs and lizards, and accented in burnt orange.

We gave such parties there. It was such a beautiful home. I loved my second husband, or who I thought he was, so much. 

This piece was in storage for a long time, and it hurt me every time I came across it in my increasingly desperate and disenfranchised moves.

When the Great Recession finally ebbed a bit and I moved in with the man who became my third husband, I thought about getting an electric fireplace, where it could be displayed. There just wasn’t enough room in the exquisite jewelbox Craftsman apartment in Oakland that I designed to showcase his Black Irish beauty.

Here in our home in Berlin, we have plenty of room.
mantel scarf and fearless pink Gay Santa by Suzanne Forbes 2000 2016I used my glue gun to apply an emerald botanical brocade to the top of the particleboard shelf I had attached to the top of the electric fireplace I got on eBay.

Again, using a gluegun and moving fast, smoothing the glue flat with my fingers as I go, allowed me to get a nice flat surface bonded to the mantel. Then I just gluegunned the mantel scarf onto the brocade and added a few tacks to stabilize. I’ll add some finishing gimp braid and brass upholstery tacks soon as I get around to making it to Bauhaus.

Sorry I couldn’t get a better picture in our dark haus but we like it this way :))

mantel scarf and Fearless Pink Gay Santa in salon by Suzanne Forbes 2000 2016

More interior decorating and bricolage posts:

Our home, Halloween decor, decoupage and bug shadow boxes, passementerie and staining furniture, lamps and frames, more frames, No-Kill Butterfly Gallery, bas-relief rococo insect mirror, and Fearless Pink Gay Santa, as seen on the mantelpiece.

Ladies and Gentlemen, the Beau Belle Brothers!

The Beau Belle Brothers at Vaudeville Variety Revue by Suzanne Forbes Nov 4 2017I got to meet and draw the Beau Belle Brothers in October at Vaudeville Variety Revue!

What a thrill! They are the most gorgeous, creative boylesque pin-up models. I have been a fan of these multitalented muses since I discovered them through the work of master gay erotic artist Ali Franco. He has made a whole series of amazing paintings of them, collected in this beautiful calendar which I got myself earlier this year.

Beau Belle Brothers usherettes Wintergarten Berlin by Suzanne Forbes Nov 4 2017The Beau Belle Brothers started three years ago as an art project for a photo shoot. Now they are muses to artists all over the world!

Deathbirds makes incredible costumes and loves comics, like me! Mybeautyspace is the genius hair and makeup artist behind their superb vintage aesthetic, and also loves comics.

The Beau Belle Brothers by Suzanne Forbes Nov 5 2017I had never drawn twins before, and it is a perfect challenge for a portraitist!

The Brothers are the kind of inspiration that make artists gleeful with happiness. And they are super nice!! It took me forever to finish these drawings, because I was wanted them to be perfect and to do justice to their beauty. I’m still not sure if the colored versions are better than the black and white.Beau Belle Brothers by Suzanne Forbes Oct 15 2017 wip

So I am just very much hoping to get a chance to draw them again sometime soon, perhaps at Dr. Sketchy’s Berlin 🙂Beau Belle Brothers and Suzanne Forbes at Wintergarten Berlin Oct 2017

More drawings from Vaudeville Variety Revue here, here and here; thank you Sheila Wolf for having me as your guest!

BTW, If you like hot, tender, superbly rendered man-on-man love, check out Ali Franco’s Patreon!

Sacred Heart with titanium druzy.

I have had almost no time for embroidery this month.

I drew at so many events, we had an art show where I did live painting, I made the Trans Dino-Witch, I finished a big new portrait. It’s been glorious and exhilarating. Yet I really wanted to get some thread and bead time in, for the energy and comfort it gives me.

And I wanted to work with Sacred Hearts, the symbol of hope and faith.

I learn so much from beloved artist Monique Motil, aka @z0mbique, about how working with mystic powerful symbols gives you creative juice. So I used bricolage and upcycle principles to make these collage embroidered Sacred Hearts or Ex Votos.

Sacred Heart collage embroideries WIP by Suzanne Forbes Aug 2017The hearts in the center are beaded patches I bought on eBay for a couple of euros.

I sewed them to some of the last scraps of an iridescent blue-violet panne violet I bought two yards of in 1999 and have used for innumerable projects. I made the orange and blue flames out of the last pieces of some vintage velvet flowers bought at Lacis in Berkeley, also in ’99.

Then I embroidered around them with my favorite Rico Metallic thread, the Holy Grail of metallic embroidery thread.

sacred heart collage embroidery by Suzanne Forbes Aug 30 2017I sewed on iridescent and AB Swarovski bicone crystal beads and added hundreds of Swarovski crystals in many, many colors. I attached some of my new blue oil slick iridescence titanium druzy crystal beads with invisible thread. I painted the frame by rubbing it with deep madder paint, then gold paint, then tapping silver leaf onto the still tacky gold paint.

The shiny red string was saved from a gift I received – I save all my gift ribbons and bows for projects.

Like the embroidery collage jacket I did last month, this kind of collage/bricolage embroidery is a low-impact, flexible project anyone could do. I love how in the top picture the fiery heart coordinates with my sketchbook-carrying sack, a 50th-birthday gift from Daria! I plan to sew a LOT in September, along with the million new events and teaching, so I’ll finish the blue flame lightning heart soon.

My big new portrait finished and hanging at Ludwig!

Portrait of Rah Hell by Suzanne Forbes Aug 2017I am so proud of this painting of Rah Hell I hate to be separated from it even to exhibit it!

painting of Rah Hell by Suzanne Forbes at Ludwig photo by Suzanne Wegh

Rah Hell by Suzanne Forbes at Ludwig. photo by Suzanne Wegh

Rah Hell ukelele from portrait by Suzanne Forbes Aug 2017However I am thrilled to have it shown at Ludwig, where Thorsten took such great care in hanging it and positioning the lighting.

Ludwig is a beautiful queer space in Neukölln where art is really respected. I was so grateful to see my work handled with care. It will be the first thing visitors to our show this Saturday see upon entering!

Portrait of Rah Hell by Suzanne Forbes Aug 2017 black and white versionIt is the first big personal project portrait I’ve done in Berlin.

I see it as a companion piece, à pendant, to this big portrait I did of friend/muse/Patron Khris Brown in 2005, when I had just returned to painting after a thirteen-year hiatus. This portrait, one of many I did of Khris, is probably my favorite thing I’ve done to date. And this picture of Rah is right up there.

Portraits by Suzanne Forbes 2005 and 2017I painted Rah on a pink ground.

That means before she arrived, I painted the primed canvas an allover bright pink. I used to do this occasionally in college, but had forgotten about it until I saw the work of Natalia Fabia. She is one of the wonderful modern figurative artists I’ve discovered on Instagram. She very often paints on a pink ground.

It adds so much warmth, plus serving as a light mid-tone. Not entirely unlike the many drawings I’ve done on Kraft paper in the last few months! Since I paint alla prima and leave a few areas of bare canvas on every painting I make, you can see the pink peeking through at the edges.

Modern technology makes it so easy to photograph your work, even if you are as bad a photographer as I am.Portrait of Rah Hell by Suzanne Forbes Aug 2017 detail

I’m amazed at how easy it to record and share my new pieces. You can see the details of how I paint easily, the scumbling and bits of impasto. I used quite a bit of gel medium in this work, to get translucent layers that would capture Rah’s luminous youth. Young people’s skin has so much subsurface specularity!

You can see it in progress here and here.

This painting didn’t exist a month ago, and now here it is, on the internet and hanging at Ludwig. My Patrons made it possible.Portrait of Rah Hell by Suzanne Forbes Aug 2017 detail

I’m incredibly proud of it and so grateful to Rah for posing for three long sittings. I am so very grateful to my Patrons who support me on Patreon and make it possible for me to do this work.

If you’re in Berlin, come see our show at Ludwig, opening August 19, 2017! Check out Rah performing in Donut Heart! Celebrate queer Berlin!! YAY!!!!

July bricolage – glitch collage embroidered moto jacket!

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI didn’t do much bricolage or embroidery this month, as I was super busy with life drawing and a new painting.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI did however drop a bunch of hours into this one project. I had been seeing these embroidered motorcycle jackets at mainstream stores, inspired by last Fall’s fashion shows.

I found one for under forty euros (in case the whole idea went badly) and ordered a bunch of commercial appliques from eBay.

Then I researched the process of sewing on appliques, learned about invisible thread, and ordered some of that from Amazon.

All of this took months of course, so it was summer by the time I finally started sewing. And the sewing on of the appliques itself took a solid thirty hours.

I just laid out the jacket, which had some embroidery on the sleeves and a little bit on the front, and started collaging appliques onto it.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI cut them up, moved them around, and tacked them down with pins.

Then I sewed them on, very carefully and slowly. It was relaxing actually. Except, to my surprise not all the collage designs worked once sewn on. Sometimes the applique was too thick and deformed or distorted the thin PU fabric, and in some places it just didn’t look cool.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesSo sometimes I had to use my handy stitch picker and cut off a section I had laboriously attached.

Because it didn’t look right! On the bottom right of the back I had to try three different applique pieces to end the pattern in a way I was satisfied with. I love how it came out, though, and that mine is completely unique.

This is a project anybody could do. The only specialty skills I brought to it were a tiny bit of embroidering here and there to unify pieces and my personal aesthetic. I used colored Sharpies to tone down brights and unify colors in the applique pieces as needed. Objects we own aren’t permanent, and we get to fuck with them like we want to!

Huge bead embroidery project finished: my Green Woman bead embroidered corset.

Beaded Green Woman corset by Suzanne Forbes June 2017Wow, this was a big project!

Green beadwork corset by Suzanne Forbes in our library May 2017Green beaded corset by Suzanne Forbes May 2017This bead embroidered, velvet leaf-covered corset is the second to last of the now-finished project “kits” I brought in the shipping container from the Bay Area.

(The Golden Jubilee insect carriage was the very last of the dozen or more projects! They’re all done!! I am amazing!! Sometimes both life and art are long!)

Bead embroidered green woman corset by Suzanne Forbes June 2017I saw Annie Sprinkle and Beth Stephen’s EcoSexual wedding clothes exhibited at Femina Potens gallery years ago.

I got the idea of a pagan-y, Green Woman kinda Ecosexual corset.

Sexecology postcard by Annie Sprinkle and Elizabeth Stephens

Sexecology postcard by Annie Sprinkle and Elizabeth Stephens

Then cosplay exploded in the media, over this past decade, and so many people did amazing Poison Ivy corsets.

I enjoyed them so much, and decided to take my own pass at a leafy, viney, flowery corset.

I made some sketches, and then I got consumed with my Winter Queen/Snow Queen/Mermaid corset embellishing projects. So I didn’t get around to the Green Woman project til 2014. I spent months ordering beads and velvet leaves and green metallic rhinestuds and green Swarovski crystals from all over the world.

I amassed a huge stockpile of green bling, and bought a discounted Orchard Corset 511 to use as my base.

Bead embroidered green woman corset by Suzanne Forbes June 2017The green corset was one of the projects I didn’t get to before we left, so I packed all the green jewels and beads and appliques and trims up in a “project kit” and boxed it up.

.beaded corset WIP Suzanne Forbes 2016I unpacked it with the other 400+ boxes last winter. Once my workroom was set up, I started opening project kits and finishing projects. I moved through them at a pretty decent clip! I made the leaf crowns to go with the corset early on, last summer.

I took out the corset and got started on it last August. First I created a bunch of beaded and crystal-covered appliques with some pale green leaf-shaped Venise lace.

I tacked the lace down to netting in an embroidery hoop, then embroidered and bead embroidered it. Then I added velvet leaves (bead embroidered too).

This took about a million years.

Which never bothers me. I like to do textile art slowly, to balance how fast I draw and paint.

bead embroidery appliques Suzanne Forbes 2017 1Once I had finished a bunch of appliques and had test fitted them on the corset, I modified the corset itself.

beaded corset WIP Suzanne Forbes 2016The Orchard Corset 511 is a reasonably curvy OTR, with a 10″ “hipspring” or difference between waist and hip; I just added a 2″ gore on each hip to push the hipspring to 14″.*

Bead embroidered green woman corset by Suzanne Forbes June 2017Otherwise the corset wouldn’t lace nice and parallel, and it would distort the embroidery and structure of the corset to have a big gap at the bottom.

Sloppily adding handsewn gores like I did is a good way to ruin the structural strength of your corset, but I knew I’d be adding thousands of stitches and layers over the gores. So I wasn’t worried.

When I’m done with one of these beaded corsets it’s basically a cuirasse, an armored breastplate!

Bead embroidered green woman corset by Suzanne Forbes June 2017It took several months to carefully sew the appliques to the corset, adding bead embroidery as needed to fill in gaps.

I used strong green nylon beading thread I got to make beaded fringe for a lamp in Berkeley in 1999.

I also used beading thread to make strings of variegated beads to sew down onto the corset in curving lines. Because I’m insane, I always sewed back through the beads on the string as I sewed them down, in case the thread broke.

And I think maybe I might want to lend the finished corset to a burlesque dancer or performance artist someday so it should be able to stand up to some abuse.

Bead embroidered green woman corset by Suzanne Forbes June 2017Bead embroidered green woman corset by Suzanne Forbes June 2017

swampthing-34 panel by Bissette and Totleben

Panel from Swamp Thing 34, “Rite of Spring”, by Bissette and Totleben

When I started planning it I thought it would be all greens, but since then I’ve learned A LOT about color, mostly through my textile artmaking.

So as I worked on it I decided to add oranges and pinks and burgundies and browns. There are even pyrite-colored rhinestuds all over it, though they’re subtle as hell.

The oranges and warm colors make me think of the love story of Alec and Abby in Swamp Thing, and the orange yams that they shared. It’s a story that’s very meaningful to me, and the best story I know about connecting with nature and The Green.

I’m not a huge nature person, but I love natural symbology and motifs. Working with these colors and shapes really nourished my William Morris heart!

I’m pretty thrilled with the finished corset.

I don’t know exactly what I’ll do with it yet. It feels like a work about nature, and pagan things, and fae things, appropriate to Midsummer. There’s a Midsummer costume party at House of Red Doors in July, and I might wear it to that. I might loan it out for photo shoots, if I found someone trustworthy who wanted to shoot it and they had a model who fit it. I might show it somewhere if there was a show it worked for. Who the hell knows, I just needed to make it, and I’m so glad it’s finally done, almost ten years after I started planning it!

I’ll get better pix of me wearing it soon, with the jewelry and crowns I made to go with it 🙂

*everything you could ever need to know about buying and wearing a corset is here on Lucy’s website. This amazing young woman has created a resource for the corset community that is beyond price. There is info about the relative measurements of OTR and RTW brands, a corset database to guide you in your purchase, and so much more. We love Lucy!

New embroidered and jewelled bug creation!

Embroidered jewelled bug by Suzanne Forbes June 2017Here’s a crazy little bug embroidery piece I made during 20 hours of waiting around the hospital while my hub got a cyborg upgrade.

Embroidered jewelled bug by Suzanne Forbes June 2017I embroidered this on a cut-open green netting bag that some holiday ornaments I bought at Anthropologie for 75% in 2001 came in.

Unbelievably, when I unpacked the holiday ornaments for our first Christmas tree here, these never-used items were there, still in their bags.

My material hoarding seemed insane for so long. But now I have better health, a perfect workspace and the support of my Patrons.

I’m whipping through all my old art supplies and long-awaited projects!

I am like a cross between Smaug and Divine.

Embroidered jewelled bug by Suzanne Forbes June 2017i got this rainbow glitter vinyl for a Pride project but it did not arrive in time. That is ok! I will still make a thing with it!

Embroidered moth in progress by Suzanne Forbes June 2017Embroidering on net, mesh or tulle is wonderful because it’s so easy and restful on the hand. Since I was working with the demon metallic embroidery thread, that was important!

Most metallic embroidery thread, including these two greens that were leftover from my Green Beaded Corset project “kit”, frays as it is drawn through fabric.

It frays and breaks and makes you crazy. Waxing it is supposed to help but I’ve always feared the wax would attract dust after or not be archival. However using it on netting is a breeze. In the picture you can see I’m cutting the completed bug free of the netting. I glued some extra layers of netting on the back after I finished embroidering to add structural strength.

The outline is done in my beloved Black Pearl Rico Metallic Stickgarn, which never makes a fuss and behaves impeccably on any fabric.

Embroidered bug wings by Suzanne Forbes June 2017 I have been incredibly inspired by the couture embroidery work of Lyudmila Plotnikova, a Russian textile artist.

You can see her work below. In addition to being technically skilled at a level I can only dream of (in my dreams of going to grad school for textile arts), it is much subtler and less lurid than my efforts! Her eye and hand are equally exquisite.

Jewelled embroidered insect brooch by Ludmila Plotnikova June 2017

Jewelled embroidered insect brooch by Lyudmila Plotnikova, June 2017

She does things with materials that constantly innovate and extend the form.

She has brilliant new ideas about embroidery in three dimensions, like Michele Carragher. You can buy her art here, and hopefully someday I will! Many of her signed, unique pieces are designed to be worn as jewels or brooches. I think of the great European design and craftwork traditions, like Art Nouveau jewelry, when I see her work.

Her love of bugs has resonance with the couture legacy of Schiaparelli’s bugs. Women who create or wear insects as art continue a tradition that runs from Queen Tiye to Louise Bourgeois to the recent Sarah Burton collections that made couture bug crazy in the teens.

Gallery of bead embroidery art in progress from the Instagram of Lyudmila Plotnikova

Gallery of bead embroidery art in progress from the Instagram of Lyudmila Plotnikova, 2017

Ms. Plotnikova is also incredibly generous with her process, sharing photos of works in progress. Being able to follow other artists on Instagram is so exhilarating, as much as I hate giving clicks to that pig Zuckerberg.

Here’s a couple good pieces about how women artists connect emotionally with creepy crawlies!