I found a bunch of unfinished drawings from a Kabarett der Namenlosen session of Dr. Sketchy’s Berlin!
I was shocked to find these drawings, hiding in a sketchbook I thought contained nothing of importance. (I also found an unfinished unterwegs that I genuinely don’t remember drawing!)
As you can see to left, the drawing of Le Pustra and Mama Ulita was mostly finished. The others were more scribbly, just pencil. But now that I have actually seen the live performance of the Kabarett, I felt I should try finishing them up.
Why had I abandoned them?
Was it frustration that I can never really capture the wild glamour of these performers, in their soft silk robes and stockings, with their immaculate white tie and tails?
I feel terrible frustration trying to convey exactly how it feels to see Mama Ulita perform. When she whips off her bob wig to reveal her own seal-slick black cap of hair, the audience gasps. I honestly want to be David Downton, at moments like that. This drawing doesn’t have a fraction of her elegance.
But it is a valid attempt, and it was worth finishing to see where it went, so I don’t know why that didn’t happen. Maybe these drawings just overtaken by events, as they say in the military? It’s been a tough year or two, healthwise.
I’m working hard to figure out how to add color to my drawings, but I am still so unsure. I used markers, pastels and a water reservoir brush to add color to several of them. Color is such an important part of the visual design of the Kabarett, with bright wigs by Nina Budden Hair and pale ostrich boas. I don’t really know how to convey these soft vintage shades alongside the graphic black and white tuxedoes.
I am committed to the process of making color an integral part of my live drawing, and it’s tough!
Sometimes hints of color, little accents, are best.
Sometimes I try to do more and don’t feel I succeeded. The trouble is, even terrific photographers can’t capture everything the eye sees at a show like this. There are a thousand moments, each so beautiful, and I can’t show you them all.
Still, I do my best, and I hope you enjoy this tender moment with Le Pustra and Lars Schwuchow, above.
I am so grateful to my Patrons on Patreon, who make it possible for me to document Berlin’s queer intersectional performance scene and release the artwork free to all.
