Tag Archives: Club Gretchen

Bug Stuff! And street art, and one of my very oldest mixed media pieces.

Beetle crown and Suzanne Forbes at Club Gretchen July 16 2022It’s been a while since there’s been any bug stuff!

I didn’t stop loving bugs, as you can see from these pictures!

Iridescent insect crown by Suzanne Forbes July 2022 detailI tried a new material for the first time on this metal crown: chrome/chameleon powder, like you see in fancy gel nail polish. I’ve been wanting to try it for ages, but I’m always skittish about new materials.

So I did a trial run on just a tiny part of the crown – the small brass bugs at the tips of each ray. I did my usual hot water and soap soak of the brass findings, then dried them in the sun and attached them to the metal filigree crown with uv resin.

Sprayed the whole thing black, then added AB Jet crystals, gradient pearls, and iridescent titanium finished cicadas.

Then I rubbed the green/purple chameleon powder on the black-painted brass bugs and varnished them with an acrylic varnish. The brushful of varnish picked up the powder easily, smearing it around, and the duochrome effect was limited. It was obvious that I really needed to use the recommended tacky UV resin base coat and UV resin top coat for the best effect.

So I did, in my next big project – The Purple Queer Wrath Tiger!

Suzanne Forbes photographed at Club Gretchen by fasermacka and gretl.wand July 16 2022I also had a wonderful Bug Art encounter at Club Gretchen, when I went to draw at the Queerberg Presents Festival.

When my taxi pulled up, I saw a crowd of femme and non-binary looking folks gathered around benches in front of the club. They were picnicking and working, with boxes of paste-up art. Some were my age, which I love to see! The group is a paste-up urban art crew* who renews the two large murals every two months. This month, insects were heavily featured! Imagine how happy they were when I walked up in my butterfly dress and scarf and beetle backpack!

@fasermacka and @gretl.wand took the pictures, and I gave them my card and they kindly sent copies soon after!

I also got to meet IRL the wonderful urban enhancer TextileStreetArt, who gave me a piece of tatting lace! How cool to meet this artist I’ve followed online for several years.

Tatting lace by Textile Street Art July 22 2022 with duochrome powderI took the tatting lace home and painted it with UV resin base, rubbed duochrome powder on it, and covered it with clear UV varnish.

It might seem rude to receive a gift of an exquisite handmade piece from someone and immediately transform it. But street art is a dialogue, an act of faith in leaving something to the elements and the street’s uses of things. It’s made to glitch/remix/collab.

Kaey with Tatting lace and paste up art by Textile Street Art at Queerberg Presents Whoriental Festival July 22 2022

Kaey with Tatting lace and paste up art by Textile Street Art at Queerberg Presents Whoriental Festival July 22 2022

I may wear this as a necklace or chest piece, as Kaey does above!

My relationship with lace and street art goes back to my own very beginnings as a graffiti artist.

I had lace doilies all over my West Village bedroom in 1981, and got interested in using them as stencils. Using spraypaint, the effect was remarkably like tie-dying, another thing we did a lot when I was a teenager.

Lace stencil tie dye dinosaur by Suzanne Forbes as Rachel Ketchum 1981The very oldest – I was 14!- of these projects survives, in our hallway in Berlin. I spraypainted the plastic T. Rex skeleton with Krylon Pastel Aqua, a color much loved by graffiti artists, then laid the lace over it and sprayed dark blue.

This was long before the days of plastic-friendly or acrylic spraypaints; it was in the days when I used solvent-based Krylon enamel exclusively of course (and you had to steal it, you couldn’t buy it.) Although I couldn’t afford to buy it now!

Krylon Pastel Aqua Spray PaintSo the unprimed dinosaur skeleton remained a little tacky for the first decade or two, until finally the paint and the plastic and the dust all kind of fused together.

I believe I tried the lace trick in the wild too, but of course there is no documentation. Still, the dino is here. Has always been in every place I’ve lived. I had a wonderful insight about my life today, one that speaks to why I am fairly at peace with a shortened lifespan and physical limits.

I thought, “I have been able to be exactly who I am my entire life, and that is a very rare privilege.”

*About the paste-up wall art at Club Gretchen:

On her post about the installation, Gretl Wand says,
“again 2 beautiful walls were created with a great crew thank you!”
otte von @omasgegenrechts.berlin
bassa
@_ola_art_official
@_ablin_
@iseefernsehturm
@doyouspeakmagick_official
@art.omato
@stickermaidberlin 💋
@textilestreetart
@marlix_art
and thanks for the support of
@tweet_streetart
@mutabel
@mini._mantis._art
@o0_markant_0o
@metraeda
@vividtrash
@rudelbildung
@___ghostcat____

Last assless chaps of the year!

Dancer at DILF party Club Gretchen Dec 29 2017 by Suzanne ForbesMiss Natasha Enquist was performing at the DILF/Testosterone party at Club Gretchen last night.

I arrived at the club, which is a beautiful venue in old military stables, to find it full of great-looking classic leather daddies in Tom of FInland gear.

Last assless chaps of the year at Club Gretchen Dec 29 2017 by Suzanne ForbesI was a little nervous at first with so many NYC policemen uniforms- anyone who was arrested as often as I was by the NYPD would be!

It was dark and I kept it loose, using mostly broad-tip markers. The club manager came over and gave me a tea towel to put my markers on, so I wouldn’t mark up the white lucite bar – not that I would have!

Miss Natasha Enquist performing at Club Gretchen Dec 29 2017 by Suzanne ForbesMiss Natasha came onstage looking like if Rolls-Royce made hood ornaments for Star Destroyers.

Miss Natasha Enquist performing at Club Gretchen Dec 29 2017 by Suzanne ForbesAs a portraitist, it’s so important to draw the same person over and over. It’s critical to understanding what makes each face, body and library of gestures unique.

You can see I didn’t really get her face right in this picture, or I drew her head too large, but her body is completely right.

The specific is the key to the deep spiritual magic of touching the universal humanity in each of us. And practise and observation is the sacred work of portraitists. I have so enjoyed drawing Miss Natasha this year!

I would have liked to draw some of the DILFs in more detail, but they were all too busy dancing!

I’ll have to wait til the next Cigar Lounge!

MNE dancing at Club Gretchen Dec 29 2017 by Suzanne Forbes