I looove pink. I decided to try something new, framing the piece under glass in a shadowbox. I got the shadowbox a while back and silver-leafed it at the same time as I was leafing the hoop for the last insect embroidery piece. Efficiency!
This God-Empress of West Berlin is sewn on a crushed panné velvet sock cut open. I get them on eBay for a euro, it’s so much cheaper than buying velvet yardage.
I used some vintage metallic pink trim for her layers of torso fur, and fine ombre silk embroidery thread and regular sewing thread for her ruff. I wanted to suggest its fluff without actually using a fluffy substance.
I did as much beading as the hoop allowed, then glazed the back with my favorite glue for fabrics so it wouldn’t buckle when I took it out of the hoop.
I glued the whole piece down onto the shadowbox backing. The velvet sock didn’t quite cover the backing – it had contracted from the heavy stitching, or I was sloppy when I checked the fit.
So I added some machine-embroidered floral applique bits I had around, already partly cut up. I’m actually delighted with the way the piece looks in the frame and may start framing them on the regular. The only other bug embroidery under glass so far is this one.
Sometimes I just have to lean into my femme-ness and go full pink!
Here’s a crazy little bug embroidery piece I made during 20 hours of waiting around the hospital while my hub got a cyborg upgrade.
I embroidered this on a cut-open green netting bag that some holiday ornaments I bought at Anthropologie for 75% off in 2001 came in.
Unbelievably, when I unpacked the holiday ornaments for our first Christmas tree here, these never-used items were there, still in their bags.
My materials hoarding seemed insane for so long. But now I have better health, a perfect workspace and the support of my Patrons.
I’m whipping through all my old art supplies and long-awaited projects!
I am like a cross between Smaug and Divine.
i got this rainbow glitter vinyl for a Pride project but it did not arrive in time. That is ok! I will still make a thing with it!
Embroidering on net, mesh or tulle is wonderful because it’s so easy and restful on the hand. Since I was working with the demon metallic embroidery thread, that was important!
Most metallic embroidery thread, including these two greens that were leftover from my Green Beaded Corset project “kit”, frays as it is drawn through fabric.
It frays and breaks and makes you crazy. Waxing it is supposed to help but I’ve always feared the wax would attract dust after or not be archival. However using it on netting is a breeze. In the picture you can see I’m cutting the completed bug free of the netting. I glued some extra layers of netting on the back after I finished embroidering to add structural strength.
The outline is done in my beloved Black Pearl Rico Metallic Stickgarn, which never makes a fuss and behaves impeccably on any fabric.
I have been incredibly inspired by the couture embroidery work of Lyudmila Plotnikova, a Russian textile artist.
You can see her work below. In addition to being technically skilled at a level I can only dream of (in my dreams of going to grad school for textile arts), it is much subtler and less lurid than my efforts! Her eye and hand are equally exquisite.
Jewelled embroidered insect brooch by Lyudmila Plotnikova, June 2017
She does things with materials that constantly innovate and extend the form.
She has brilliant new ideas about embroidery in three dimensions, like Michele Carragher. You can buy her art here, and hopefully someday I will! Many of her signed, unique pieces are designed to be worn as jewels or brooches. I think of the great European design and craftwork traditions, like Art Nouveau jewelry, when I see her work.
Gallery of bead embroidery art in progress from the Instagram of Lyudmila Plotnikova, 2017
Ms. Plotnikova is also incredibly generous with her process, sharing photos of works in progress. Being able to follow other artists on Instagram is so exhilarating, as much as I hate giving clicks to that pig Zuckerberg.
Here’s a couple good pieces about how women artists connect emotionally with creepy crawlies!