Tag Archives: contemporary crafts

Dollhouse Underground Laboratory: Work in Progress Part 2

Action figure dollhouse laboratory surgery WIP by Suzanne Forbes April 2018Dang, I have been consumed with this long-delayed project!

SOOO much to do. So many things to figure out. So much foamcore to cut and glue. So many pipes to make out of styrene and straws!

Action figure dollhouse laboratory tube room WIP by Suzanne Forbes April 2018But I am really making serious progress.

Three of the rooms are almost complete, the operating theater (above), the Tube Room, and the Machine Shop.Action figure dollhouse laboratory tube room full view WIP by Suzanne Forbes April 2018

Action figure dollhouse laboratory cryo tube WIP by Suzanne Forbes April 2018What on earth is a Tube Room, you might ask.

Well, in the 90s I had a dear friend named Rob Simpson, who was an editor at DC. We were talking about superhero powers, as we did so often, and he said there was a simple solution to most things in comics.

Somebody loses their powers/needs superpowers? “Put ’em in a tube!” Somebody is dead and needs to be restored to life? “Put ’em in a tube!” Somebody has an evil entity possessing their psyche and needs to be held in stasis so they don’t destroy the world? “Put ’em in a tube!”

Tubes are also known as pods or stasis chambers. Basically they are a MacGuffin where anything can happen. The McFarlane Toys X-Files line from the Oughts provided most of these tubes.

They were intended for alien containment of some kind. I built out the structure around the one above using illustration board covered with chrome selbstklebefolie, which is like contact paper you can’t remove, styrene tubes and the various lids of things painted chrome. Action figure dollhouse laboratory machine shop WIP by Suzanne Forbes April 2018

The Machine Shop also contains the break room/coffee bar.

Action figure dollhouse laboratory making stanchions WIP by Suzanne Forbes April 2018I figured people would be constantly bothering the engineers in the shop for things they want fixed anyway, so they might as well get their coffee while they’re there. The two women robots are “Platinum” from the Metal Men and Angie Spica, “Engineer” from The Authority.

All the rooms are missing a lot of signage and posters (I’m working on figuring out how to get the best results from the self-adhesive inkjet-printable paper I’m using) plus safety tape.

On the right you can see I’m making stanchions for a safety rail using dowels, epoxy clay and blue pearl half-rounds I kept for eight years because I had a feeling I might need them for something.

Most importantly, all the labs need their ceiling panels and lights.

My beloved Friend-Muse-Patron Monique Motil, a fellow creator of Small Art, will bring the lights in May, and then I’ll figure out how to install them, woohoo!

Yes, there will be a “Safety Third” sign!

First Laboratory post is here. Main dollhouse post here.

Work in Progress: the underground superpowers laboratories beneath my dollhouse.

WIP action figure dollhouse by Suzanne Forbes March 2018 Wow, this project has been a long time coming!

I’ve had the plan for it for at least a decade, and the specific structure set up for a good six years. And I’ve had some of the props for it for TWENTY FREAKING YEARS.

Original floorplan underground laboratories Suzanne Forbes 2014Well, I like to say that the older I get, the longer my game gets.

Sometimes in art it takes as long as it takes, and that’s fine.

WIP action figure dollhouse by Suzanne Forbes March 2018 I figured out how to build the wheeled base for my action figure dollhouse back in Oakland, using IKEA Kallax bookshelves.

I assembled them, and hired a taskrabbit to help me with the construction of a platform to attached them to so they could support the dollhouse.

But it seemed crazy to ship IKEA furniture to Berlin, so I took the base apart when the dollhouse was professionally crated, and we sold the Kallax shelves on Craigslist.

“Doc, it hurts when I go like this!” “So don’t go like that.”

That meant I had to get new ones here, assemble them, and then build a new base. (I did keep the high quality wheels with brakes I bought!)

For a person who is as deeply lazy as me, I have created a life that often involves a fucking lot of work.

For the past two years I’ve been working on getting all the other projects I brought with us done, and finishing the full-size house (still at 95%). Most importantly, I’m making new art, working on building our community and growing my Patreon.

Finally, the dust is clearing enough to tackle the laboratories.

WIP action figure dollhouse by Suzanne Forbes March 2018 I have so much cool stuff to put in them! There’s just a bunch of diorama-building, model-building, scratch-building and electrifying work to get them ready to hold my two decades of collected weird body-horror, super-power, Island of Dr. Moreau mad scientist STUFF.

floorplan action figure dollhouse laboratories by Suzanne Forbes 2016I’m not really crazy about the actual construction part of model and dollhouse-building, but I value the workout it gives my brain. Since everything is scratch-built or Frankensteined from components of other things, each part requires a new solution. I have to learn about new materials, source them as cheaply as possible, figure out what I have that can be salvaged, scrapped or rebuilt. And everything has to be customized to work together.

This is an example of how existing stuff can be enhanced: these amazing display screens are accessories for figures from a Dr. Who spin-off show.

However, all Dr. Who toys are 5″ tall or approximately 1/18 scale, rather than the normal dollhouse scale of 1/12 (one inch to one foot).

So I built up the bases to make them the right height for 6″ action figures. I just need to paint them to match.

Same with the little water cooler; I built it a styrene platform. I hadn’t used styrene in a long time, and I’d forgotten how amazing it is.

You score it and it breaks perfectly cleanly; you can glue it or paint it so easily. I used balsa wood for the kitbash of the dollhouse itself, and only got into styrene during the sleigh build. Going forward I plan to use styrene a lot more.

I built the bases and the upper platforms, which make it easier to see the things at the back of the deep cubbies, out of foamcore.

surgery buildout WIP action figure dollhouse by Suzanne Forbes March 2018Foamcore is a material I’m not experienced with, but in this case it’s a good solution. The dollhouse-scale molded tile floors (I got the beige and black one for the Tube Room at least eighteen years ago, and have been saving it!) are attached with double-sided carpet tape. Almost any glue will heat up enough during curing to warp the thin, vacuum-formed plastic.

The side walls are illustration board covered with white vinyl contact paper, which gives a nice satin sheen. It’s cheaper and faster than dollhouse wallpaper, and perfect for this kind of industrial/medical look. The ceilings will be foamcore with leds embedded in them for lighting. When I built the dollhouse I learned to solder and used tapewire, but miniature lighting has improved tremendously in the last twenty years.

LEDS, which don’t heat up, last practically forever, come in the tiniest sizes and all kinds of colors, can be embedded directly in surfaces.

My beloved friend-muse-Patron Monique Motil is coming to visit in May, and has graciously agreed to transport my lights from Model Train Software.

Just as beloved friend-muse-Patron Barbara brought my miniature subway, and my mama brought eight million figures and accessories last Fall!

Because anything you mail from the US takes forever and/or gets lost. Seriously, don’t ever mail us anything bigger than a postcard.

I’ve been waiting for some Tacky Wax (museum wax) I ordered from Amazon, thinking it shipped from the EU, for three weeks.

sketch action figure dollhouse tube room laboratory Suzanne Forbes 2017I used aluminum tape to get some clean metal stripping here and there.

It’s tricky to use and tends to mark up and wrinkle over large areas, so I’m sparing with it. Same with the clear styrene panels that divide the upper and lower areas: it scratches easily so I use it mostly as an accent. I have rhinestuds that will become rivets, fine yellow wire for extension cords, and so much weird stuff to put in the cabinets, once I get my dang Tacky Wax.

More developments soon!

February 2018 Bricolage Roundup, with creepy dolls!

Dollhouse shadowbox by Suzanne Forbes Feb 26 2018It wouldn’t be February without creepy dolls, right?

Creepy doll shadowbox Suzanne Forbes Feb 2018Here’s a little dollhouse shadowbox I made. I customized a vintage Living Dead doll by giving her antlers and the shiny chrome arm projecting from her chest I’ve always wanted myself.

Come on, haven’t you ever wanted a slightly smaller, heat resistant velociraptor arm that pops out of your chest to grab the spilling pot when both your hands are already full?

The antique dolls are wearing little dresses I made them.

 

Cicada shadowbox by Suzanne ForbesI also made a couple of bug shadowboxes, cause you can never have enough of those!

And more bug earrings, with tiny cast glass cicadas I found. You can see the Valentines Monster Doll Armada, which I was consumed with making for much of last February, here. Some of them are still available to purchase. The February 2016 Scary Mermaid doll post is here. And the previous batch of bug bricolage is here.Insect earrings and shadowboxes by Suzanne Forbes Feb 2018

November bricolage roundup- shadowboxes, passementerie and mantelpieces!

mantis bricolage shadowbox by Suzanne Forbes Oct 2017More bug stuff, because it’s not like our house can have too much creepy bug decor.

I made this mantis shadowbox using some 1970s upholstery fabric I got in Berkeley in the late 90s, some vintage velvet flowers and little bees saved from the same era, and a machine-embroidered mantis from this amazing artist in Kiev, who is doing totally innovative textile art with the digital embroidery tech now available.

Egg shadowbox by Suzanne Forbes Oct 2017I’d always wanted an egg glossary display box.

No natural history, curiosity cabinet-themed library is complete without one! I used the 70s fabric again; a glue gun is my method of choice for stretching even wrinkled fabric smoothly across the particleboard backing of a shadowbox. Some of the little speckled eggs and the grapevine nest came from topiary ball displays I made for my first wedding, in 1993 or 4.
Glue gun party by Suzanne Forbes Nov 2017

I have nights where I crash around the flat asking, “What would Tony Duquette Do?”

And the answer is always, “Glue gun, Passementarie, MORE.” I added a couple trims to this silk velvet patchwork upholstered bench. After the intensity of the first three quarters of this year, with teaching and drawing and painting and my hub becoming a cyborg and being sick quite a bit, I really need this November make-cation.

jewelry holder by Suzanne ForbesI made a display holder for some of the earrings I’ve sculpted, made and modified.

I just took the glass out of a deep frame and gluegunned fabric to the backing. I used a beautiful textured knitting yarn left over from some lovely crochet blossoms my mom made me; the texture keeps the earrings from sliding around.

And most significantly of all, I got one of my first adult textile art pieces back up on display.

mantel scarf by suzanne forbes 2000I made this mantel scarf of crushed changeant velvet and celestial Czech glass buttons and bead embroidered wire and pleated ombre ribbon cockades in 1999.

I was living with my second husband in a gorgeous Craftsman fourplex in North Berkeley. It was the first place I ever painted like I truly wanted my home to be, in insane shades of aniline violet, quinacridone red, and chartreuse. It was full of built-ins I decoupaged with gilt paper Dresden trim, Victorian frogs and lizards, and accented in burnt orange.

We gave such parties there. It was such a beautiful home. I loved my second husband, or who I thought he was, so much. 

This piece was in storage for a long time, and it hurt me every time I came across it in my increasingly desperate and disenfranchised moves.

When the Great Recession finally ebbed a bit and I moved in with the man who became my third husband, I thought about getting an electric fireplace, where it could be displayed. There just wasn’t enough room in the exquisite jewelbox Craftsman apartment in Oakland that I designed to showcase his Black Irish beauty.

Here in our home in Berlin, we have plenty of room.
mantel scarf and fearless pink Gay Santa by Suzanne Forbes 2000 2016I used my glue gun to apply an emerald botanical brocade to the top of the particleboard shelf I had attached to the top of the electric fireplace I got on eBay.

Again, using a gluegun and moving fast, smoothing the glue flat with my fingers as I go, allowed me to get a nice flat surface bonded to the mantel. Then I just gluegunned the mantel scarf onto the brocade and added a few tacks to stabilize. I’ll add some finishing gimp braid and brass upholstery tacks soon as I get around to making it to Bauhaus.

Sorry I couldn’t get a better picture in our dark haus but we like it this way :))

mantel scarf and Fearless Pink Gay Santa in salon by Suzanne Forbes 2000 2016

More interior decorating and bricolage posts:

Our home, Halloween decor, decoupage and bug shadow boxes, passementerie and staining furniture, lamps and frames, more frames, No-Kill Butterfly Gallery, bas-relief rococo insect mirror, and Fearless Pink Gay Santa, as seen on the mantelpiece.

A Scottish Thistle Embroidery in honor of my mom’s visit to Berlin!

thistle embroidery by Suzanne Forbes closeup Oct 2017My mother was born in Scotland, and we are both wiry Scots thistles, determined and resilient.

Scottish thistle embroidery by Suzanne Forbes Oct 2017As I was making this work, my first fully-scratch embroidery piece in a couple months, I was astonished at how much becoming interdisciplinary has improved my art.

Working in mixed media, textiles and sculpture has given me a confidence and freedom around using color in my paintings I never had before.

And working on all these different types of projects has allowed me a priceless feeling of flexibility and relaxation with my composition.

I was so rigid and so afraid when I first went to Parsons at seventeen. I used a six-zero Rapidograph to draw, and when I was supposed to do collage or sculpture projects I would stubbornly insist on making them figurative and realist.

Abstraction terrified me. It still does!

But  practising disciplines of the decorative arts has given me trust in my own ability to makes shapes and patterns.

My mom watched me working on this and said, “You just sew it on there without any kind of pattern or reference?” I said, “Yup!” Artistic freedom is delicious.Scottish thistle embroidery by Suzanne Forbes Oct 2017

 

 

October Embroidery and Bricolage Roundup!

Embroidered insect in shadowbox by Suzanne Forbes Oct 2017Embroidered insect in shadowbox by Suzanne Forbes Oct 2017Some embroidery projects I made this month!

Embroidered insect in shadowbox by Suzanne Forbes Oct 2017This embroidered bug was finished a while back, and I wasn’t sure what to do with it.

Then i decided a shadow box was the way to go. I used lots of assorted bits of lace, beads and real plants plus a background of dragonfly satin and I love the way it came out.

Lightning heart by Suzanne Forbes Oct 2017This lightning heart was started at the same time as this piece.

It’s a callback to a piece called “Fist Heart Mighty Dawn Dart” that was purchased as a gift for a beloved friend-muse-patron by their partner.

I bought a jean jacket and embellished it with a collage of sequined appliques.

There are three pieces that make up the back, fitted together similar to how I did this floral embroidery leather jacket. The front has a sequined star, bullion stars, metal star studs and bug appliques I enhanced with black thread. I’m pretty thrilled with how it came out!

 

The gothest action figure custom ever.

Nico Minoru action figure custom by Suzanne Forbes on balcony Sept 2017Even though I don’t know much about this Nico Minoru character, I had to snap up the adorbs babybat action figure of her!

Hasbro did an incredible job with her, as they have with so many female Marvel Legends figures in the last few years. She’s so goth!

But…I felt she could be MORE goth.

I started this project as a proof of concept for the absurdly male-dominated world of action figure collectors and customizers.

I wanted to demonstrate that there are fantastic customizing resources available in lady-land. Like nail art decals, nail art stripes, nail art “dotters”, flocking, etc.

These materials are cheap, widely available and already scaled tiny as fuck. They’re perfect for action figure customs.

So I began with using nail art decals to enhance Nico’s gothic lace.

I LOVE nail art decals because they remind me of Letratype and LetraSet! Old school! The tiny packets of decals are so cheap, you can get a hundred sheets on eBay for a euro.

I masked the areas I didn’t plan to decorate off, with a cut up rubber glove and tape. Then I sprayed the figure with my clear primer for plastic.

Nico Minoru action figure custom by Suzanne Forbes wipOnce she was dry, I added glitter piping to her corset, more lace to her shirt, lace thigh-highs over her stripey stockings, and so on.

And that was great! Though very subtle.

Then I realized I could use the same miniature making materials I used for my Snow Queen and other mini projects, such as my Horribella Dolls.

Like tiny eyelash picot trim and wired ribbon and elastic ruffle tape.

And all my tiny little rhinestones and crystals and stars and moons! And my little tiny top hats!!!!

Nico Minoru action figure custom by Suzanne Forbes on balcony Sept 2017I just went bananas. I decided to dress Nico full-on San Francisco Goth, Circa 2005.

She would be an homage to all the amazing goth-girls I’ve known, all the beautiful and amazing muses I had the privilege to draw and paint in the Bay Area goth scene for ten years.

Nico Minoru action figure custom by Suzanne Forbes Sept 2017

Six more hours of ferociously focused detail work and one enormous mess later, there she was!

Nico Minoru action figure custom by Suzanne Forbes Sept 2017

Illustration by Tasha Tudor for A LIttle Princess

Illustration by Tasha Tudor for A LIttle Princess

She reminds me of the ur-goth image all little girls of my generation imprinted on, Sara Crewe in her outgrown mourning dress.

That Classic Victorian ragamuffin look commingled with circus and harlequin style in the early years of the new century, in the Bay.

My muses wore stripes and bustles and tiny top hats, and so did I. We all looked fucking great!

That look was replaced by the great wave of Steampunk starting in 2007. I loved the Steampunk just as much, so it was alright!

Look how amazing she looks on the Sorcerers’ Porch of my Action Figure Dollhouse.

Nico Minoru action figure custom by Suzanne Forbes porch with Magic Watch

Toy customizers, please note that I was able to preserve full shoulder and waist articulation under the miniature clothing. Use of stretch fabrics and gluing the clothes only to strategic, rigid areas of the figure allow her a full range of posability.

Oh, action figure customizers and Instagram toy photography bros who find this page by googling, I pity you. They’re dolls, dude. Accept it.

A poseable toy figure of a human with cloth clothing is a doll.

As is often the case, what appears to be a simple doll-making project has a deep cultural wound behind it.

Like most of the toy industry, amazing toy company Mezco (who I love and have supported since their beginnings with Silent Screamers in 2000) has a gender problem. They make dolls, and have from the early days: they make Living Dead Dolls.

They also make action figures, and since 2015, they’ve been combining the two with the 1:12 Collective, a 6″ (DOLLHOUSE) scale line of action figures with cloth clothing. (In action figure parlance, dolly clothes are called “cloth applications”.) They started slow, with a Frank Miller Dark Knight Batman (red flag? more likely the chunky design was an easy pilot project).

Then in 2016 they started releasing a cavalcade of fantastic cloth-costumed takes on the heavy hitters of the Marvel and DC universes, plus Classic Trek! These figures are unreal. They are crazy good. For 2017 they announced even more upcoming licenses and figures. Ghostbusters, Space Ghost, Universal Monsters and more. But there was only one planned female figure announced in 2016 – Harley Quinn.

Mezco Harley Quinn figure pre orderI was on their Instagram hassling them for months before she was announced, asking, “What the hell, dudes?”

Once she was announced, I thought we’d see a wave of female figures. In 2017, as the success of the Wonder Woman movie exploded on mainstream media, they announced a 1:12 Wonder Woman. But neither Harley Quinn or WW have shipped yet.

And no other female figures have been announced, despite the release of multiple male Classic Trek figures and Marvel heroes AND villains. *cough*Uhura*cough*Storm*. Know who is expected to ship by December? The Red Skull. Who is the Red Skull? He is a fucking Nazi.

That’s right, 1:12 toy collectors will get a NAZI before Wonder Woman.

As a woman, as a comics fan and former DC comics professional, as a serious lifelong toy collector, I gotta say, the optics are bad.

Mezco Wonder Woman 1 12Do better, Mezco. Do better, toy industry.

Meanwhile, guess I gotta make my own action figures with doll clothes “cloth applications”. Been plunging into male-dominated spaces since I became a graffiti writer in 1980, a hardcore comics fan in 1984 and a comics pro in 1993. Been genderqueering the toy space since the 1970s, when me and my best friend Bradley played with my Dawn Dolls. Not gonna stop, despite Nazis.Rachel Ketchum and Bradley Jankowitz 1974

See my mini projects that use similar techniques here:

Early Horribella dolls

Action figure customizing, June 2016

Berlin Horribellas: Mark V, Sept 2016, Mark IV, July 2016

and my Sideshow Bride of Frankenstein custom, October 2016.

A very old 12″ Living Dead Doll converted to a horrifying spider monster woman, October 2016.

Fearless Pink Gay Santa and his Jolly Ally Reindeer, December 2016.

1:12 scale gilt insect carriage and harness, June 2017.

Valentines Monster Doll Armada, February 2017.

1/12th scale Snow Queen/Jadis of Narnia, May 2017.

Using epoxy clay, November 2015.

 

Sacred Heart with titanium druzy.

I have had almost no time for embroidery this month.

I drew at so many events, we had an art show where I did live painting, I made the Trans Dino-Witch, I finished a big new portrait. It’s been glorious and exhilarating. Yet I really wanted to get some thread and bead time in, for the energy and comfort it gives me.

And I wanted to work with Sacred Hearts, the symbol of hope and faith.

I learn so much from beloved artist Monique Motil, aka @z0mbique, about how working with mystic powerful symbols gives you creative juice. So I used bricolage and upcycle principles to make these collage embroidered Sacred Hearts or Ex Votos.

Sacred Heart collage embroideries WIP by Suzanne Forbes Aug 2017The hearts in the center are beaded patches I bought on eBay for a couple of euros.

I sewed them to some of the last scraps of an iridescent blue-violet panne violet I bought two yards of in 1999 and have used for innumerable projects. I made the orange and blue flames out of the last pieces of some vintage velvet flowers bought at Lacis in Berkeley, also in ’99.

Then I embroidered around them with my favorite Rico Metallic thread, the Holy Grail of metallic embroidery thread.

sacred heart collage embroidery by Suzanne Forbes Aug 30 2017I sewed on iridescent and AB Swarovski bicone crystal beads and added hundreds of Swarovski crystals in many, many colors. I attached some of my new blue oil slick iridescence titanium druzy crystal beads with invisible thread. I painted the frame by rubbing it with deep madder paint, then gold paint, then tapping silver leaf onto the still tacky gold paint.

The shiny red string was saved from a gift I received – I save all my gift ribbons and bows for projects.

Like the embroidery collage jacket I did last month, this kind of collage/bricolage embroidery is a low-impact, flexible project anyone could do. I love how in the top picture the fiery heart coordinates with my sketchbook-carrying sack, a 50th-birthday gift from Daria! I plan to sew a LOT in September, along with the million new events and teaching, so I’ll finish the blue flame lightning heart soon.

Trans Dino-Witch, a vision of protection and safety for transmen and transwomen.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017My Trans Dino-Witch is finished at last! I’ve been working on her all month.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017 neo nazis running awayShe was a huge project for such a small work!

I am thrilled to have finished her and she gives me strength. I hope other folks will find strength in her too.

Look at those pathetic, evil Neo-Nazis running away from her mighty teeth!

Look at her group of friends who are riding along on her back to support her and enjoy the mayhem!

I made their tiny colored hair out of nail flocking powder, way cheaper than fancy “craft” flocking powder. You can get a set of 10 colors on eBay for a euro.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017 friendsShe is a companion work to my Pride piece, Queer Dino-Witch, which I made last month.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017It was harder to make her, because I had some harder feelings. I realized while making her that I often connect deeply with trans women partly for a very sad reason.

Most of the trans women I know have C-PTSD from repeated, systemic sexual violence, as I do.

Although my Trans Dino Witch is a work about Neo-Nazis, the despicable Alt-Right, I can’t make art about trans folk without thinking about the other kinds of attacks they suffer.

During the making of this piece the Orange Shitclown lashed out violently at transfolk.

He announced (on twitter, of course) that he intended to ban trans people from serving in the US military. Just yesterday he signed a formal memo. Since trans people have been serving with honor in the US military since at least 1862, lots of luck running the armed forces without them.

Also during the making of this piece, Chelsea Manning built a rainbow army of loving, celebrating followers who just won’t stop being brave and kind.

trans girl dinowitch in process by Suzanne ForbesSuck that, neo-fascist real estate golem!

I tweeted Chelsea a photo of our cat being cute on one of the particularly horrible days for trans people in August and she thanked me personally! So nice!!

She has made #WeGotThis a banner for the power of trans people and their unbelievable determination to survive and thrive.

 

I named the Trans Dino-Witch Catherine, after the late, legendary artist Jeffrey Catherine Jones.

My generation of comic artists was so inspired by Jeffrey Catherine Jones and her commercial and comics artwork that always transcended the commercial.  I hope she would like this tribute.

Catherine is a work built on a legacy of artists who inspire me. First, the incredible sculptor and assemblage artist Elizabeth McGrath. In 2005 I saw her show Altarwise By Owl Light at Billy Shire Fine Arts in Culver City.

She is the artist who opened my eyes to the power of modern assemblage and pop-surrealist artists. Her works are creepy, adorable, mythological and emotionally meaningful.

And some of them have little railroad miniature people in them! And they’re full of fake fur and Swarovski crystals and weird shit she found somewhere! And they’re like being hit in the heart with a bus.

So finally using tiny railroad people in a piece is my tribute to Liz McGrath.

I was also very influenced by the constant miniature close-ups on the Instagram feed of Jake and Dinos Chapman. The group of works by these YBAs called “Hell” is an intensely political anti-Nazi work that took them two years to complete and used 60,000 toy soldiers.

I decided to do dinosaur witches for Pride because of Mab GravesDinoKitty show at Red Truck Gallery in New Orleans this year.

I thought, Dino-Kitties! That’s a fine idea. I wonder why you never hear about Dino-Witches

Mab Graves has been hugely inspiring to me as an artist who never apologizes for making paintings, illustrations, sculptures (in a craft-identified medium iike needle felt!), commercially produced prints and diffusion line mass produced t-shirts all at once.

I love that she gets to make unique fine art objects and show them at the national level and sell melamine plates in her Etsy store.

She controls it all and completely owns her brand, despite enduring years of suffering from endometriosis, which she has been courageously transparent with her fan base about. Inspiring as fuck! I can’t work as hard as she does, but I am working as hard as I can.

Most of all, Catherine the Trans Dino-Witch was inspired by the Degenderettes LGBTQiA flag baseball bats made by Scout Tran.

Seeing those clear, bright flag stripes pass by in my Instagram feed day after day – seems like queer people are playing a lot of baseball lately, or something – is surprisingly comforting.

I give back 10% of my Patreon income to young queer and trans cartoonists and comic artists. Scout is one of them. So is Sam Orchard. Because fuck, the only people who have a harder and shittier time making a living as artists (especially comic artists) than women are trans people.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017My Patrons made it possible for me to spend fifty hours sculpting, painting and dressing Catherine. I hope she gives back some strength and inspiration.

July bricolage – glitch collage embroidered moto jacket!

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI didn’t do much bricolage or embroidery this month, as I was super busy with life drawing and a new painting.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI did however drop a bunch of hours into this one project. I had been seeing these embroidered motorcycle jackets at mainstream stores, inspired by last Fall’s fashion shows.

I found one for under forty euros (in case the whole idea went badly) and ordered a bunch of commercial appliques from eBay.

Then I researched the process of sewing on appliques, learned about invisible thread, and ordered some of that from Amazon.

All of this took months of course, so it was summer by the time I finally started sewing. And the sewing on of the appliques itself took a solid thirty hours.

I just laid out the jacket, which had some embroidery on the sleeves and a little bit on the front, and started collaging appliques onto it.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI cut them up, moved them around, and tacked them down with pins.

Then I sewed them on, very carefully and slowly. It was relaxing actually. Except, to my surprise not all the collage designs worked once sewn on. Sometimes the applique was too thick and deformed or distorted the thin PU fabric, and in some places it just didn’t look cool.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesSo sometimes I had to use my handy stitch picker and cut off a section I had laboriously attached.

Because it didn’t look right! On the bottom right of the back I had to try three different applique pieces to end the pattern in a way I was satisfied with. I love how it came out, though, and that mine is completely unique.

This is a project anybody could do. The only specialty skills I brought to it were a tiny bit of embroidering here and there to unify pieces and my personal aesthetic. I used colored Sharpies to tone down brights and unify colors in the applique pieces as needed. Objects we own aren’t permanent, and we get to fuck with them like we want to!