Even though I don’t know much about this Nico Minoru character, I had to snap up the adorbs babybat action figure of her!
Hasbro did an incredible job with her, as they have with so many female Marvel Legends figures in the last few years. She’s so goth!
But…I felt she could be MORE goth.
I started this project as a proof of concept for the absurdly male-dominated world of action figure collectors and customizers.
I wanted to demonstrate that there are fantastic customizing resources available in lady-land. Like nail art decals, nail art stripes, nail art “dotters”, flocking, etc.
These materials are cheap, widely available and already scaled tiny as fuck. They’re perfect for action figure customs.
So I began with using nail art decals to enhance Nico’s gothic lace.
I LOVE nail art decals because they remind me of Letratype and LetraSet! Old school! The tiny packets of decals are so cheap, you can get a hundred sheets on eBay for a euro.
I masked the areas I didn’t plan to decorate off, with a cut up rubber glove and tape. Then I sprayed the figure with my clear primer for plastic.
Once she was dry, I added glitter piping to her corset, more lace to her shirt, lace thigh-highs over her stripey stockings, and so on.
And that was great! Though very subtle.
Then I realized I could use the same miniature making materials I used for my Snow Queen and other mini projects, such as my Horribella Dolls.
Like tiny eyelash picot trim and wired ribbon and elastic ruffle tape.
And all my tiny little rhinestones and crystals and stars and moons! And my little tiny top hats!!!!
I just went bananas. I decided to dress Nico full-on San Francisco Goth, Circa 2005.
She would be an homage to all the amazing goth-girls I’ve known, all the beautiful and amazing muses I had the privilege to draw and paint in the Bay Area goth scene for ten years.
Six more hours of ferociously focused detail work and one enormous mess later, there she was!
Illustration by Tasha Tudor for A LIttle Princess
She reminds me of the ur-goth image all little girls of my generation imprinted on, Sara Crewe in her outgrown mourning dress.
That Classic Victorian ragamuffin look commingled with circus and harlequin style in the early years of the new century, in the Bay.
My muses wore stripes and bustles and tiny top hats, and so did I. We all looked fucking great!
That look was replaced by the great wave of Steampunk starting in 2007. I loved the Steampunk just as much, so it was alright!
Look how amazing she looks on the Sorcerers’ Porch of my Action Figure Dollhouse.
Toy customizers, please note that I was able to preserve full shoulder and waist articulation under the miniature clothing. Use of stretch fabrics and gluing the clothes only to strategic, rigid areas of the figure allow her a full range of posability.
Oh, action figure customizers and Instagram toy photography bros who find this page by googling, I pity you. They’re dolls, dude. Accept it.
A poseable toy figure of a human with cloth clothing is a doll.
As is often the case, what appears to be a simple doll-making project has a deep cultural wound behind it.
Like most of the toy industry, amazing toy company Mezco (who I love and have supported since their beginnings with Silent Screamers in 2000) has a gender problem. They make dolls, and have from the early days: they make Living Dead Dolls.
They also make action figures, and since 2015, they’ve been combining the two with the 1:12 Collective, a 6″ (DOLLHOUSE) scale line of action figures with cloth clothing. (In action figure parlance, dolly clothes are called “cloth applications”.) They started slow, with a Frank Miller Dark Knight Batman (red flag? more likely the chunky design was an easy pilot project).
Then in 2016 they started releasing a cavalcade of fantastic cloth-costumed takes on the heavy hitters of the Marvel and DC universes, plus Classic Trek! These figures are unreal. They are crazy good. For 2017 they announced even more upcoming licenses and figures. Ghostbusters, Space Ghost, Universal Monsters and more. But there was only one planned female figure announced in 2016 – Harley Quinn.
I was on their Instagram hassling them for months before she was announced, asking, “What the hell, dudes?”
Once she was announced, I thought we’d see a wave of female figures. In 2017, as the success of the Wonder Woman movie exploded on mainstream media, they announced a 1:12 Wonder Woman. But neither Harley Quinn or WW have shipped yet.
And no other female figures have been announced, despite the release of multiple male Classic Trek figures and Marvel heroes AND villains. *cough*Uhura*cough*Storm*. Know who is expected to ship by December? The Red Skull. Who is the Red Skull? He is a fucking Nazi.
That’s right, 1:12 toy collectors will get a NAZI before Wonder Woman.
As a woman, as a comics fan and former DC comics professional, as a serious lifelong toy collector, I gotta say, the optics are bad.
Do better, Mezco. Do better, toy industry.
Meanwhile, guess I gotta make my own action figures with doll clothes “cloth applications”. Been plunging into male-dominated spaces since I became a graffiti writer in 1980, a hardcore comics fan in 1984 and a comics pro in 1993. Been genderqueering the toy space since the 1970s, when me and my best friend Bradley played with my Dawn Dolls. Not gonna stop, despite Nazis.
See my mini projects that use similar techniques here:
Early Horribella dolls
Action figure customizing, June 2016
Berlin Horribellas: Mark V, Sept 2016, Mark IV, July 2016
and my Sideshow Bride of Frankenstein custom, October 2016.
A very old 12″ Living Dead Doll converted to a horrifying spider monster woman, October 2016.
Fearless Pink Gay Santa and his Jolly Ally Reindeer, December 2016.
1:12 scale gilt insect carriage and harness, June 2017.
Valentines Monster Doll Armada, February 2017.
1/12th scale Snow Queen/Jadis of Narnia, May 2017.
Using epoxy clay, November 2015.
Dang, I have been consumed with this long-delayed project!
But I am really making serious progress.
What on earth is a Tube Room, you might ask.
I figured people would be constantly bothering the engineers in the shop for things they want fixed anyway, so they might as well get their coffee while they’re there. The two women robots are “Platinum” from the Metal Men and Angie Spica, “Engineer” from The Authority.