Author Archives: Suzanne Forbes

About Suzanne Forbes

Suzanne Forbes is a traditionally trained figurative artist who makes documentary art of queer culture and Berlin life. She also works in mixed media. She is a former New Yorker who immigrated to Berlin with her third husband and their two cats. Her work is crowdfunded by the support of her Patrons on Patreon; you could help! In previous lives Suzanne was a graffiti artist in downtown NY, a courtroom artist for CBS and CNN, a penciller for DC Comics on Star Trek, and a live-drawing chronicler of Bay Area alternative culture.

Noéline la Bouche as the Goddess Yemaya!

Noeline la Bouche as the Goddess Yemaya Suzanne Forbes Feb 2 2022 hero editThis is a special drawing of a special person.

My beloved friend and Muse Noéline la Bouche has burlesque costumes and performance routines for many Gods and Goddesses, and one of the most beautiful is the Yemaya one.

Noéline performed as Yemaya for the wonderful “Winter is Coming” edition of Extravagant Shambles.

It was the last time I saw her dance live before the pandemic, and yet I didn’t draw her.

Because the performance was so beautiful, I wanted to focus all my energy on watching.

I didn’t draw everyone at this show – and I didn’t draw my muse Noéline la Bouche for an unusual reason. Noéline performed as the Goddess “Yemaya – mère de l’eau”, and I was so captivated by her dance choreography and costume for this number I actually decided to just watch! But you can see photos of her doing the act!

I wrote that at the time. Even if I could go back and change things, I would still watch Noéline dance in the dark cave of the club, my drawing tools down. After the show she came over and hugged me, still throwing sparkles of energy from the performance.

I am so grateful to know this amazing friend.

Noeline la Bouche as the Goddess Yemaya Suzanne Forbes Feb 2 2022I hope you will take a moment to follow Noéline, who has done streaming performances for many Disability-Positive and disability inclusive burlesque shows in the last two years, and created a gallery of glamorous pin-up selfies in a rainbow of colors using her handmade accessories.

Noéline has also created a project called “Self-Isolation Updates”.

Noeline-la-Bouche-in-headpiece-by-Suzanne-Forbes-Oct-31-2020-6In almost 250 installments to date, they have shared the experience of being chronically ill in a pandemic. She shares isolation, loneliness, doctor visits during the early months of the pandemic, and ultimately contracting Covid in Fall 2020 despite exhausting precautions.

Then comes Covid-induced kidney failure, medical crisis, experiencing medical racism and gaslighting, dialysis life and disability reality.

Noéline describes it all with incredible insight and wisdom. Someday I hope these entries will be a book, illuminated by the gorgeous selfies!

But right now, Noéline needs our help and support more than ever.

Compounding financial hardship, medical racism and the CripTax of disabled life means simply paypaling money to her would make her actual daily life easier. Could you do that?

We have a little auction going where the highest Paypal donor in Feb will win the original of the Yemaya drawing!

Paypal.me/noelinelabouche

Noéline’s website here, Insta here, burlesque accessory line here, Paypal.me here!

Noéline in a headpiece I made!

Many other Noeline drawings in my Noéline Muse Album on flickr.

Letraset, Zip-A-Tone and my first art piece for press.

In the summer of 1983 my best friend was an anti-nuke protester. He was hanging out with Dana Beal and the Yippies at the Yippie headquarters at 9 Bleecker St.

This meant that I was hanging out with them too, like a Pulp Fiction Vegetarian. Even though I thought they were mainly creeps who used politics to get close to attractive young people. I was sixteen, and we were drinking and taking drugs there, but nobody cared.

My friend was mostly hanging out to be with a girl, I think, and I wanted to get with her too. One night we had a bananapants threesome there involving jug wine and queening with red wings.

Overthrow 1982On the second floor loft level of the HQ there was a workstation where the nice artist/illustrator who put together the YIP newsletter, Overthrow, worked.

I wandered over to him one time in the haze of some drunken summer night and he showed me the paste-up he was doing. He was using a swirling checkerboard Zip-A-Tone or LetraSet decal on a pasteup illo of a Cheshire Cat. I was absolutely fascinated as he told me about this old-school – even then – material for print art. You can see his use of it in the cover above!

I did my first print-ready commercial illo, for the YIP newsletter, when I was sixteen, because of this cool guy.

I offered to help, and wound up doing an illo of a homeless guy sitting on the steps of a fancy Village brownstone with a big Christmas wreath on the door.

It was in my usual meticulous Rapidograph style, black and white. I intended to be a book illustrator, fashion illustrator, or some other kind of commercial artist, back then.

I can see the drawing so clearly in my mind, still, but I don’t have a copy. I realize, to my shock, that I could probably find the issue – printed somewhere in the second half of 1983 – online, and buy it and hold it in my hands. Isn’t that weird?

LetraSet and Zip-A-Tone are gone now, of course. Like paste-up and the YIP headquarters. So it goes.