Tag Archives: archives

More Rahne and Dani queer New Mutants art from the 80s!

Rahne Dani New Mutants Queer Love Movie and 1986 art by Suzanne ForbesApparently, in 1986 I predicted the future on-screen LGBTQ romance of New Mutants Rahne and Danielle, aka Wolfsbane and Mirage!

Wow, I had completely, completely forgotten these existed!

Rahne and Dani double page love scene spread by Rachel Ketchum aka Suzanne Forbes May 1986Holy heck I made so much queer art with the New Mutants!

Thanks to the support of my Patrons on Patreon, I try to do a little archiving of my vast lifelong art archives every month. I hit a goldmine of late-80s and early 90s stuff this week. Rahne long panel by Rachel Ketchum aka Suzanne Forbes May 1986

Because these drawings, which are all dated May 7- May 12, are on illustration board, they had gotten stored with larger works from a slightly later time.

I believe these were all drawn in May 1986, not long after I first met Chris Claremont, based on the level of my skills.

And also because the love scene is totally inspired by Kory and Karras in one of my very favorite issues of the Titans, New Teen Titans (vol.2) #19 (1986), which was drawn by Eduardo Barreto!

Rahne’s makeover is an echo of the X-Men scene in issue #210, where Rogue goes to Bloomingdales, which is what Chris was writing an outline for in his little stenographer notebook the day I met him.

I haven’t seen any of this artwork in decades!

Literally, the box was packed up when I lived in West Hartford, where I drew my last issue of Star Trek for DC. That was Fall 1995. New Mutants Rahne makeover May 1986 by Suzanne Forbes aka Rachel KetchumIt traveled all over the US with me, and finally to Berlin, like all the other boxes of art!

 

Obviously, I desperately wanted to show the kids having a good time!

One of the (many) things I was always (fondly) hassling Chris about was the lack of PARTYING in the book. It was the 80s, f’r chrissake! I loved them, I wanted them to be happy for at least a night.

New Mutants party scene May 1986 by Suzanne Forbes Aka Rachel KetchumDani is making a vision bouquet for Rahne! Isn’t that so cute???

I drew Kitty drunkenly phasing through the couch and Sam shrugging and toasting her with his beer!
New Mutants coming out story May 1986 by Suzanne Forbes aka Rachel Ketchum

But like all coming-out stories, this one takes an emotional turn for a while.

Having myself been through the awkward moment when you’re fifteen and you tell your best female friend you have a crush on her, I didn’t imagine it would go perfectly smoothly.

New Mutants Rahne and Dani coming out story May 1986 by Suzanne Forbes aka Rachel KetchumI was optimistic. I believed those mutant girls would get together!

My own girl crush confession had resulted in hot shower sex and waking up in spoons. And my mom took her and I to brunch next morning! So I had a hopeful take on things. I feel like the (sorry it’s so hard to see) text did a pretty good job of mirroring Chris’ style.Queer New Mutants double page party scene May 1986 by Suzanne Forbes Aka Rachel Ketchum

Look how happy they are! This drawing totally reminds me of Calvin and Hobbes dancing.

I am truly enormously excited about the New Mutants film, and so excited to see my vision of Rahne and Dani’s love on the big screen.

You can read about how I became a New Mutants fan and my journey to become a comics penciller here, and you can see my Wolfsbane and Mirage custom action figures here!

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Until today, no record of these drawings existed – if we had a fire or flood they would just be gone forever.

A Visit to the Vault – Self-Portraits.

Self Portrait Rachel Ketchum Suzanne Forbes Fall 1989 smokingI was trained in art school to archive and document my work.

But although I am a excellent archivist and curator (and collector and hoarder), I am a terrible photographer. I took photography in the analog days, and learned how to focus a camera and develop film, both in the Illustration Program at Parsons and in the Fine Arts Program at MCAD.

I hated it. At MCAD, having slides of your paintings prepared was part of your grade, and I got my boyfriend at the time to do some of the work. I still have very nearly all the art I’ve ever made except what I’ve sold, but even with the advent of digital cameras, I haven’t photographed very much of it. Until today, no photographic record of these works existed whatsoever. If we had a fire, they would just be gone.

Self Portrait Rachel Ketchum Suzanne Forbes Fall 1989I did scan a lot of what would fit on the scanner back in 2009, and you can find it here.

I find handling a camera physically exhausting and stressful, but scanning is just tedious.

Self Portrait Rachel Ketchum Suzanne Forbes Fall 1989 smoking detail faceA couple years ago my bestie Daria gave me a proper digital camera.

She had upgraded, and brought me her Lumix from her flat in Moscow (she made sure to change all the settings to English from Russian!) I hadn’t had one for a while and it took me forever to find out what kind of cable it needed to connect to the computer (Daria couldn’t find hers) and then to order it on eBay.

But the computer I had until January was an ancient Chromebook, and it didn’t have the power to run photo editing programs or any storage.

So I had another excuse to put off documenting the archives of work I have here in our flat and in my artwork storage locker north of the city.

Even though the pressure to do it has been growing for years, as much of it is on newsprint paper or cardboard and it is not archival.

In January a friend and patron gave me a new-to-me computer, a proper ThinkPad with vast memory. (As my friends and Patrons know, I hate to buy technology and hardware and almost always get it as gifts from my tech-loving loved ones!) It’s time.

I hope my patrons will find the process interesting; I plan to do one or two archive posts a month.

Self Portrait Rachel Ketchum Suzanne Forbes Fall 1989 smoking detailThese two self-portraits were done in my earliest painting class, I believe, in Fall 1989. I was 22.

It was a class I took when I was less than a year sober, waiting to get into the full-time BFA program at MCAD, the Minneapolis College of Art and Design. I had gone to St. Paul, Minnesota to follow up my initial 34-day drug treatment for alcoholism and heroin addiction with four months in the Hazelden halfway house, Fellowship House.

Getting out of the halfway house, I decided to stay in Minnesota, as all the New York junkies I knew who went back to New York relapsed.

Self Portrait Rachel Ketchum Suzanne Forbes Fall 1989 2 detail braidSo I needed to finish art school in the Midwest, and there was only one: MCAD, a school much more focused on Fine and conceptual art than Illustration.

I took the painting class because it was in St. Paul rather than Minneapolis and I didn’t know how to drive or have a car yet!

I was just barely learning to handle the brush and the physicality of the paint and had done almost no work in color.

They are both on cardboard and are large, 18″ x 24″ (close to A2). I love them, honestly, for how fearless and crude they are!

One of them has another painting on its back, of Kathleen, a superb life model who did a lot of work for MCAD.

Portrait of Kathleen Rachel Ketchum Suzanne Rachel Forbes Fall 1989I am so grateful to my Patrons on Patreon for supporting my work.

I hope you find this process of documenting my history and development as an artist interesting!