Tag Archives: women in comics

More Rahne and Dani queer New Mutants art from the 80s!

Rahne Dani New Mutants Queer Love Movie and 1986 art by Suzanne ForbesApparently, in 1986 I predicted the future on-screen LGBTQ romance of New Mutants Rahne and Danielle, aka Wolfsbane and Mirage!

Wow, I had completely, completely forgotten these existed!

Rahne and Dani double page love scene spread by Rachel Ketchum aka Suzanne Forbes May 1986Holy heck I made so much queer art with the New Mutants!

Thanks to the support of my Patrons on Patreon, I try to do a little archiving of my vast lifelong art archives every month. I hit a goldmine of late-80s and early 90s stuff this week. Rahne long panel by Rachel Ketchum aka Suzanne Forbes May 1986

Because these drawings, which are all dated May 7- May 12, are on illustration board, they had gotten stored with larger works from a slightly later time.

I believe these were all drawn in May 1986, not long after I first met Chris Claremont, based on the level of my skills.

And also because the love scene is totally inspired by Kory and Karras in one of my very favorite issues of the Titans, New Teen Titans (vol.2) #19 (1986), which was drawn by Eduardo Barreto!

Rahne’s makeover is an echo of the X-Men scene in issue #210, where Rogue goes to Bloomingdales, which is what Chris was writing an outline for in his little stenographer notebook the day I met him.

I haven’t seen any of this artwork in decades!

Literally, the box was packed up when I lived in West Hartford, where I drew my last issue of Star Trek for DC. That was Fall 1995. New Mutants Rahne makeover May 1986 by Suzanne Forbes aka Rachel KetchumIt traveled all over the US with me, and finally to Berlin, like all the other boxes of art!

 

Obviously, I desperately wanted to show the kids having a good time!

One of the (many) things I was always (fondly) hassling Chris about was the lack of PARTYING in the book. It was the 80s, f’r chrissake! I loved them, I wanted them to be happy for at least a night.

New Mutants party scene May 1986 by Suzanne Forbes Aka Rachel KetchumDani is making a vision bouquet for Rahne! Isn’t that so cute???

I drew Kitty drunkenly phasing through the couch and Sam shrugging and toasting her with his beer!
New Mutants coming out story May 1986 by Suzanne Forbes aka Rachel Ketchum

But like all coming-out stories, this one takes an emotional turn for a while.

Having myself been through the awkward moment when you’re fifteen and you tell your best female friend you have a crush on her, I didn’t imagine it would go perfectly smoothly.

New Mutants Rahne and Dani coming out story May 1986 by Suzanne Forbes aka Rachel KetchumI was optimistic. I believed those mutant girls would get together!

My own girl crush confession had resulted in hot shower sex and waking up in spoons. And my mom took her and I to brunch next morning! So I had a hopeful take on things. I feel like the (sorry it’s so hard to see) text did a pretty good job of mirroring Chris’ style.Queer New Mutants double page party scene May 1986 by Suzanne Forbes Aka Rachel Ketchum

Look how happy they are! This drawing totally reminds me of Calvin and Hobbes dancing.

I am truly enormously excited about the New Mutants film, and so excited to see my vision of Rahne and Dani’s love on the big screen.

You can read about how I became a New Mutants fan and my journey to become a comics penciller here, and you can see my Wolfsbane and Mirage custom action figures here!

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Until today, no record of these drawings existed – if we had a fire or flood they would just be gone forever.

For the Archives: ballpoint portraits from the 90s.

Gabes birthday probably summer 1991 drawn in ballpoint by Rachel Ketchum aka Suzanne ForbesI looked through some of my art school notebooks and found these drawings!

They have never been scanned, photographed or copied; if we had a fire they would just have been gone forever. The one above is the birthday party of Gabriel, the son of a woman I knew in the recovery community. Gabe was what we would call a Spectrum kid nowadays, and there was not much understanding about how to support him, although his parents were devoted.

For some reason he adored me, and I was very fond of him and his older sister Shuli, and spent a lot of time with their family altogether. Based on the notebook this was found in, I am estimating it was done in the summer of 1991. I have only the haziest memory of drawing it!

Teacher at MCAD Fall 1991 by Rachel Ketchum aka Suzanne ForbesAnd this is a teacher at MCAD, where I finished my BFA.

Kirk Kristlibas October 1991 ballpoint by Rachel Ketchum aka Suzanne ForbesThis is a drawing done in class of my friend Kirk Kristlibas.

Kirk was a dear friend of mine in my last couple years of art school, a deeply creative and talented person whose personal style was amazing. The kind of self-directed polymath art-generator you only meet a few times in a lifetime. He was a fellow New Yorker and we would drive around in my car yelling about the fucking Minnesotans. I have not seen him in decades, but he is quite googleable and so I see he has written a book, gotten multiple art degrees, done theater work and apparently looks exactly the same?

I drew a lot in my school notebooks and a little bit in my journals.self portrait in bed with Jamie Jan 1990 by Rachel Ketchum aka Suzanne Forbes

This is a self portrait of me in bed with a boy named Jamie.

In my bedroom in St. Paul, right after I’d been sober for a year. My roommate Anita and I had a party for our sobriety birthdays and I said to him, “You must be my birthday present.” He was a wounded soul, one of several survival sex workers I’ve been lovers with. Self portrait in Woullet uniform Spring 1990 Rachel Ketchum aka Suzanne Forbes

This one to the left is a self-portrait of me in my uniform from Woullet Bakery, where I worked for nearly a year when I was newly sober.

My roommate Anita had been forced to go back to prison, through some very fucked up drug testing stuff that was extremely unjust.

I was devastated; she was one of the best friends I’ve ever had, and an extraordinary muse to me right when I went back to art school, at MCAD. She posed for all my homework, and was an amazing cook, and gave me Neuromancer to read.

I’m going to start in soon on photographing some more of the many drawings and paintings I made of her in the short four months we lived together.

Looking back at the way I drew before I worked as a courtroom artist and then on Star Trek, I feel like something was lost.

The spring that I drew this picture, I did my first official tryout for Marvel, with Fabian Nicieza.*

One of Fabe’s critiques of my work was that I needed uniform, enclosed lines on all shapes and consistent, inkable shading. Which was good advice for superhero comics then, and maybe even now. Although in 1990 Baxter and Mando papers and Flexographic printing had long since become part of comic production, a lot of comics were still printed on newsprint, and artists were still being told to pencil for newsprint production.

I had to get rid of the multiple lines, the looseness, the brushiness of my drawing, unless I was gonna ink it myself, which I was never interested in. Comic colorists needed areas that were fully enclosed for each color, to be painted in carefully with Dr. Martin’s dyes, for the hand separated CMYK plates of the four-color printing process.  I believe nowadays it’s all done digitally, with digital shading, stored codes for costume colors, and there is a person in the production line called a flatter, who is somehow involved in preparing digital color files for printing.

My old style probably still wouldn’t work for comics, but it was beautiful and free. Since I don’t have to draw comics ever again (it was not good for my health), I would love to find my way back to that free style. You can see a collection of more older drawings I scanned during my last period of archiving work, in 2009, here.

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Again, until today, no modern media record of these drawings existed – if we had a fire or flood they would just be gone forever.

*the splash page of the tryout script Fabe sent me was a picture of a dead woman, lying in a boat. I talk about some of the many ways women were deterred from working in superhero comics, even by well-meaning editors, here.