Portrait of Shakrah, third sitting.

Portrait of Shakrah Yves work in process third sitting by Suzanne Forbes April 29 2019Sometimes a portrait changes a lot during the process!

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

I was frustrated with this portrait of my friend Shakrah Yves because it’s on a small canvas (about 40x50cm) and I usually paint quite large.

I just couldn’t get comfortable with the composition.

Plus, during the second sitting, which was photographed by Mirella Frangella, I radically changed Shakrah’s pose and completely repainted her face.

But we convened for a third sitting last week and it came together, finally. WIP Portrait of Shakrah Yves by Suzanne Forbes first and second sittings 2018

Here are the results of the first two sittings, above.

Really different right?? It’s not done yet, but Shakrah’s time-traveler beauty is emerging. In the ten months since we last worked on this picture, Shakrah and I have spent time hanging out, and I have come to know her face much better. I was truly feeling like her character and her beauty weren’t captured by the portrait to date, and seriously considering abandoning it. Plus, the pink velvet salon chair she was sitting on was destroyed by a giant hacker during our New Year’s Day epic brunch, so we needed to use a different chair!

But she was up for posing, after my work hiatus caused by the bus accident and after her very busy year, and I decided to see how it went. Because I know her face better, when I returned to the painting, I could see what was salvageable and good about the second iteration, and build on it. And we decided to remove her headpiece, even though she made it and it is beautiful, because its scale overpowered the small painting.

I’m glad I didn’t give up on this one! I posted the latest on my Instagram and one of my Patrons commented,

Portrait of Shakrah after third sitting detail by Suzanne Forbes April 29 2019 2

“Thank you for sharing your frustrations as a professional artist. It gives the rest of us newbies perspective and that we too should keep trying.”

I was glad to be of service, and also surprised. I started earning money as an artist when I was sixteen, so I’ve been working within my own insecurities and frustration my whole life. That’s why it’s WORK!

I guess I assume everybody knows that professional artists struggle constantly with not being as good as they want! Or not being able to resolve a piece! Or not being able to capture someone or something beautiful!

That’s the greatest frustration to me, that I can never capture the beauty of my subjects the way I see it.

I will never be able to show you exactly how beautiful and luminous and unique you are before me, but I will get closer and closer til the day I die, Goddess willing.

And I am able to do this because of the help of my Patrons on Patreon who provide the monthly sponsorship that allows me to tell women’s stories and grow as an artist!

 

Make-Cation part One: So MUCH Bricolage, Assemblage and Decoupage!

It was my beloved Friend-Muse-Patron Monique Motil who came up with the idea of “Make-Cation”.

Monique has always been my inspiration for mixed media and assemblage art, and I learned so much about how to trust my creative impulses around materials watching her work evolve over the years. I did my first Make-Cation in Fall 2017, and for eight days in March I did it again! It was a glorious time of renewal, full of energizing fiddling, fooling, fussing and gluing! Nothing makes me happy like taking a hacksaw to a plastic toyl!

Cernunnos crowns by Suzanne Forbes April 2019It may surprise some people but drawing and painting isn’t “fun” for me. It’s hard work where I put my whole identity on the line every time and demand the best I can possibly do from myself. Like going to the gym, it feels great in the sense of being healthy, rewarding and good for me.

Plus there is a huge added bonus in that it gives happiness to the people I document and helps to share their stories with the world. So it is deeply meaningful and feels like service, which I love.

However it’s hard work, and I do it pretty much all the time, so I took a week to do the art that feels like play – making stuff!

Touching and handling beautiful materials like velvet leaves, gold wire and garnet beads makes me feel nourished and exhilarated.

Metal crown project march 2019 Suzanne ForbesI started on Day One with these cheap pot metal crowns and the heaps of metal leaf charms and stampings I’ve had for years.

Assemblage fairie crowns by Suzanne Forbes March 2019I used beads and pearls and resin and glass leaves too, and sewed everything in with different weights of gold wire, then secured it with blobs of E6000.

I learned about using wire to secure decorative elements when I did a Halloween party with the help of a guy who had run commercial haunted houses, in 2001. He said anytime you want something to stay put, wire it in.

I figure people can wear the crowns whenever we finally have our Summer Solstice party.

Then I gave some bugs a bath.

One thing I have learned from action figure customizing folks and Burning Man art folks is that assemblage art lives or dies by its adhesives and primer coat.

The plastic bugs got a nice soak in very hot soapy water to remove any traces of mold release so they would accept paint and glue better.

Once they were completely dry I went bug crazy with the glue gun. I had been wanting to make a gothic rococo gilt frame with horrible insects for many years.

I recently found a €3,99 plastic frame at our local Woolworth’s (we still have those here!) to use as a base. I washed the frame in hot soapy water too, to remove any oils or dirt, and then attached the bugs and some resin flowers with the glue gun.

Bug Bricolage Gothic Rococo frame wip March 2019 suzanne forbes artistOnce the glue was cooled and set I used my precious Apoxie-Sculpt to unite the bugs with the frame, smoothing their edges into the surface so they look more carved or bas-relief. (You can read more about this here.)

Then I coated the whole thing with Mod Podge, which I’ll explain in the next Make-Cation post, and then I spray-painted it gold! Few things are as gratifying as gold spray paint.

Bug Bricolage and decoupage frame by Suzanne Forbes April 2019 detailI also cut some pieces of cardstock to fit some of the gaps in the frame, because I needed to reduce the visual detail after adding the bugs – I wanted to it read clearly from a distance. To help that, I also sprayed it from below with a light mist of black spray paint.

I am so pleased with how it came out. Look how nicely the plastic spider sits at the top! I made a little decoupage piece to go in it using die-cut butterflies and some Dresden trim moons I got at Castle In the Air like 20 years ago.

I Mod-Podged them right onto the black cardboard that was the backing of the frame, because I am a deeply lazy person.Bug Bricolage and decoupage frame by Suzanne Forbes side view April 2019

I also made some Cernunnos crowns, because you never know when you’ll need those.

Bricolage Cernunnos crowns by Suzanne Forbes April 2019I used “reindeer horns” I got on eBay and headbands from Woolworth’s for these, plus some velvet flowers and leaves and stuff that I had hoarded, some from like 1995.

I love how they came out, it is just so satisfying to use up these beautiful old materials and make them into actual things.

Of course I barely made a dent in my supply hoard, but there is world enough, and time, for more creepy assemblage art.

I  made two other things, a completely insane little seat for our hallway, and a little fascinator hat, and I will post those soon!

So much love to my Patrons, who support my creating and making, and made this precious window of creative play possible <3 You can see more of my multi-disciplinary mixed media projects here.

For the Archives: ballpoint portraits from the 90s.

Gabes birthday probably summer 1991 drawn in ballpoint by Rachel Ketchum aka Suzanne ForbesI looked through some of my art school notebooks and found these drawings!

They have never been scanned, photographed or copied; if we had a fire they would just have been gone forever. The one above is the birthday party of Gabriel, the son of a woman I knew in the recovery community. Gabe was what we would call a Spectrum kid nowadays, and there was not much understanding about how to support him, although his parents were devoted.

For some reason he adored me, and I was very fond of him and his older sister Shuli, and spent a lot of time with their family altogether. Based on the notebook this was found in, I am estimating it was done in the summer of 1991. I have only the haziest memory of drawing it!

Teacher at MCAD Fall 1991 by Rachel Ketchum aka Suzanne ForbesAnd this is a teacher at MCAD, where I finished my BFA.

Kirk Kristlibas October 1991 ballpoint by Rachel Ketchum aka Suzanne ForbesThis is a drawing done in class of my friend Kirk Kristlibas.

Kirk was a dear friend of mine in my last couple years of art school, a deeply creative and talented person whose personal style was amazing. The kind of self-directed polymath art-generator you only meet a few times in a lifetime. He was a fellow New Yorker and we would drive around in my car yelling about the fucking Minnesotans. I have not seen him in decades, but he is quite googleable and so I see he has written a book, gotten multiple art degrees, done theater work and apparently looks exactly the same?

I drew a lot in my school notebooks and a little bit in my journals.self portrait in bed with Jamie Jan 1990 by Rachel Ketchum aka Suzanne Forbes

This is a self portrait of me in bed with a boy named Jamie.

In my bedroom in St. Paul, right after I’d been sober for a year. My roommate Anita and I had a party for our sobriety birthdays and I said to him, “You must be my birthday present.” He was a wounded soul, one of several survival sex workers I’ve been lovers with. Self portrait in Woullet uniform Spring 1990 Rachel Ketchum aka Suzanne Forbes

This one to the left is a self-portrait of me in my uniform from Woullet Bakery, where I worked for nearly a year when I was newly sober.

My roommate Anita had been forced to go back to prison, through some very fucked up drug testing stuff that was extremely unjust.

I was devastated; she was one of the best friends I’ve ever had, and an extraordinary muse to me right when I went back to art school, at MCAD. She posed for all my homework, and was an amazing cook, and gave me Neuromancer to read.

I’m going to start in soon on photographing some more of the many drawings and paintings I made of her in the short four months we lived together.

Looking back at the way I drew before I worked as a courtroom artist and then on Star Trek, I feel like something was lost.

The spring that I drew this picture, I did my first official tryout for Marvel, with Fabian Nicieza.*

One of Fabe’s critiques of my work was that I needed uniform, enclosed lines on all shapes and consistent, inkable shading. Which was good advice for superhero comics then, and maybe even now. Although in 1990 Baxter and Mando papers and Flexographic printing had long since become part of comic production, a lot of comics were still printed on newsprint, and artists were still being told to pencil for newsprint production.

I had to get rid of the multiple lines, the looseness, the brushiness of my drawing, unless I was gonna ink it myself, which I was never interested in. Comic colorists needed areas that were fully enclosed for each color, to be painted in carefully with Dr. Martin’s dyes, for the hand separated CMYK plates of the four-color printing process.  I believe nowadays it’s all done digitally, with digital shading, stored codes for costume colors, and there is a person in the production line called a flatter, who is somehow involved in preparing digital color files for printing.

My old style probably still wouldn’t work for comics, but it was beautiful and free. Since I don’t have to draw comics ever again (it was not good for my health), I would love to find my way back to that free style. You can see a collection of more older drawings I scanned during my last period of archiving work, in 2009, here.

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Again, until today, no modern media record of these drawings existed – if we had a fire or flood they would just be gone forever.

*the splash page of the tryout script Fabe sent me was a picture of a dead woman, lying in a boat. I talk about some of the many ways women were deterred from working in superhero comics, even by well-meaning editors, here.

 

Not the burlesque you expect: more from Shimmy Shake Show at Ballhaus Berlin.

La Labo Balucia as Rorschach at Shimmy Shake Show at Ballhaus Berlin by Suzanne Forbes April 10 2019That’s right, Rorschach burlesque.

Performer and Shimmy Shake School burlesque teacher La Loba Balucia  blew my comic-artist mind with this. I was losing it with happiness but still managed to draw two pictures of her.La Labo Balucia performs Rorschach Burlesque at Shimmy Shake Show at Ballhaus Berlin by Suzanne Forbes April 10 2019

Ruby Skyscaper was a man-eating shark.Ruby Skyscraper at Shimmy Shake Show at Ballhaus Berlin by Suzanne Forbes April 10 2019

That’s some meta-textual feminist neo-burlesque for ya! Amazing costume, amazing shake.Noeline la Bouche at Shimmy Shake Show at Ballhaus Berlin by Suzanne Forbes April 10 2019

And legend Noéline la Bouche sang AND danced AND performed veil fans, while undressing!

Pretty darn fabulous! Noéline works really hard and performs all over, I try to catch her as often as I can.

Newbie performer at Shimmy Shake Show at Ballhaus Berlin by Suzanne Forbes April 10 2019Last but not least, this young lady Brianna was a newer performer. She did great and looked adorable!

Thanks so much to Shimmy Shake School and mâitresse La Viola Vixen for a lovely show, you can get tickets for the May edition right here!

And always, my deepest thanks to my Patrons, who crowdfund my documentary art project of a queer feminist intersectional lens on Berlin life! You can help, with any amount you like per month, a dollar or euro is great ?

My Patrons on Patreon give monthly financial support which allows me to make this free documentary art available for all to share!

A benefit for Berlin’s only Gay-Inclusive Rugby Team, the Berlin Bruisers!

Lola Rose at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 14 2019Sometime soon I’m gonna go draw the Berlin Bruisers actually playing rugby.Ben Meachum at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 12 2019

But first, I drew the fabulous performers at a benefit for the Bruisers, who are Berlin’s only gay-inclusive rugby team. The annual benefit is called Violet Varieté, and was held at epic queer nightclub and party space Schwuz. That’s beautiful Lola Rose, above!

On the left, comedian Ben Meachum, in his latex wrestling singlet 🙂

The event was hosted by legends of queer Berlin, Gieza Poke and Liliana Velásquez! Two of the hardest-working performers in town, they have contributed their talents to this fundraiser for years.

“I love to draw Liliana,” I said to her dear friend Fannie Headaek, “she has the elegant lines of a fighting swan.”Liliana Velasquez at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 10 2019

Does that make sense? I don’t know, but I stand by it! And check out co-host Gieza Poke!

Is Pansexual Pleasure Goddess Gieza’s outfit a yellow plaid bustier and plaid booty shorts topped with a yellow plaid cape with power shoulders and a yellow tam o’shanter fascinator? Yes, yes it is. Fucking amazing.Gieza Poke at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 12 2019

Also performing was The Darwish, an elegant neo-bellydancer.The Darwish at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 12 2019

Dunja, an incredible Guinness World Record setting hula hooper, (see below!) as Mia Wallace!Dunja at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 12 2019

And Evilyn Frantic, muse of Dr. Sketchys Berlin, who I have drawn many times before, but never while she was moving!Evilyn Frantic at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 13 2019

Plus Nana Schewitz, another local legend!

Nana Schewitz at Violet Variete Benefit for Berlin Bruisers by Suzanne Forbes April 12 2019Here’s some of the Bruisers in uniform, on the dance floor before the show!Berlin Bruisers at Violet Variete Schuz April 10 2019 by Suzanne Forbes

And here is Feline and Strange, with my beloved Friend-Muse-Patron Rah Hell on drums!Feline and Strange at Violet Variete Schuz April 10 2019 by Suzanne Forbes

Thanks to the Bruisers for inviting me! And always, my heartfelt gratitude to my Patrons, who crowdfund my documentary art project of a queer feminist intersectional lens on Berlin life! You can help, with any amount you like per month, a dollar or euro is great ?

My Patrons on Patreon give monthly financial support which allows me to make this free documentary art available for all to share.

And enjoy witnessing Dunja setting one of her hula hoop Guinness World Records!!!!

 

Women tattooing women at the Drink And Draw Berlin Tattoo Jam – on a boat!!

Lydia tattooing at Drink & Draw Berlin Tattoo Jam April 12 2019 by Suzanne ForbesWhat a lovely time we had!

This is Lydia, aka Lylicious Ink, tattooing a lovely lady, ON A BOAT. Lydia is a friend who is a fantastic artist who is now a tattoo artist, like Daria.

I went to the new Drink And Draw Berlin location finally, and holy heck it’s amazing. Drink And Draw’s classes and events are now held in a 90-year-old boat docked in the Historic Harbor by Markisches Museum. The atmosphere is so cozy, so charming, so superbly comfortable for drawing, I cannot even deal. I want to go back ASAP.

Here’s the Drink and Draw Berlin Insta, featuring ME!

Daria tattooing at Drink & Draw Berlin Tattoo Jam April 12 2019 by Suzanne ForbesDaria was tattooing in a mask, looking even more like an artist ninja than usual!

The woman Daria is tattooing is Fania Katz, an “illustrator and creator of weirdness from Berlin“. Fania is a native Berliner, and with Daria, a native Muscovite, and me, a Native New Yorker, sitting there, Daria said we had a mighty trinity.At Drink & Draw Berlin Tattoo Jam April 12 2019 by Suzanne Forbes

These two cool as hell friends of Lydia’s were talking about tat appointments, and one of them was also drawing.

I just was so happy there! There were groups of artists and tattooists working at tables and on couches throughout the boat’s comfy seating areas, and another woman tattoo artist, the fantastically badass Strix, working up on the stage, and people doing stick-and-poke.

Elliott doing stick and poke tattoo at Drink and Draw Berlin Tattoo Jam April 20 2019Suzanne ForbesThis is Elliott, stick-and-poke tattooing his own leg.

I knew people stick-and-poke tattooed themselves, as my incredible artist sister-in-law Caitlin has a number of beautiful works she has designed and done herself. But I’d never seen it happening live in front of me before! I was like, look, a hot boy stick-and-poking his own leg on a boat! What could possible be more Berlin? But then I remembered my friend Suz told me about a nonbinary person who stick-and-poke tattoos drunk club-goers on the party train U8 on Friday nights around 3am, and that is actually more Berlin 🙂

I had some lovely Fritz-Kola on the boat (local soft drink company well known for always sponsoring art events!) and altogether the nicest time.

Thanks, Drink and Draw Berlin! I’ll be back!

And always, my deepest and profoundest gratitude to my Patrons, who crowdfund my documentary art project of a feminist intersectional lens on Berlin life! You can help, with any amount you like per month, a dollar or euro is great ?

My Patrons on Patreon give monthly financial support which allows me to make this free documentary art available for all to share!

Back to work! Portrait of Daria, second sitting.

Work in progress portrait of Daria second sitting close up April 9 2019 by Suzanne ForbesI took an eight-day Make-Cation, where all I did was bricolage and assemblage.

Work in progress portrait of Daria April 9 2019 by Suzanne ForbesIt was so relaxing and fun! So I was strong and ready to dive in the second sitting with Daria.

To the left you can see the portrait about halfway through our second sitting, after an hour or so.

It is easier painting someone you know well, someone you have spent hundreds of hours with. It doesn’t actually feel easier, but better results happen without being aware of how.

So this challenging foreshortened facial view, with Daria’s head bent over her ipad, and part of her face obscured by her hanging hair, was very doable.

 

I expect we will finish in one more sitting!

You can see the first sitting here and Daria’s website and Instagram here. Her witchy boots are starting to emerge, below! I still need to paint in her jewelry and tattoos.

As always, this portrait is painted alla prima (without any preliminary drawing or underpainting), in straight-from-the-tube acrylic mixed only on the canvas. I am continuing to tone my canvas with acrylic paint to an even 50% grey before painting and absolutely loving the results as it increases my speed even more. The large painting seen below is about five hours total work.Work in progress portrait of Daria second sitting April 9 2019 by Suzanne Forbes

Unterwegs for March 2019!

Unterwegs March 16 2019 by Suzanne ForbesThis guy reminded me of a boy named Raj I had a crush on my first semester at Stuyvesant.

Something about his slightly flipped, slightly 80s hair. Raj was so cute; I used to watch him play Asteroids in Tony’s Cafe next to Stuyvesant. He went back to India at the beginning of 1981, when I was fourteen, and I never saw him again. So many people we know over a lifetime! Isn’t it amazing? And I was so fascinated by how this young guy’s body language echoes the redheaded Persephone a while back!

Unterwegs March 26 2019 Women on the phone by Suzanne ForbesI guess there are only so many ways that people can sit or stand on a subway, because I have also seen and drawn this stance before!

Drawing this woman, I felt so mesmerized and exhilarated by the unique lines of every human. I just love seeing people and recording their being so much.

Unterwegs March 26 2019 Goth mom by Suzanne ForbesThis goth mom was with her hairless dad and blond daughter.

She was like a burst of jet hair and clothes among them, very serene. She knew I was drawing them too! Mostly people don’t.

I am so grateful to my Patrons, who crowdfund my documentary art project of Berlin public transit! You can help, with any amount you like per month, a dollar or euro is great 🙂

Previous unterwegs below, all unterwegs courtesy of my Patrons on Patreon whose monthly financial support allows me to make this free art available!

Jan 2019 bonus round

Jan 2019

Dec 2018

Fall 2018

September 2018

August 2018 unterwegs

July 2018 bonus round

July 2018

April 2018

March 2018

February 2018 bonus round

February 2018

January 2018 bonus round

January 2018 round 1

December 2017

November 2017

September 2017

July bonus round

July

June

May bonus round

May round one

April

March 2

March

January

December

November

The Shimmy Shake Show at Ballhaus Berlin, with Scotty the Blue Bunny!

Scotty the Blue Bunny at Shimmy Shake Show Ballhaus Berlin March 24 2019 by Suzanne ForbesYou can never really get used to the sight of a very tall, loud, slightly drunk gay man in a glittering velvet bunny suit.

As often I as see, and draw, Scotty the Blue Bunny performing, there is still a pleasant frisson of shock at just how much blue bunny he is. Even in flats!

The beauty below is La Viola Vixen, mâitresse of Shimmy Shake School.

La Viola Vixen at Shimmy Shake Show Ballhaus Berlin March 24 2019 by Suzanne ForbesThis was my first time making it to the Shimmy Shake Show, which features students, graduates and teachers from Berlin burlesque school The Shimmy Shake School. It is held at the beautiful vintage venue Ballhaus Berlin, where I go multiple times a year for Dr. Sketchy’s Berlin.

You can call the bar to order a drink with the antique telephones on the tables, though the bar is always too busy to bring you a beverage when I’ve been there!

As you can see, the audience members were dressed for the show.Attendee at Shimmy Shake Show Ballhaus Berlin March 24 2019 by Suzanne Forbes

I was invited to draw at the show by Shimmy Shake teacher La Loba Lucía, who I became a mad fan of after I saw her perform at Extravagant Shambles. She is the most leonine, ferocious, superheroic burlesque performer I have seen so far. Drawings of her act coming soon!

Meanwhile, here is another instructor, Anja Pavlova, performing a ballet-like burlesque that had a rococo Rites-of-Spring feel!

Anja Pavlova at Shimmy Shake Show Ballhaus Berlin March 24 2019 by Suzanne ForbesAnd here is Cadbury Parfait, who produces Extravagant Shambles.

I have been invited to draw at Extravagant Shambles several times now and really love the crew.

Cadbury Parfait at Shimmy Shake Show Ballhaus Berlin March 30 2019 by Suzanne ForbesI also know Stella Von Fersen, seen below as a pearl emerging from satin oyster fans, from the Shambles.Stella von Fersen at Shimmy Shake Show Ballhaus Berlin March 24 2019 by Suzanne Forbes

There was a Neo-burlesque duet, below, that was passionate and lovely, Adèle Meta Morphosis is the dancer.Duet at Shimmy Shake Show Ballhaus Berlin March 24 2019 by Suzanne Forbes

And btw, check out Scott’s beautiful gay portrait sanctuary, Love Gay People, here.

Lots of love to my beautiful Patrons on Patreon, who make it possible for me to document Berlin’s queer intersectional burlesque scene and release the artwork free to all!

A special night at Monster Ronson’s!

My friend and Patron Robert Wimpory is a bastion of the indie music scene in Berlin.

He goes to see everyone’s shows, all the time. (“I try to support the scene”, he will say modestly when complimented on his showing up for the community.) Plus he has a band or two and is in the OK!Chorus and often co-hosts Uke Boogie and of course, also has a (really cool) job! And he is an archivist and curator of his own history, like I am, and has a wild collection of video and film from the 80’s. Here’s his YouTube channel!

So his birthday had to be celebrated at queer Berlin clubhouse Monster Ronsons, home of Pansy’s House of Presents, Merlin’s Berlin, Loving The Alien, and so much more. This is Robert with bumBlechum, above. They played “Disco Knicks” and threw masses of underwear aka pants out into the crowd.

Disco knicks! Shake your disco rear!

The crowd had a blast, as you can see!

One of my very favorite things about going to events in Berlin is that the crowds are of all ages. It’s rare that I am the only middle-aged person; often there are lots of us!Party at Monster Ronsons by Suzanne Forbes March 25 2019

And this is the lead singer of Pump Gang, below, who played some serious 90s hits.

I was listening to alt-radio for the 90s so I didn’t know most of them! Plus, there is a whole Euro-dance thing that is very specific to this side of the Atlantic, like the Vengaboys, who I only learned about last year. Apparently, they were a THING!

Pump Gang at Monster Ronsons by Suzanne Fprbes Marc 14 2019I had to tip out suddenly partway through Pump Gang’s set, as the decibel level was just too much for me. But nobody ever judges me for doing what’s best for me, in this community <3

I am so very grateful to my Patrons on Patreon, whose monthly financial support makes it possible for me to document Berlin life and art!