When I let myself go with an obsession, I really let go!

The embroidered pitcher plant is only my second embroidery piece this year – I have had much less time and energy for the most time-consuming art of all, textile art. I used embroidery thread, regular satin sewing thread, two types of metallic thread, iridescent beads, and metallic filament on this piece. The little fly has beads for eyes!

It was wonderful to go back to embroidery with a fresh subject, and the curvilinear forms of plants are so satisfying to stitch. The other embroidery piece I finished in 2019 has been sold but the pitcher plant is available.

Work has been ongoing with the sculpting of evil alien Venus flytraps; I did a second batch in polymer clay to incorporate translucency, marbling and sparkle.

I mixed Sculpey Bake and Bend 50/50 with the translucent clay to get a more flexible, less breakable result, in case any of these get used for wearable art.

Bake and Bend is softer than even FIMO Soft, which helps because I find kneading polymer clay painful on my hands.

Pre-baking all the little teeth to harden them meant I could attach them to the baked leaves by pressing them into the unbaked clay gumline, a rough tube of raw clay laid in the leaf in a horseshoe shape.

In addition, because gluing polymer clay is a moving target, I secured them with Sculpey bake and bond.

Then I re-baked the leaves with their teeth in. One of the first things I learned about polymer clay was that you can add to your pieces with raw clay and bake them over and over! I was shocked!

After baking the Bake and Bond becomes a translucent, matte glaze over the parts you brushed it on. Then when you paint over it with FIMO gloss, it gets more transparent.

I like to varnish my polymer clay pieces even though the experts suggest it may not be archival – it increases the transparency of translucent clays, which I often use, and creates a nice creepy slick surface.

I left the place at the back of the flytraps where they would be attached to things unvarnished, so that whatever bonding agent I used would adhere to the clay and not the varnish.

Many of the flytraps also have a floral wire stem built in, in case I needed it – if I don’t I just snip it off!

I attached the finished flytraps to the plastic succulents with a glue gun, which some people say holds up well with polymer clay. Because I am a suspenders-and-belt person, I also used some gel crazy glue (gel-type Cyanoacrylate glues or Zap-a-Gap remain flexible, which is important for plastics). I think I will put some of these plant-style flytraps in little pots, with fake moss. The ones shown here are a mix of polymer clay ones and air-drying clay ones. I also added some “silk” floral leaves for color and variety.

You can read here about the first batch of Alien Venus Flytraps, made with airdrying clay, paint, gel medium and a glue gun.

I also finished shingling the roof of the new dollhouse and I am very proud!!! Endless love to my Mama who brought the laser-cut real asphalt shingles from the US!!!