Tag Archives: contemporary portrait painting

New portrait painting in progress: Sebastian in brights.

Portrait of Sebastian by Suzanne Forbes work in progress Oct 30 2018I am super pleased with how this portrait of a new friend is coming along.

Portrait of Sebastian by Suzanne Forbes work in progress Oct 30 2018 detailSebastian is a circus performer and producer who comes from the Oz steampunk scene and has some fabulous outfits.

He calls this one his “Snow White” colors and I love how the brights pop against the soft colors of the salon.

I have had more of a challenge finding people who are into dressing up for fun in Berlin than I did in the Bay Area. This isn’t a dress-up town, alas.

I love people who love clothes and fashion and performative identity and was happy to find another collaborator!

Above is after the second sitting. Here’s after the first.

Using a canvas toned gray the way Sargent did has speeded up my painting even more. You can see the edge of the gray along the right side below!

Portrait of Sebastian by Suzanne Forbes work in progress Oct 30 2018 first sitting

This portrait will be done in one more sitting I expect.

And then I need to get back to the painting of Shakrah, which was interrupted for a long spell by the bus accident and my hand injury!

 

Archiving some very early portrait paintings.

Portrait of John Talbot Wallis by Suzanne Forbes aka Rachel Ketchum fall 1989One of the very first portraits I ever painted.

In early Fall 1989 I did this painting of my beloved, cherished friend John Talbot Wallis. He was staying with me at my little basement apartment in St. Paul, trying to kick heroin. It didn’t work out for him, and he went back to NY and relapsed immediately. I desperately hope he is still alive. Last I heard, in the mid-90s, he was very deep in addiction and had apparently lost most of his teeth. The odds aren’t good, but we junkies are tough as cockroaches. I’ve said a prayer for him every night for almost thirty years.

This was one of the earliest portraits I ever painted, though I had drawn quite a few by this point. To get ready for going back to art school full time, I was taking a painting class in downtown St. Paul, an extension class from the Minneapolis College of Design, with a wonderful woman professor, Elizabeth Erickson.

I started out painting in acrylic, though there is tremendous bias against acrylics in the figurative and especially portrait painting community.

I really appreciated my teacher’s willingness to let me use acrylics. I was afraid I would have problems with my sobriety if I used oil paints, which involve solvents. I had never been an inhalant abuser, but I was less than a year sober and I wasn’t taking any chances!

Portrait painting of JTW Fall 1989 by Rachel Ketchum aka Suzanne ForbesBecause it was a beginner’s class, we started in a limited palette, and the painting above really shows how new I was to handling paint.

I liked acrylics and it turned they are perfectly suited for my run-and-gun, punk rock style of painting, so I’ve never looked back. Detail portrait of John Talbot Wallis by Suzanne Forbes aka Rachel Ketchum Fall 1989My palette was a lot more Fauvist early on, partly because I didn’t know how to mix colors or how to see color temperature in shadows.

I had never intended to be a painter – I was gonna be a comic penciller, and have colorists to take care of that!  So I had paid little attention to my color theory class at Parsons and stubbornly avoided working in color as much as possible. It was really an accident that led me to becoming a painter, that the only class in the extension program that Fall was a painting class, and that I loved my teacher.  I also just really love Fauvism, and I still think my early paintings are terrific examples.

This portrait of John, an homage to The Green Stripe aka Portrait of Madame Matisse, is probably one of the top ten likenesses I’ve ever achieved.

This IS John, who I met at Stuyvesant a day or two after my fourteenth birthday and was close friends and sometimes friends with benefits with til I was 23. He was literally the jolliest drunk I have ever met, a vibrant, loving, wildly creative guy without a mean bone in his body. He was a drummer, an artist, a rapper, and a lover who adored pleasing women.

He turned me on to NWA and The Tubes, and we walked thousands of miles together over Manhattan Island in the 80s. We logged thousands of hours hanging out, writing graffiti, drinking beer, roaming the city or watching MTV. We used to do acid and heroin and watch Jaws 3 in 3D with the colors on the television reversed, laughing hysterically. He had a heart the size of Central Park. Merciful Goddess, I hope he is still alive.

detail Portrait of Brad Geiken by Suzanne Forbes aka Rachel Ketchum Fall 1990Another redhead, fellow MCAD painter Brad Geiken.

I painted this in the fall of 1990, I think, when Brad and I were together. Brad was a terrific, terrific painter and a really nice boyfriend. He looks mean here but that is the fault of me as the painter, not the man. Or he was mad because I was a shitty girlfriend and he deserved better. He had the most beautiful red hair.

Portrait painting of Brad Geiken prob Fall 1990 by Rachel Ketchum aka Suzanne Forbes editHere is another painting of Brad, unfinished. I wish I’d finished this one. What a great subject to paint he was!
Portrait painting of Brad Geiken prob Fall 1990 by Rachel Ketchum aka Suzanne Forbes edit

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Until today, no record of these paintings existed – if we had a fire or flood they would just be gone forever.