Tag Archives: acrylic painting

New portrait painting: Lolita in Latex!

Work in process detail Lolita Vavoom by Suzanne Forbes Feb 26 2019The moment I saw Lolita Vavoom performing, I knew I wanted to paint her.

She is a VERY busy person, with producing the Berlin Burlesque Week, Jews! Jews! Jews! and touring all over as a performer, so it took time to schedule. We got started with a first sitting last night though, with Lolita wearing custom latex by a local artist.

Work in process face detail Lolita Vavoom by Suzanne Forbes Feb 26 2019I actually took pictures of the process periodically, which I don’t often remember to do.

I thought my Patrons on Patreon, who provide the funding for my art, might enjoy them.work in process 4 stages of portrait of Lolita Vavoom by Suzanne Forbes Feb 26 2019

I reconvene with Lolita at the end of the month, as she’ll be touring all over between now and then.

Here’s her Insta for peeks! Meanwhile, if you’re in Berlin, mark your calendars for Berlin Burlesque Week in May! Here’s the Instagram for updates and news! And here’s my first drawing of Lolita, performing with Full Moon Cabaret – speaking of which, some pretty exciting Full Moon drawings coming soon 🙂

Archiving some very early portrait paintings.

Portrait of John Talbot Wallis by Suzanne Forbes aka Rachel Ketchum fall 1989One of the very first portraits I ever painted.

In early Fall 1989 I did this painting of my beloved, cherished friend John Talbot Wallis. He was staying with me at my little basement apartment in St. Paul, trying to kick heroin. It didn’t work out for him, and he went back to NY and relapsed immediately. I desperately hope he is still alive. Last I heard, in the mid-90s, he was very deep in addiction and had apparently lost most of his teeth. The odds aren’t good, but we junkies are tough as cockroaches. I’ve said a prayer for him every night for almost thirty years.

This was one of the earliest portraits I ever painted, though I had drawn quite a few by this point. To get ready for going back to art school full time, I was taking a painting class in downtown St. Paul, an extension class from the Minneapolis College of Design, with a wonderful woman professor, Elizabeth Erickson.

I started out painting in acrylic, though there is tremendous bias against acrylics in the figurative and especially portrait painting community.

I really appreciated my teacher’s willingness to let me use acrylics. I was afraid I would have problems with my sobriety if I used oil paints, which involve solvents. I had never been an inhalant abuser, but I was less than a year sober and I wasn’t taking any chances!

Portrait painting of JTW Fall 1989 by Rachel Ketchum aka Suzanne ForbesBecause it was a beginner’s class, we started in a limited palette, and the painting above really shows how new I was to handling paint.

I liked acrylics and it turned they are perfectly suited for my run-and-gun, punk rock style of painting, so I’ve never looked back. Detail portrait of John Talbot Wallis by Suzanne Forbes aka Rachel Ketchum Fall 1989My palette was a lot more Fauvist early on, partly because I didn’t know how to mix colors or how to see color temperature in shadows.

I had never intended to be a painter – I was gonna be a comic penciller, and have colorists to take care of that!  So I had paid little attention to my color theory class at Parsons and stubbornly avoided working in color as much as possible. It was really an accident that led me to becoming a painter, that the only class in the extension program that Fall was a painting class, and that I loved my teacher.  I also just really love Fauvism, and I still think my early paintings are terrific examples.

This portrait of John, an homage to The Green Stripe aka Portrait of Madame Matisse, is probably one of the top ten likenesses I’ve ever achieved.

This IS John, who I met at Stuyvesant a day or two after my fourteenth birthday and was close friends and sometimes friends with benefits with til I was 23. He was literally the jolliest drunk I have ever met, a vibrant, loving, wildly creative guy without a mean bone in his body. He was a drummer, an artist, a rapper, and a lover who adored pleasing women.

He turned me on to NWA and The Tubes, and we walked thousands of miles together over Manhattan Island in the 80s. We logged thousands of hours hanging out, writing graffiti, drinking beer, roaming the city or watching MTV. We used to do acid and heroin and watch Jaws 3 in 3D with the colors on the television reversed, laughing hysterically. He had a heart the size of Central Park. Merciful Goddess, I hope he is still alive.

detail Portrait of Brad Geiken by Suzanne Forbes aka Rachel Ketchum Fall 1990Another redhead, fellow MCAD painter Brad Geiken.

I painted this in the fall of 1990, I think, when Brad and I were together. Brad was a terrific, terrific painter and a really nice boyfriend. He looks mean here but that is the fault of me as the painter, not the man. Or he was mad because I was a shitty girlfriend and he deserved better. He had the most beautiful red hair.

Portrait painting of Brad Geiken prob Fall 1990 by Rachel Ketchum aka Suzanne Forbes editHere is another painting of Brad, unfinished. I wish I’d finished this one. What a great subject to paint he was!
Portrait painting of Brad Geiken prob Fall 1990 by Rachel Ketchum aka Suzanne Forbes edit

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

Until today, no record of these paintings existed – if we had a fire or flood they would just be gone forever.