Category Archives: Art

Artwork and various creative projects and obsessions from Berlin artist Suzanne Forbes.

Horrible creature attacks in the night!

bad little cat drawing Suzanne Forbes 2016 CUWe have a bad little cat.

Morgan, our smart cat, is ravishingly sleek and pretty, and frighteningly bright. She controls our entire household. She regards its members as “Daddy” (highly valued and fun to torment), “Not-Daddy” ( a useful servant), and “The Pet Thing She Beats On and Sometimes Washes” (luckily Viviane is covered in luxuriant fluffy fur, which protects her from much of the daily abuse.)

Recently, the bad cat has developed a habit of climbing up from my lap (her sleeping place from two to five a.m.) and biting my arm in the same kind of neat, not-quite-breaking-the-skin, dainty but not pleasant bites she uses to indicate dissatisfaction with petting method. She bites in a row, little bites, until I wake up, go to throw this attacker off me, realize that it’s Morgan and she’s honoring me with her attention, and attempt to return to sleep while being bitten.bad little cat Suzanne Forbes 2016 CU

morganbitesShe also uses this method to neatly, row by row, shred boxes and documents (see picture). The things we do, and put up with, for love.

You can see D is smiling in his sleep because he’s not the one she’s bothering. “Do it to Julia Suzanne! Do it to Suzanne!”

We tolerate Morgan’s abuse because our household practices the religion of Cat Non-Disturber.

I lived for two years in a Cat Disturber household, where if a cat got on your lap right when you were going to get up you just casually removed the cat from your lap. Well, not my lap, of course, but the Disturbers’ laps. Every time I saw them do it I felt like the universe was going to crack apart and explode.

Of course, our house also practises “Cat Scooper-Upper“; one of my beloved friend-muse-patrons has a Consent-Based Cat Interaction household, where scooping a kitty up into your arms is heresy. We all choose our own way to worship; not judging anybody else’s. Just trying to get along with Herself, day to day. What’s your Cat Religion?

How Patreon has changed my life as an artist.

Suzanne Forbes is on PatreonYou might not think 400 bucks a month would make much of a difference. You’d be wrong.

Last summer there were some scary times. Moving to Berlin cost us much more than we imagined or planned for, despite my years of careful planning. There were unexpected disasters. In May I had to go on twitter and beg my community for help to pay for my meds, because we weren’t on German health insurance yet and were paying hundreds of euros out of pocket each month for asthma meds, antidepressants, and thyroid meds.

Several beloved friends (also artists) strongly suggested I get a Patreon set up so I’d have a reliable source of income, and pledged to support me.

Before that, I knew about Patreon and in fact already supported several friends on it, but I was like, but what if no-one cares about my work? What if it’s a humiliating failure? I couldn’t support myself as a freelance artist in the Bay Area; doesn’t that prove people don’t want the kind of work I do? WIth the encouragement of my friends and the crisis fresh in my mind, I went ahead and did it anyway. And people signed up! The feeling was incredible.

I felt like, these people think my life’s work has merit. They want me to be able to do it AND buy groceries.

And in Berlin, 400 bucks buys a LOT of groceries. I set my Patreon up as a per-piece of content subscription, so I can do as much or as little work as I want. I know how much money I’ll bring in based on how much I work. Each month, the money has been incredibly helpful, even as our situation has grown more secure and stable.

Each month, the money comes in at the same time- I can budget with it!

I have never had anything like that ever in my life as an artist, except when I worked for DC on Star Trek. When I was a courtroom artist, whether I would work on a given day was completely unpredictable. (It depended on witnesses, juror selection etc. ) As a portrait artist, getting commissions is completely, entirely random, and the timeline for finishing portraits includes complex scheduling. When I taught drawing on Capitol Hill, it was only a supplement to my day job at Dean&DeLuca, so the money didn’t impact my budget much.

SImply to know that there is money I can count on, I can measure, for my work, is so nurturing.

Original eyeball drawing by Suzanne Forbes 2015I can use Patreon flexibly, based on my (teeny) other income as an artist. Last month I was crazy busy with unpacking our stuff from the shipping container, so I didn’t post as much.

This month, I’m posting more because the class I’m teaching pays only about 50€ per session (it’s a small class).

I can go ahead and teach a small class, because I know that I can use Patreon posts to develop the course material and post it as tutorials.

Head construction by Suzanne Forbes 2016Like the “Let’s Talk about Skulls” post which is the foundation for the first class, which I’ll be teaching tonight. The trip to ESDIP, where I teach, is about 2.5 hours round-trip, so I can use the time on the U-Bahn to draw more course materials.

Knowing this makes me feel so supported, so safe, so valued. I can’t thank you enough for the way this has changed how I work.

Your support has made an incredible difference in my self-esteem and peace of mind.

Thank you, and I love you.

Sales Pitch: As my Patreon has grown, I’ve been able to post less if I need to take more time for each post. This is a big deal for an artist who is disabled and has issues with having enough spoons.

If my Patreon grows just a little more, I can start doing some video tutorials. That might mean I only post once or twice that particular month, but the content would be amazing and useful to so many people! And eventually, I might have a Youtube channel, which would also help me buy groceries!