Author Archives: Suzanne Forbes

About Suzanne Forbes

Suzanne Forbes is a traditionally trained figurative artist who makes documentary art of queer culture and Berlin life. She also works in mixed media. She is a former New Yorker who immigrated to Berlin with her third husband and their two cats. Her work is crowdfunded by the support of her Patrons on Patreon; you could help! In previous lives Suzanne was a graffiti artist in downtown NY, a courtroom artist for CBS and CNN, a penciller for DC Comics on Star Trek, and a live-drawing chronicler of Bay Area alternative culture.

Happy in Berlin- our one-year anniversary!

glucklich in berlin Suzanne Forbes 2016We’ve been here one year today.

To celebrate, I walked over to the doctor and paid nothing, and took my prescription to a random Apoteke and paid 7.73€ for my Advair Diskus (copay $35 on Blue Cross Blue Shield PPO when we left), no waiting. Then I went to a supermarket and bought couverture, candied orange peel and Kerrygold Irish butter (all expensive luxury items in the US).

I also bought a Kinder Egg for my husband.

Then I came home to our beautiful flat, where soon D. will arrive to enjoy his four-day Easter weekend. Tomorrow we’re going to an Easter Friday dinner at the home of Australian friends who live across the street from the goth club in Prenzlauer Berg. I’m making chocolate orange flapjacks, with Lyle’s Golden Syrup I got at KaDeWe. I feel like we won the lottery, every day.

I have this new thing I do, since our shipping container arrived. I lie in bed next to my hubby, listening to the silence of our building and the courtyard, and I just…relax. I lie there, completely at peace and unafraid, with everything in the world I need. I listen to the silence in my own head, where for so many years there was a cacophony of terror.

I can’t begin to express our gratitude to the family and friends who got us here and helped us stay. You saved our souls, our health, and maybe our lives.


Glücklich in Berlin by Anna Depenbusch.*

Hello, how nice you here to go good to see, it seems you
I think you are happy in Berlin
Your big dream to many years finally be many seems true
Part of me wishes you good luck THEREFOR
And a part of me wants you here her back

Yes, it’s nice if you tell me who you meet and so you had play
In dieser city you know your way
I mean who longs as home?
A part of me is very happy for you
And part thinks: Berlin War ‘Not for me

Too big, too small, too close, too far
The one goes, the other remains
I envy you was’ somehow lied
but it’s great, you have hit the jackpot

You say you’re now in the middle because everything else makes no sense
Because here begins the wide world and it sounds true life
Part of me wonders What is the whole search
And part hopes that you are happy

Too big, too small, too close, too far
The one goes, the other remains
Part of me wishes you luck with all your heart
And a part of me wants you here her back

Too big, too small, too close, too far
The one goes, the other remains
Part of me wishes you good luck
Part of me wants you back
to envy would ‘somehow lied
but it’s great, you have hit the jackpot

Hello, how nice you here to go good to see, it seems you
I think you are happy in Berlin

*lyrics courtesy google translate. I am sure I could get a better translation, but I really like this one.

*ps if you’re coming to visit though could you bring me some American deodorant. German low-aluminum-content stuff is no match for perimenopause sweats and I smell like a horse sometimes.

How Patreon has changed my life as an artist.

Suzanne Forbes is on PatreonYou might not think 400 bucks a month would make much of a difference. You’d be wrong.

Last summer there were some scary times. Moving to Berlin cost us much more than we imagined or planned for, despite my years of careful planning. There were unexpected disasters. In May I had to go on twitter and beg my community for help to pay for my meds, because we weren’t on German health insurance yet and were paying hundreds of euros out of pocket each month for asthma meds, antidepressants, and thyroid meds.

Several beloved friends (also artists) strongly suggested I get a Patreon set up so I’d have a reliable source of income, and pledged to support me.

Before that, I knew about Patreon and in fact already supported several friends on it, but I was like, but what if no-one cares about my work? What if it’s a humiliating failure? I couldn’t support myself as a freelance artist in the Bay Area; doesn’t that prove people don’t want the kind of work I do? WIth the encouragement of my friends and the crisis fresh in my mind, I went ahead and did it anyway. And people signed up! The feeling was incredible.

I felt like, these people think my life’s work has merit. They want me to be able to do it AND buy groceries.

And in Berlin, 400 bucks buys a LOT of groceries. I set my Patreon up as a per-piece of content subscription, so I can do as much or as little work as I want. I know how much money I’ll bring in based on how much I work. Each month, the money has been incredibly helpful, even as our situation has grown more secure and stable.

Each month, the money comes in at the same time- I can budget with it!

I have never had anything like that ever in my life as an artist, except when I worked for DC on Star Trek. When I was a courtroom artist, whether I would work on a given day was completely unpredictable. (It depended on witnesses, juror selection etc. ) As a portrait artist, getting commissions is completely, entirely random, and the timeline for finishing portraits includes complex scheduling. When I taught drawing on Capitol Hill, it was only a supplement to my day job at Dean&DeLuca, so the money didn’t impact my budget much.

SImply to know that there is money I can count on, I can measure, for my work, is so nurturing.

Original eyeball drawing by Suzanne Forbes 2015I can use Patreon flexibly, based on my (teeny) other income as an artist. Last month I was crazy busy with unpacking our stuff from the shipping container, so I didn’t post as much.

This month, I’m posting more because the class I’m teaching pays only about 50€ per session (it’s a small class).

I can go ahead and teach a small class, because I know that I can use Patreon posts to develop the course material and post it as tutorials.

Head construction by Suzanne Forbes 2016Like the “Let’s Talk about Skulls” post which is the foundation for the first class, which I’ll be teaching tonight. The trip to ESDIP, where I teach, is about 2.5 hours round-trip, so I can use the time on the U-Bahn to draw more course materials.

Knowing this makes me feel so supported, so safe, so valued. I can’t thank you enough for the way this has changed how I work.

Your support has made an incredible difference in my self-esteem and peace of mind.

Thank you, and I love you.

Sales Pitch: As my Patreon has grown, I’ve been able to post less if I need to take more time for each post. This is a big deal for an artist who is disabled and has issues with having enough spoons.

If my Patreon grows just a little more, I can start doing some video tutorials. That might mean I only post once or twice that particular month, but the content would be amazing and useful to so many people! And eventually, I might have a Youtube channel, which would also help me buy groceries!